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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 18 / 0 / 13 it is the complementary color CMYK 0 / 41 / 73 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 18 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 18 / 0 / 13: CMYK 37 / 16 / 0 / 15, CMYK 35 / 15 / 0 / 7, CMYK 33 / 15 / 0 / 0, CMYK 27 / 7 / 0 / 0 and CMYK 20 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 18 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 18 / 0 / 13: CMYK 41 / 18 / 0 / 13, CMYK 44 / 19 / 0 / 20, CMYK 47 / 21 / 0 / 28, CMYK 52 / 22 / 0 / 35 and CMYK 57 / 25 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

Complementary color

CMYK 0 / 41 / 73 / 51

HEX #7C4921

RGB 124 73 33

HSL 26.37, 0.58%, 0.31%

LAB 36.29, 18.04, 32.35

 

CMYK 37 / 16 / 0 / 15

HEX #88B6D9

RGB 136 182 217

HSL 205.93, 0.52%, 0.69%

LAB 72.03, -6.6, -22.47

 

CMYK 35 / 15 / 0 / 7

HEX #99C8EC

RGB 153 200 236

HSL 206.02, 0.69%, 0.76%

LAB 78.54, -6.78, -22.75

 

CMYK 33 / 15 / 0 / 0

HEX #AADAFF

RGB 170 218 255

HSL 206.12, 1%, 0.83%

LAB 84.95, -6.93, -23.03

 

CMYK 27 / 7 / 0 / 0

HEX #BBECFF

RGB 187 236 255

HSL 196.76, 1%, 0.87%

LAB 90.68, -11.45, -14.3

 

CMYK 20 / 0 / 0 / 0

HEX #CCFEFF

RGB 204 254 255

HSL 181.18, 1%, 0.9%

LAB 96.39, -15.52, -5.71

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 44 / 19 / 0 / 20

HEX #72A4CB

RGB 114 164 203

HSL 206.29, 0.46%, 0.62%

LAB 65.31, -6.32, -25.15

 

CMYK 47 / 21 / 0 / 28

HEX #6192B8

RGB 97 146 184

HSL 206.21, 0.38%, 0.55%

LAB 58.56, -5.98, -24.93

 

CMYK 52 / 22 / 0 / 35

HEX #5080A5

RGB 80 128 165

HSL 206.12, 0.35%, 0.48%

LAB 51.68, -5.55, -24.73

 

CMYK 57 / 25 / 0 / 43

HEX #3F6E92

RGB 63 110 146

HSL 206.02, 0.4%, 0.41%

LAB 44.64, -4.99, -24.54

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 41 / 25 / 0 / 13

HEX #82A6DD

RGB 130 166 221

HSL 216.26, 0.57%, 0.69%

LAB 67.46, 1.68, -31.72

 

CMYK 41 / 32 / 0 / 13

HEX #8297DD

RGB 130 151 221

HSL 226.15, 0.57%, 0.69%

LAB 63.43, 10.22, -37.98

 

CMYK 41 / 38 / 0 / 13

HEX #8288DD

RGB 130 136 221

HSL 236.04, 0.57%, 0.69%

LAB 59.5, 18.96, -44.14

 

CMYK 37 / 41 / 0 / 13

HEX #8B82DD

RGB 139 130 221

HSL 245.93, 0.57%, 0.69%

LAB 58.67, 24.81, -45.41

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 39 / 17 / 0 / 93

HEX #0B0F12

RGB 11 15 18

HSL 205.71, 0.24%, 0.06%

LAB 4.12, -0.65, -2.02

 

CMYK 41 / 17 / 0 / 73

HEX #293945

RGB 41 57 69

HSL 205.71, 0.25%, 0.22%

LAB 23.09, -2.92, -9.49

 

CMYK 41 / 18 / 0 / 53

HEX #476278

RGB 71 98 120

HSL 206.94, 0.26%, 0.37%

LAB 40.3, -3.85, -15.53

 

CMYK 41 / 18 / 0 / 33

HEX #658CAB

RGB 101 140 171

HSL 206.57, 0.29%, 0.53%

LAB 56.55, -5.27, -20.6

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 15 / 41 / 0 / 13

HEX #BC82DD

RGB 188 130 221

HSL 278.24, 0.57%, 0.69%

LAB 63.24, 38.59, -37.91

 

CMYK 1 / 0 / 41 / 13

HEX #DADD82

RGB 218 221 130

HSL 61.98, 0.57%, 0.69%

LAB 86.12, -14.14, 44.23

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 0 / 41 / 18 / 13

HEX #DD82B6

RGB 221 130 182

HSL 325.71, 0.57%, 0.69%

LAB 65.53, 41.85, -12.2

 

CMYK 18 / 0 / 41 / 13

HEX #B6DD82

RGB 182 221 130

HSL 85.71, 0.57%, 0.69%

LAB 83.58, -27.84, 40.49

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 15 / 41 / 0 / 13

HEX #BC82DD

RGB 188 130 221

HSL 278.24, 0.57%, 0.69%

LAB 63.24, 38.59, -37.91

 

CMYK 0 / 24 / 41 / 13

HEX #DDA982

RGB 221 169 130

HSL 25.71, 0.57%, 0.69%

LAB 73.13, 14.1, 27.49

 

CMYK 26 / 0 / 41 / 13

HEX #A3DD82

RGB 163 221 130

HSL 98.24, 0.57%, 0.69%

LAB 82.44, -34.63, 38.8

 

CMYK 41 / 18 / 0 / 13

HEX #83B6DE

RGB 131 182 222

HSL 206.37, 0.58%, 0.69%

LAB 71.93, -6.6, -25.37

 

CMYK 3 / 41 / 0 / 13

HEX #D782DD

RGB 215 130 221

HSL 296.04, 0.57%, 0.69%

LAB 66.24, 46.6, -33.01

 

CMYK 0 / 24 / 41 / 13

HEX #DDA982

RGB 221 169 130

HSL 25.71, 0.57%, 0.69%

LAB 73.13, 14.1, 27.49

 

CMYK 38 / 0 / 41 / 13

HEX #88DD82

RGB 136 221 130

HSL 116.04, 0.57%, 0.69%

LAB 81.05, -43.5, 36.73

 

Description

Color code: CMYK 41 / 18 / 0 / 13 | qconv.com Color code: CMYK 41 / 18 / 0 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 182 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 182 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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