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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F8ECE it is the complementary color #C07131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F8ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F8ECE shade: #448EC9, #55A0DC, #66B2EF, #77C4FF and #88D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F8ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F8ECE shade: #3F8ECE, #2E7CBB, #1D6AA8, #0C5895 and #004682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F8ECE shade: #408ECD, #4068CD, #4042CD, #6440CD and #8A40CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F8ECE shade: #408ECD, #4068CD, #4042CD and #4040CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F8ECE shade matches the following richer shades: #408ECD, #2D90E1 and #1992F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F8ECE shade: #408ECD, #538CBA, #678AA7, #7A8893 and #8E8680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F8ECE shade: #40CDBF, #40B6CD, #4090CD, #406ACD and #4045CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F8ECE shade: #266395, #2E79B6, #408ECD, #61A1D6 and #82B5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F8ECE shade: #3F8ECE, #9A40CD and #C9CD40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F8ECE shade: #3F8ECE, #CD4090 and #90CD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F8ECE shade: #3F8ECE, #9A40CD, #CD7D40 and #74CD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F8ECE shade: #3F8ECE, #C440CD, #CD7D40 and #49CD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

Complementary color

CMYK 0 / 41 / 74 / 25

HEX #C07131

RGB 192 113 49

HSL 26.85, 0.59%, 0.47%

LAB 55.32, 26.07, 47.26

 

CMYK 66 / 29 / 0 / 21

HEX #448EC9

RGB 68 142 201

HSL 206.62, 0.55%, 0.53%

LAB 56.87, -4.35, -37.27

 

CMYK 61 / 27 / 0 / 14

HEX #55A0DC

RGB 85 160 220

HSL 206.67, 0.66%, 0.6%

LAB 63.54, -5.33, -37.42

 

CMYK 57 / 26 / 0 / 6

HEX #66B2EF

RGB 102 178 239

HSL 206.72, 0.81%, 0.67%

LAB 70.1, -6.12, -37.56

 

CMYK 53 / 23 / 0 / 0

HEX #77C4FF

RGB 119 196 255

HSL 206.03, 1%, 0.73%

LAB 76.45, -7.65, -36.29

 

CMYK 47 / 16 / 0 / 0

HEX #88D6FF

RGB 136 214 255

HSL 200.67, 1%, 0.77%

LAB 82.13, -13.4, -27.48

 

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

CMYK 75 / 34 / 0 / 27

HEX #2E7CBB

RGB 46 124 187

HSL 206.81, 0.61%, 0.46%

LAB 50.2, -1.95, -39.85

 

CMYK 83 / 37 / 0 / 34

HEX #1D6AA8

RGB 29 106 168

HSL 206.76, 0.71%, 0.39%

LAB 43.35, -0.03, -39.65

 

CMYK 92 / 41 / 0 / 42

HEX #0C5895

RGB 12 88 149

HSL 206.72, 0.85%, 0.32%

LAB 36.42, 2.51, -39.38

 

CMYK 100 / 46 / 0 / 49

HEX #004682

RGB 0 70 130

HSL 207.69, 1%, 0.25%

LAB 29.39, 5.83, -39

 

CMYK 69 / 31 / 0 / 20

HEX #408ECD

RGB 64 142 205

HSL 206.81, 0.59%, 0.53%

LAB 56.92, -3.62, -39.46

 

CMYK 69 / 49 / 0 / 20

HEX #4068CD

RGB 64 104 205

HSL 222.98, 0.59%, 0.53%

LAB 46.18, 19.58, -56.57

 

CMYK 69 / 68 / 0 / 20

HEX #4042CD

RGB 64 66 205

HSL 239.15, 0.59%, 0.53%

LAB 36.73, 43.4, -71.93

 

CMYK 51 / 69 / 0 / 20

HEX #6440CD

RGB 100 64 205

HSL 255.32, 0.59%, 0.53%

LAB 39.21, 49.72, -67.75

 

CMYK 33 / 69 / 0 / 20

HEX #8A40CD

RGB 138 64 205

HSL 271.49, 0.59%, 0.53%

LAB 43.47, 56.72, -60.63

 

CMYK 69 / 31 / 0 / 20

HEX #408ECD

RGB 64 142 205

HSL 206.81, 0.59%, 0.53%

LAB 56.92, -3.62, -39.46

 

CMYK 69 / 49 / 0 / 20

HEX #4068CD

RGB 64 104 205

HSL 222.98, 0.59%, 0.53%

LAB 46.18, 19.58, -56.57

 

CMYK 69 / 68 / 0 / 20

HEX #4042CD

RGB 64 66 205

HSL 239.15, 0.59%, 0.53%

LAB 36.73, 43.4, -71.93

 

CMYK 69 / 69 / 0 / 20

HEX #4040CD

RGB 64 64 205

HSL 240, 0.59%, 0.53%

LAB 36.3, 44.58, -72.64

 

CMYK 69 / 31 / 0 / 20

HEX #408ECD

RGB 64 142 205

HSL 206.81, 0.59%, 0.53%

LAB 56.92, -3.62, -39.46

 

CMYK 80 / 36 / 0 / 12

HEX #2D90E1

RGB 45 144 225

HSL 207, 0.75%, 0.53%

LAB 57.98, -0.04, -49.03

 

CMYK 90 / 40 / 0 / 4

HEX #1992F4

RGB 25 146 244

HSL 206.85, 0.91%, 0.53%

LAB 59.25, 4.38, -57.57

 

CMYK 69 / 31 / 0 / 20

HEX #408ECD

RGB 64 142 205

HSL 206.81, 0.59%, 0.53%

LAB 56.92, -3.62, -39.46

 

CMYK 55 / 25 / 0 / 27

HEX #538CBA

RGB 83 140 186

HSL 206.8, 0.43%, 0.53%

LAB 56.23, -5.23, -29.73

 

CMYK 38 / 17 / 0 / 35

HEX #678AA7

RGB 103 138 167

HSL 207.19, 0.27%, 0.53%

LAB 55.94, -4.69, -19.23

 

CMYK 17 / 7 / 0 / 42

HEX #7A8893

RGB 122 136 147

HSL 206.4, 0.1%, 0.53%

LAB 55.94, -2.64, -7.6

 

CMYK 0 / 6 / 10 / 44

HEX #8E8680

RGB 142 134 128

HSL 25.71, 0.06%, 0.53%

LAB 56.45, 1.89, 4.29

 

CMYK 69 / 0 / 7 / 20

HEX #40CDBF

RGB 64 205 191

HSL 174.04, 0.59%, 0.53%

LAB 75.15, -40.22, -3.94

 

CMYK 69 / 11 / 0 / 20

HEX #40B6CD

RGB 64 182 205

HSL 189.79, 0.59%, 0.53%

LAB 68.72, -25.25, -21.21

 

CMYK 69 / 30 / 0 / 20

HEX #4090CD

RGB 64 144 205

HSL 205.96, 0.59%, 0.53%

LAB 57.51, -4.77, -38.55

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 69 / 66 / 0 / 20

HEX #4045CD

RGB 64 69 205

HSL 237.87, 0.59%, 0.53%

LAB 37.4, 41.6, -70.84

 

CMYK 74 / 34 / 0 / 42

HEX #266395

RGB 38 99 149

HSL 207.03, 0.59%, 0.37%

LAB 40.42, -1.87, -33

 

CMYK 75 / 34 / 0 / 29

HEX #2E79B6

RGB 46 121 182

HSL 206.91, 0.6%, 0.45%

LAB 49.05, -1.98, -38.78

 

CMYK 69 / 31 / 0 / 20

HEX #408ECD

RGB 64 142 205

HSL 206.81, 0.59%, 0.53%

LAB 56.92, -3.62, -39.46

 

CMYK 55 / 25 / 0 / 16

HEX #61A1D6

RGB 97 161 214

HSL 207.18, 0.59%, 0.61%

LAB 64.07, -5.4, -33.23

 

CMYK 41 / 18 / 0 / 13

HEX #82B5DE

RGB 130 181 222

HSL 206.74, 0.58%, 0.69%

LAB 71.6, -6.32, -25.88

 

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

CMYK 25 / 69 / 0 / 20

HEX #9A40CD

RGB 154 64 205

HSL 278.3, 0.59%, 0.53%

LAB 45.56, 59.98, -57.16

 

CMYK 2 / 0 / 69 / 20

HEX #C9CD40

RGB 201 205 64

HSL 61.7, 0.59%, 0.53%

LAB 79.87, -18.28, 66.11

 

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

CMYK 0 / 69 / 30 / 20

HEX #CD4090

RGB 205 64 144

HSL 325.96, 0.59%, 0.53%

LAB 50.29, 62.28, -13.35

 

CMYK 30 / 0 / 69 / 20

HEX #90CD40

RGB 144 205 64

HSL 85.96, 0.59%, 0.53%

LAB 76.05, -40.92, 61.01

 

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

CMYK 25 / 69 / 0 / 20

HEX #9A40CD

RGB 154 64 205

HSL 278.3, 0.59%, 0.53%

LAB 45.56, 59.98, -57.16

 

CMYK 0 / 39 / 69 / 20

HEX #CD7D40

RGB 205 125 64

HSL 25.96, 0.59%, 0.53%

LAB 59.9, 25.79, 45.4

 

CMYK 43 / 0 / 69 / 20

HEX #74CD40

RGB 116 205 64

HSL 97.87, 0.59%, 0.53%

LAB 74.66, -50.52, 59.15

 

CMYK 69 / 31 / 0 / 19

HEX #3F8ECE

RGB 63 142 206

HSL 206.85, 0.59%, 0.53%

LAB 56.94, -3.43, -40

 

CMYK 4 / 69 / 0 / 20

HEX #C440CD

RGB 196 64 205

HSL 296.17, 0.59%, 0.53%

LAB 51.62, 69, -47.11

 

CMYK 0 / 39 / 69 / 20

HEX #CD7D40

RGB 205 125 64

HSL 25.96, 0.59%, 0.53%

LAB 59.9, 25.79, 45.4

 

CMYK 64 / 0 / 69 / 20

HEX #49CD40

RGB 73 205 64

HSL 116.17, 0.59%, 0.53%

LAB 73.19, -61.93, 57.14

 

Description

Color code: HEX #3F8ECE | qconv.com Color code: HEX #3F8ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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