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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC12E it is the complementary color #C03ED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC12E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3FC12E: #44C129, #55D33C, #66E54F, #77F762 and #88FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC12E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3FC12E: #3FC12E, #2EAF1B, #1D9D08, #0C8B00 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

Complementary color

CMYK 8 / 70 / 0 / 18

HEX #C03ED1

RGB 192 62 209

HSL 293.06, 0.62%, 0.53%

LAB 50.98, 69.55, -50.45

 

CMYK 65 / 0 / 79 / 24

HEX #44C129

RGB 68 193 41

HSL 109.34, 0.65%, 0.46%

LAB 69.13, -60.64, 61.05

 

CMYK 60 / 0 / 72 / 17

HEX #55D33C

RGB 85 211 60

HSL 110.07, 0.63%, 0.53%

LAB 75.36, -61.65, 61

 

CMYK 55 / 0 / 66 / 10

HEX #66E54F

RGB 102 229 79

HSL 110.8, 0.74%, 0.6%

LAB 81.53, -62.3, 60.4

 

CMYK 52 / 0 / 60 / 3

HEX #77F762

RGB 119 247 98

HSL 111.54, 0.9%, 0.68%

LAB 87.64, -62.68, 59.49

 

CMYK 47 / 0 / 54 / 0

HEX #88FF75

RGB 136 255 117

HSL 111.74, 1%, 0.73%

LAB 90.8, -59.08, 55.01

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 74 / 0 / 85 / 31

HEX #2EAF1B

RGB 46 175 27

HSL 112.3, 0.73%, 0.4%

LAB 62.78, -59.76, 58.86

 

CMYK 82 / 0 / 95 / 38

HEX #1D9D08

RGB 29 157 8

HSL 111.54, 0.9%, 0.32%

LAB 56.48, -57.41, 57

 

CMYK 91 / 0 / 100 / 45

HEX #0C8B00

RGB 12 139 0

HSL 114.82, 1%, 0.27%

LAB 50.15, -54.03, 53.08

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 77 / 0 / 73 / 24

HEX #2DC234

RGB 45 194 52

HSL 122.82, 0.62%, 0.47%

LAB 69.03, -64.28, 57.15

 

CMYK 77 / 0 / 60 / 24

HEX #2DC24D

RGB 45 194 77

HSL 132.89, 0.62%, 0.47%

LAB 69.24, -61.75, 47.15

 

CMYK 77 / 0 / 47 / 24

HEX #2DC266

RGB 45 194 102

HSL 142.95, 0.62%, 0.47%

LAB 69.54, -58.17, 35.51

 

CMYK 77 / 0 / 35 / 24

HEX #2DC27F

RGB 45 194 127

HSL 153.02, 0.62%, 0.47%

LAB 69.95, -53.53, 23.07

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 68 / 0 / 75 / 84

HEX #0D280A

RGB 13 40 10

HSL 114, 0.6%, 0.1%

LAB 13.38, -17.84, 15.22

 

CMYK 67 / 0 / 76 / 64

HEX #1E5B16

RGB 30 91 22

HSL 113.04, 0.61%, 0.22%

LAB 33.6, -33.96, 32.44

 

CMYK 68 / 0 / 76 / 44

HEX #2E8E22

RGB 46 142 34

HSL 113.33, 0.61%, 0.35%

LAB 51.89, -48.29, 46.4

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 77 / 7 / 0 / 24

HEX #2DB5C2

RGB 45 181 194

HSL 185.23, 0.62%, 0.47%

LAB 67.65, -30.49, -16.81

 

CMYK 0 / 77 / 37 / 24

HEX #C22D7A

RGB 194 45 122

HSL 328.99, 0.62%, 0.47%

LAB 45.29, 63.27, -7.73

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 77 / 68 / 0 / 24

HEX #2D3EC2

RGB 45 62 194

HSL 233.15, 0.62%, 0.47%

LAB 33.77, 40.03, -70.42

 

CMYK 0 / 77 / 68 / 24

HEX #C22D3E

RGB 194 45 62

HSL 353.15, 0.62%, 0.47%

LAB 43.79, 58.56, 27.27

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 77 / 7 / 0 / 24

HEX #2DB5C2

RGB 45 181 194

HSL 185.23, 0.62%, 0.47%

LAB 67.65, -30.49, -16.81

 

CMYK 9 / 77 / 0 / 24

HEX #B02DC2

RGB 176 45 194

HSL 292.75, 0.62%, 0.47%

LAB 45.64, 69.3, -50.49

 

CMYK 0 / 71 / 77 / 24

HEX #C2392D

RGB 194 57 45

HSL 4.83, 0.62%, 0.47%

LAB 45.06, 53.65, 38.66

 

CMYK 67 / 0 / 76 / 24

HEX #3FC12E

RGB 63 193 46

HSL 113.06, 0.62%, 0.47%

LAB 69.04, -61.35, 59.33

 

CMYK 77 / 29 / 0 / 24

HEX #2D89C2

RGB 45 137 194

HSL 202.95, 0.62%, 0.47%

LAB 54.39, -7.18, -37.25

 

CMYK 9 / 77 / 0 / 24

HEX #B02DC2

RGB 176 45 194

HSL 292.75, 0.62%, 0.47%

LAB 45.64, 69.3, -50.49

 

CMYK 0 / 47 / 77 / 24

HEX #C2662D

RGB 194 102 45

HSL 22.95, 0.62%, 0.47%

LAB 53.13, 32.64, 47

 

Description

Color code: HEX #3FC12E | qconv.com Color code: HEX #3FC12E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 193 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 193 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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