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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24CF3E it is the complementary color #DB30C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24CF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24CF3E shade: #29CF39, #3AE14C, #4BF35F, #5CFF72 and #6DFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24CF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24CF3E shade: #24CF3E, #13BD2B, #02AB18, #009905 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24CF3E shade: #25D03F, #39D025, #67D025, #95D025 and #C4D025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24CF3E shade: #25D03F, #25D06D, #25D09B, #25D0C9 and #25A9D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24CF3E shade matches the following richer shades: #25D03F and #11E431

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24CF3E shade: #25D03F, #39BC4D, #4CA85A, #609568 and #748176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24CF3E shade: #66D025, #39D025, #25D03E, #25D06C and #25D09A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24CF3E shade: #188A2A, #1FAD34, #25D03F, #41DD58 and #64E477

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24CF3E shade: #24CF3E, #2594D0 and #D02550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24CF3E shade: #24CF3E, #3E25D0 and #D03E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24CF3E shade: #24CF3E, #2594D0, #D025B6 and #D06125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24CF3E shade: #24CF3E, #2561D0, #D025B6 and #D09425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

Complementary color

CMYK 0 / 78 / 12 / 14

HEX #DB30C1

RGB 219 48 193

HSL 309.12, 0.7%, 0.52%

LAB 52.98, 77.06, -37.81

 

CMYK 80 / 0 / 72 / 19

HEX #29CF39

RGB 41 207 57

HSL 125.78, 0.67%, 0.49%

LAB 73.15, -68.39, 59.53

 

CMYK 74 / 0 / 66 / 12

HEX #3AE14C

RGB 58 225 76

HSL 126.47, 0.74%, 0.55%

LAB 79.2, -70, 58.76

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 64 / 0 / 55 / 0

HEX #5CFF72

RGB 92 255 114

HSL 128.1, 1%, 0.68%

LAB 89.4, -69.84, 54.35

 

CMYK 57 / 0 / 48 / 0

HEX #6DFF85

RGB 109 255 133

HSL 129.86, 1%, 0.71%

LAB 90.07, -63.8, 46.53

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 90 / 0 / 77 / 26

HEX #13BD2B

RGB 19 189 43

HSL 128.47, 0.82%, 0.41%

LAB 67.06, -66.16, 58.15

 

CMYK 99 / 0 / 86 / 33

HEX #02AB18

RGB 2 171 24

HSL 127.81, 0.98%, 0.34%

LAB 60.96, -63.02, 57.77

 

CMYK 100 / 0 / 97 / 40

HEX #009905

RGB 0 153 5

HSL 121.96, 1%, 0.3%

LAB 54.86, -58.71, 56.01

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 82 / 0 / 70 / 18

HEX #25D03F

RGB 37 208 63

HSL 129.12, 0.7%, 0.48%

LAB 73.46, -68.62, 57.61

 

CMYK 73 / 0 / 82 / 18

HEX #39D025

RGB 57 208 37

HSL 112.98, 0.7%, 0.48%

LAB 73.62, -67.75, 66.26

 

CMYK 50 / 0 / 82 / 18

HEX #67D025

RGB 103 208 37

HSL 96.84, 0.7%, 0.48%

LAB 74.91, -57.24, 67.91

 

CMYK 28 / 0 / 82 / 18

HEX #95D025

RGB 149 208 37

HSL 80.7, 0.7%, 0.48%

LAB 77.06, -41.78, 70.65

 

CMYK 6 / 0 / 82 / 18

HEX #C4D025

RGB 196 208 37

HSL 64.21, 0.7%, 0.48%

LAB 80.17, -22.94, 74.55

 

CMYK 82 / 0 / 70 / 18

HEX #25D03F

RGB 37 208 63

HSL 129.12, 0.7%, 0.48%

LAB 73.46, -68.62, 57.61

 

CMYK 82 / 0 / 48 / 18

HEX #25D06D

RGB 37 208 109

HSL 145.26, 0.7%, 0.48%

LAB 73.94, -62.76, 37.55

 

CMYK 82 / 0 / 25 / 18

HEX #25D09B

RGB 37 208 155

HSL 161.4, 0.7%, 0.48%

LAB 74.74, -53.62, 14.77

 

CMYK 82 / 0 / 3 / 18

HEX #25D0C9

RGB 37 208 201

HSL 177.54, 0.7%, 0.48%

LAB 75.9, -41.66, -8.27

 

CMYK 82 / 19 / 0 / 18

HEX #25A9D0

RGB 37 169 208

HSL 193.68, 0.7%, 0.48%

LAB 64.42, -20.68, -29.5

 

CMYK 82 / 0 / 70 / 18

HEX #25D03F

RGB 37 208 63

HSL 129.12, 0.7%, 0.48%

LAB 73.46, -68.62, 57.61

 

CMYK 93 / 0 / 79 / 11

HEX #11E431

RGB 17 228 49

HSL 129.1, 0.86%, 0.48%

LAB 79.52, -76.93, 68.32

 

CMYK 82 / 0 / 70 / 18

HEX #25D03F

RGB 37 208 63

HSL 129.12, 0.7%, 0.48%

LAB 73.46, -68.62, 57.61

 

CMYK 70 / 0 / 59 / 26

HEX #39BC4D

RGB 57 188 77

HSL 129.16, 0.53%, 0.48%

LAB 67.56, -57.83, 45.26

 

CMYK 55 / 0 / 46 / 34

HEX #4CA85A

RGB 76 168 90

HSL 129.13, 0.38%, 0.48%

LAB 61.9, -44.28, 32.11

 

CMYK 36 / 0 / 30 / 42

HEX #609568

RGB 96 149 104

HSL 129.06, 0.22%, 0.48%

LAB 57.06, -27.4, 18.34

 

CMYK 10 / 0 / 9 / 49

HEX #748176

RGB 116 129 118

HSL 129.23, 0.05%, 0.48%

LAB 52.64, -7.04, 4.33

 

CMYK 51 / 0 / 82 / 18

HEX #66D025

RGB 102 208 37

HSL 97.19, 0.7%, 0.48%

LAB 74.87, -57.53, 67.86

 

CMYK 73 / 0 / 82 / 18

HEX #39D025

RGB 57 208 37

HSL 112.98, 0.7%, 0.48%

LAB 73.62, -67.75, 66.26

 

CMYK 82 / 0 / 70 / 18

HEX #25D03E

RGB 37 208 62

HSL 128.77, 0.7%, 0.48%

LAB 73.45, -68.71, 57.98

 

CMYK 82 / 0 / 48 / 18

HEX #25D06C

RGB 37 208 108

HSL 144.91, 0.7%, 0.48%

LAB 73.93, -62.93, 38.03

 

CMYK 82 / 0 / 26 / 18

HEX #25D09A

RGB 37 208 154

HSL 161.05, 0.7%, 0.48%

LAB 74.72, -53.85, 15.28

 

CMYK 83 / 0 / 70 / 46

HEX #188A2A

RGB 24 138 42

HSL 129.47, 0.7%, 0.32%

LAB 50.14, -49.98, 41.25

 

CMYK 82 / 0 / 70 / 32

HEX #1FAD34

RGB 31 173 52

HSL 128.87, 0.7%, 0.4%

LAB 62.02, -59.48, 49.81

 

CMYK 82 / 0 / 70 / 18

HEX #25D03F

RGB 37 208 63

HSL 129.12, 0.7%, 0.48%

LAB 73.46, -68.62, 57.61

 

CMYK 71 / 0 / 60 / 13

HEX #41DD58

RGB 65 221 88

HSL 128.85, 0.7%, 0.56%

LAB 78.19, -66.34, 52.64

 

CMYK 56 / 0 / 48 / 11

HEX #64E477

RGB 100 228 119

HSL 128.91, 0.7%, 0.64%

LAB 81.58, -57.75, 42.55

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 82 / 29 / 0 / 18

HEX #2594D0

RGB 37 148 208

HSL 201.05, 0.7%, 0.48%

LAB 58.16, -9.25, -39.26

 

CMYK 0 / 82 / 62 / 18

HEX #D02550

RGB 208 37 80

HSL 344.91, 0.7%, 0.48%

LAB 46.06, 65.68, 19.67

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 70 / 82 / 0 / 18

HEX #3E25D0

RGB 62 37 208

HSL 248.77, 0.7%, 0.48%

LAB 31.58, 59.18, -82.17

 

CMYK 0 / 70 / 82 / 18

HEX #D03E25

RGB 208 62 37

HSL 8.77, 0.7%, 0.48%

LAB 48.25, 56.04, 46.88

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 82 / 29 / 0 / 18

HEX #2594D0

RGB 37 148 208

HSL 201.05, 0.7%, 0.48%

LAB 58.16, -9.25, -39.26

 

CMYK 0 / 82 / 13 / 18

HEX #D025B6

RGB 208 37 182

HSL 309.12, 0.7%, 0.48%

LAB 49.63, 75.9, -36.81

 

CMYK 0 / 53 / 82 / 18

HEX #D06125

RGB 208 97 37

HSL 21.05, 0.7%, 0.48%

LAB 54.13, 40.5, 52.27

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 82 / 53 / 0 / 18

HEX #2561D0

RGB 37 97 208

HSL 218.95, 0.7%, 0.48%

LAB 43.5, 22.01, -62.66

 

CMYK 0 / 82 / 13 / 18

HEX #D025B6

RGB 208 37 182

HSL 309.12, 0.7%, 0.48%

LAB 49.63, 75.9, -36.81

 

CMYK 0 / 29 / 82 / 18

HEX #D09425

RGB 208 148 37

HSL 38.95, 0.7%, 0.48%

LAB 65.53, 13.44, 62.39

 

Description

Color code: HEX #24CF3E | qconv.com Color code: HEX #24CF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 207 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 207 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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