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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF35F it is the complementary color #B40CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF35F shade: #50F35A, #61FF6D, #72FF80, #83FF93 and #94FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF35F shade: #4BF35F, #3AE14C, #29CF39, #18BD26 and #07AB13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF35F shade: #49F35D, #63F349, #91F349, #BFF349 and #ECF349

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF35F shade: #49F35D, #49F38B, #49F3B9, #49F3E7 and #49D2F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF35F shade matches the following richer shades: #49F35D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF35F shade: #49F35D, #59E469, #68D475, #78C481 and #88B58D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF35F shade: #90F349, #62F349, #49F35D, #49F38A and #49F3B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF35F shade: #0EDC26, #22F13B, #49F35D, #70F680 and #96F8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF35F shade: #4BF35F, #49BDF3 and #F34979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF35F shade: #4BF35F, #5D49F3 and #F35D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF35F shade: #4BF35F, #49BDF3, #F349DF and #F37F49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF35F shade: #4BF35F, #498AF3, #F349DF and #F3B249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

Complementary color

CMYK 0 / 93 / 11 / 29

HEX #B40CA0

RGB 180 12 160

HSL 307.14, 0.88%, 0.38%

LAB 42.01, 71.6, -36.12

 

CMYK 67 / 0 / 63 / 5

HEX #50F35A

RGB 80 243 90

HSL 123.68, 0.87%, 0.63%

LAB 85.27, -70.77, 59.88

 

CMYK 62 / 0 / 57 / 0

HEX #61FF6D

RGB 97 255 109

HSL 124.56, 1%, 0.69%

LAB 89.47, -69.44, 56.68

 

CMYK 55 / 0 / 50 / 0

HEX #72FF80

RGB 114 255 128

HSL 125.96, 1%, 0.72%

LAB 90.16, -63.35, 49.02

 

CMYK 49 / 0 / 42 / 0

HEX #83FF93

RGB 131 255 147

HSL 127.74, 1%, 0.76%

LAB 90.99, -56.48, 41.11

 

CMYK 42 / 0 / 35 / 0

HEX #94FFA6

RGB 148 255 166

HSL 130.09, 1%, 0.79%

LAB 91.94, -48.97, 33.11

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 74 / 0 / 66 / 12

HEX #3AE14C

RGB 58 225 76

HSL 126.47, 0.74%, 0.55%

LAB 79.2, -70, 58.76

 

CMYK 80 / 0 / 72 / 19

HEX #29CF39

RGB 41 207 57

HSL 125.78, 0.67%, 0.49%

LAB 73.15, -68.39, 59.53

 

CMYK 87 / 0 / 80 / 26

HEX #18BD26

RGB 24 189 38

HSL 125.09, 0.77%, 0.42%

LAB 67.07, -66.11, 59.72

 

CMYK 96 / 0 / 89 / 33

HEX #07AB13

RGB 7 171 19

HSL 124.39, 0.92%, 0.35%

LAB 60.97, -62.98, 58.88

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 59 / 0 / 70 / 5

HEX #63F349

RGB 99 243 73

HSL 110.82, 0.88%, 0.62%

LAB 85.62, -68.4, 66.98

 

CMYK 40 / 0 / 70 / 5

HEX #91F349

RGB 145 243 73

HSL 94.59, 0.88%, 0.62%

LAB 87.29, -55.72, 69.22

 

CMYK 21 / 0 / 70 / 5

HEX #BFF349

RGB 191 243 73

HSL 78.35, 0.88%, 0.62%

LAB 89.7, -39.61, 72.43

 

CMYK 3 / 0 / 70 / 5

HEX #ECF349

RGB 236 243 73

HSL 62.47, 0.88%, 0.62%

LAB 92.76, -21.93, 76.47

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 70 / 0 / 43 / 5

HEX #49F38B

RGB 73 243 139

HSL 143.29, 0.88%, 0.62%

LAB 85.7, -65.35, 37.88

 

CMYK 70 / 0 / 24 / 5

HEX #49F3B9

RGB 73 243 185

HSL 159.53, 0.88%, 0.62%

LAB 86.51, -56.39, 15.63

 

CMYK 70 / 0 / 5 / 5

HEX #49F3E7

RGB 73 243 231

HSL 175.76, 0.88%, 0.62%

LAB 87.62, -45.13, -6.76

 

CMYK 70 / 14 / 0 / 5

HEX #49D2F3

RGB 73 210 243

HSL 191.65, 0.88%, 0.62%

LAB 78.45, -26.36, -26.91

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 61 / 0 / 54 / 11

HEX #59E469

RGB 89 228 105

HSL 126.91, 0.72%, 0.62%

LAB 81.09, -62.12, 48.51

 

CMYK 51 / 0 / 45 / 17

HEX #68D475

RGB 104 212 117

HSL 127.22, 0.56%, 0.62%

LAB 76.87, -50.79, 37.61

 

CMYK 39 / 0 / 34 / 23

HEX #78C481

RGB 120 196 129

HSL 127.11, 0.39%, 0.62%

LAB 72.93, -37.49, 26.44

 

CMYK 25 / 0 / 22 / 29

HEX #88B58D

RGB 136 181 141

HSL 126.67, 0.23%, 0.62%

LAB 69.62, -23.07, 15.62

 

CMYK 41 / 0 / 70 / 5

HEX #90F349

RGB 144 243 73

HSL 94.94, 0.88%, 0.62%

LAB 87.25, -56.04, 69.16

 

CMYK 60 / 0 / 70 / 5

HEX #62F349

RGB 98 243 73

HSL 111.18, 0.88%, 0.62%

LAB 85.59, -68.63, 66.94

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 70 / 0 / 43 / 5

HEX #49F38A

RGB 73 243 138

HSL 142.94, 0.88%, 0.62%

LAB 85.68, -65.52, 38.35

 

CMYK 70 / 0 / 24 / 5

HEX #49F3B8

RGB 73 243 184

HSL 159.18, 0.88%, 0.62%

LAB 86.49, -56.61, 16.12

 

CMYK 94 / 0 / 83 / 14

HEX #0EDC26

RGB 14 220 38

HSL 126.99, 0.88%, 0.46%

LAB 76.93, -75.48, 68.86

 

CMYK 86 / 0 / 76 / 5

HEX #22F13B

RGB 34 241 59

HSL 127.25, 0.88%, 0.54%

LAB 83.74, -78.83, 69.43

 

CMYK 70 / 0 / 62 / 5

HEX #49F35D

RGB 73 243 93

HSL 127.06, 0.88%, 0.62%

LAB 85.15, -71.67, 58.45

 

CMYK 54 / 0 / 48 / 4

HEX #70F680

RGB 112 246 128

HSL 127.16, 0.88%, 0.7%

LAB 87.44, -60.46, 45.64

 

CMYK 40 / 0 / 35 / 3

HEX #96F8A2

RGB 150 248 162

HSL 127.35, 0.88%, 0.78%

LAB 89.96, -46.07, 32.5

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 70 / 22 / 0 / 5

HEX #49BDF3

RGB 73 189 243

HSL 199.06, 0.88%, 0.62%

LAB 72.42, -15.62, -36.21

 

CMYK 0 / 70 / 50 / 5

HEX #F34979

RGB 243 73 121

HSL 343.06, 0.88%, 0.62%

LAB 57.27, 67.41, 11.33

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 62 / 70 / 0 / 5

HEX #5D49F3

RGB 93 73 243

HSL 247.06, 0.88%, 0.62%

LAB 43.6, 55.02, -82.26

 

CMYK 0 / 62 / 70 / 5

HEX #F35D49

RGB 243 93 73

HSL 7.06, 0.88%, 0.62%

LAB 59.31, 56.46, 41.55

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 70 / 22 / 0 / 5

HEX #49BDF3

RGB 73 189 243

HSL 199.06, 0.88%, 0.62%

LAB 72.42, -15.62, -36.21

 

CMYK 0 / 70 / 8 / 5

HEX #F349DF

RGB 243 73 223

HSL 307.06, 0.88%, 0.62%

LAB 60.91, 79.16, -42.17

 

CMYK 0 / 48 / 70 / 5

HEX #F37F49

RGB 243 127 73

HSL 19.06, 0.88%, 0.62%

LAB 65.53, 40.46, 48.58

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 70 / 43 / 0 / 5

HEX #498AF3

RGB 73 138 243

HSL 217.06, 0.88%, 0.62%

LAB 58.1, 13.36, -58.79

 

CMYK 0 / 70 / 8 / 5

HEX #F349DF

RGB 243 73 223

HSL 307.06, 0.88%, 0.62%

LAB 60.91, 79.16, -42.17

 

CMYK 0 / 27 / 70 / 5

HEX #F3B249

RGB 243 178 73

HSL 37.06, 0.88%, 0.62%

LAB 76.91, 13.87, 60.78

 

Description

Color code: HEX #4BF35F | qconv.com Color code: HEX #4BF35F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 243 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 243 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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