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Color name
HEX #50F43A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50F43A it is the complementary color #AF0BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50F43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50F43A shade: #55F435, #66FF48, #77FF5B, #88FF6E and #99FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50F43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50F43A shade: #50F43A, #3FE227, #2ED014, #1DBE01 and #0CAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50F43A shade: #4FF339, #82F339, #B4F339, #E6F339 and #F3CF39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50F43A shade: #4FF339, #39F356, #39F388, #39F3BA and #39F3EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50F43A shade matches the following richer shades: #4FF339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50F43A shade: #4FF339, #5CE34A, #69D25B, #76C16C and #83B07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50F43A shade: #B5F339, #84F339, #52F339, #39F352 and #39F384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50F43A shade: #23CE0C, #2DF112, #4FF339, #72F660 and #95F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50F43A shade: #50F43A, #39E7F3 and #F3399D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50F43A shade: #50F43A, #3952F3 and #F33952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50F43A shade: #50F43A, #39E7F3, #DB39F3 and #F34639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50F43A shade: #50F43A, #39AFF3, #DB39F3 and #F37E39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

Complementary color

CMYK 11 / 94 / 0 / 23

HEX #AF0BC5

RGB 175 11 197

HSL 292.9, 0.89%, 0.41%

LAB 43.34, 76.44, -55.94

 

CMYK 65 / 0 / 78 / 4

HEX #55F435

RGB 85 244 53

HSL 109.95, 0.9%, 0.58%

LAB 85.45, -73.05, 73.15

 

CMYK 60 / 0 / 72 / 0

HEX #66FF48

RGB 102 255 72

HSL 110.16, 1%, 0.64%

LAB 89.31, -71.83, 71.12

 

CMYK 53 / 0 / 64 / 0

HEX #77FF5B

RGB 119 255 91

HSL 109.76, 1%, 0.68%

LAB 89.95, -66.25, 64.92

 

CMYK 47 / 0 / 57 / 0

HEX #88FF6E

RGB 136 255 110

HSL 109.24, 1%, 0.72%

LAB 90.73, -59.85, 58.02

 

CMYK 40 / 0 / 49 / 0

HEX #99FF81

RGB 153 255 129

HSL 108.57, 1%, 0.75%

LAB 91.63, -52.74, 50.68

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 72 / 0 / 83 / 11

HEX #3FE227

RGB 63 226 39

HSL 112.3, 0.76%, 0.52%

LAB 79.38, -72.17, 71.05

 

CMYK 78 / 0 / 90 / 18

HEX #2ED014

RGB 46 208 20

HSL 111.7, 0.82%, 0.45%

LAB 73.38, -70.06, 69.52

 

CMYK 85 / 0 / 99 / 25

HEX #1DBE01

RGB 29 190 1

HSL 111.11, 0.99%, 0.37%

LAB 67.34, -67.27, 66.79

 

CMYK 93 / 0 / 100 / 33

HEX #0CAC00

RGB 12 172 0

HSL 115.81, 1%, 0.34%

LAB 61.29, -63.53, 62.01

 

CMYK 67 / 0 / 77 / 5

HEX #4FF339

RGB 79 243 57

HSL 112.9, 0.89%, 0.59%

LAB 85.03, -73.65, 71.53

 

CMYK 47 / 0 / 77 / 5

HEX #82F339

RGB 130 243 57

HSL 96.45, 0.89%, 0.59%

LAB 86.57, -61.31, 73.55

 

CMYK 26 / 0 / 77 / 5

HEX #B4F339

RGB 180 243 57

HSL 80.32, 0.89%, 0.59%

LAB 88.97, -44.54, 76.66

 

CMYK 5 / 0 / 77 / 5

HEX #E6F339

RGB 230 243 57

HSL 64.19, 0.89%, 0.59%

LAB 92.23, -25.04, 80.84

 

CMYK 0 / 15 / 77 / 5

HEX #F3CF39

RGB 243 207 57

HSL 48.39, 0.89%, 0.59%

LAB 83.95, -1.88, 73.71

 

CMYK 67 / 0 / 77 / 5

HEX #4FF339

RGB 79 243 57

HSL 112.9, 0.89%, 0.59%

LAB 85.03, -73.65, 71.53

 

CMYK 77 / 0 / 65 / 5

HEX #39F356

RGB 57 243 86

HSL 129.35, 0.89%, 0.59%

LAB 84.81, -74.74, 60.88

 

CMYK 77 / 0 / 44 / 5

HEX #39F388

RGB 57 243 136

HSL 145.48, 0.89%, 0.59%

LAB 85.38, -68.04, 38.88

 

CMYK 77 / 0 / 23 / 5

HEX #39F3BA

RGB 57 243 186

HSL 161.61, 0.89%, 0.59%

LAB 86.26, -58.15, 14.72

 

CMYK 77 / 0 / 3 / 5

HEX #39F3EC

RGB 57 243 236

HSL 177.74, 0.89%, 0.59%

LAB 87.5, -45.53, -9.59

 

CMYK 67 / 0 / 77 / 5

HEX #4FF339

RGB 79 243 57

HSL 112.9, 0.89%, 0.59%

LAB 85.03, -73.65, 71.53

 

CMYK 67 / 0 / 77 / 5

HEX #4FF339

RGB 79 243 57

HSL 112.9, 0.89%, 0.59%

LAB 85.03, -73.65, 71.53

 

CMYK 59 / 0 / 67 / 11

HEX #5CE34A

RGB 92 227 74

HSL 112.94, 0.73%, 0.59%

LAB 80.58, -64.43, 61.25

 

CMYK 50 / 0 / 57 / 18

HEX #69D25B

RGB 105 210 91

HSL 112.94, 0.57%, 0.59%

LAB 75.98, -53.17, 49.02

 

CMYK 39 / 0 / 44 / 24

HEX #76C16C

RGB 118 193 108

HSL 112.94, 0.41%, 0.59%

LAB 71.61, -40.05, 35.56

 

CMYK 26 / 0 / 29 / 31

HEX #83B07D

RGB 131 176 125

HSL 112.94, 0.24%, 0.59%

LAB 67.54, -25.1, 21.4

 

CMYK 26 / 0 / 77 / 5

HEX #B5F339

RGB 181 243 57

HSL 80, 0.89%, 0.59%

LAB 89.03, -44.17, 76.73

 

CMYK 46 / 0 / 77 / 5

HEX #84F339

RGB 132 243 57

HSL 95.81, 0.89%, 0.59%

LAB 86.65, -60.71, 73.65

 

CMYK 66 / 0 / 77 / 5

HEX #52F339

RGB 82 243 57

HSL 111.94, 0.89%, 0.59%

LAB 85.09, -73.09, 71.62

 

CMYK 77 / 0 / 66 / 5

HEX #39F352

RGB 57 243 82

HSL 128.06, 0.89%, 0.59%

LAB 84.78, -75.13, 62.43

 

CMYK 77 / 0 / 46 / 5

HEX #39F384

RGB 57 243 132

HSL 144.19, 0.89%, 0.59%

LAB 85.32, -68.7, 40.76

 

CMYK 83 / 0 / 94 / 19

HEX #23CE0C

RGB 35 206 12

HSL 112.89, 0.89%, 0.43%

LAB 72.58, -70.99, 69.88

 

CMYK 81 / 0 / 93 / 5

HEX #2DF112

RGB 45 241 18

HSL 112.74, 0.89%, 0.51%

LAB 83.71, -79.63, 78.46

 

CMYK 67 / 0 / 77 / 5

HEX #4FF339

RGB 79 243 57

HSL 112.9, 0.89%, 0.59%

LAB 85.03, -73.65, 71.53

 

CMYK 54 / 0 / 61 / 4

HEX #72F660

RGB 114 246 96

HSL 112.8, 0.89%, 0.67%

LAB 87.16, -63.8, 59.75

 

CMYK 40 / 0 / 46 / 3

HEX #95F887

RGB 149 248 135

HSL 112.57, 0.89%, 0.75%

LAB 89.52, -50.31, 45.19

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 77 / 5 / 0 / 5

HEX #39E7F3

RGB 57 231 243

HSL 183.87, 0.89%, 0.59%

LAB 84.22, -38.18, -18.18

 

CMYK 0 / 77 / 35 / 5

HEX #F3399D

RGB 243 57 157

HSL 327.74, 0.89%, 0.59%

LAB 56.5, 75.78, -11.04

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 77 / 66 / 0 / 5

HEX #3952F3

RGB 57 82 243

HSL 231.94, 0.89%, 0.59%

LAB 43.32, 46, -82.79

 

CMYK 0 / 77 / 66 / 5

HEX #F33952

RGB 243 57 82

HSL 351.94, 0.89%, 0.59%

LAB 54.65, 70.02, 30.86

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 77 / 5 / 0 / 5

HEX #39E7F3

RGB 57 231 243

HSL 183.87, 0.89%, 0.59%

LAB 84.22, -38.18, -18.18

 

CMYK 10 / 77 / 0 / 5

HEX #DB39F3

RGB 219 57 243

HSL 292.26, 0.89%, 0.59%

LAB 56.54, 82.29, -60.55

 

CMYK 0 / 71 / 77 / 5

HEX #F34639

RGB 243 70 57

HSL 4.19, 0.89%, 0.59%

LAB 55.82, 64.8, 46.27

 

CMYK 67 / 0 / 76 / 4

HEX #50F43A

RGB 80 244 58

HSL 112.9, 0.89%, 0.59%

LAB 85.36, -73.72, 71.55

 

CMYK 77 / 28 / 0 / 5

HEX #39AFF3

RGB 57 175 243

HSL 201.94, 0.89%, 0.59%

LAB 68.02, -10.05, -43.1

 

CMYK 10 / 77 / 0 / 5

HEX #DB39F3

RGB 219 57 243

HSL 292.26, 0.89%, 0.59%

LAB 56.54, 82.29, -60.55

 

CMYK 0 / 48 / 77 / 5

HEX #F37E39

RGB 243 126 57

HSL 22.26, 0.89%, 0.59%

LAB 65.18, 40.26, 55.83

 

Description

Color code: HEX #50F43A | qconv.com Color code: HEX #50F43A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 244 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 244 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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