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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 69 / 0 / 20 it is the complementary color CMYK 69 / 0 / 73 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 69 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 69 / 0 / 20: CMYK 0 / 69 / 1 / 21, CMYK 0 / 63 / 0 / 15, CMYK 1 / 58 / 0 / 7, CMYK 1 / 54 / 0 / 0 and CMYK 0 / 47 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 69 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 69 / 0 / 20: CMYK 4 / 69 / 0 / 20, CMYK 3 / 76 / 0 / 27, CMYK 2 / 84 / 0 / 35, CMYK 1 / 94 / 0 / 42 and CMYK 0 / 100 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

Complementary color

CMYK 69 / 0 / 73 / 25

HEX #3BC033

RGB 59 192 51

HSL 116.6, 0.58%, 0.48%

LAB 68.66, -61.42, 57.21

 

CMYK 0 / 69 / 1 / 21

HEX #C93FC7

RGB 201 63 199

HSL 300.87, 0.56%, 0.52%

LAB 51.95, 69.48, -43.1

 

CMYK 0 / 63 / 0 / 15

HEX #DA51DA

RGB 218 81 218

HSL 300, 0.65%, 0.59%

LAB 57.9, 69.76, -44.36

 

CMYK 1 / 58 / 0 / 7

HEX #EB63ED

RGB 235 99 237

HSL 299.13, 0.79%, 0.66%

LAB 63.92, 69.67, -45.34

 

CMYK 1 / 54 / 0 / 0

HEX #FC75FF

RGB 252 117 255

HSL 298.7, 1%, 0.73%

LAB 69.92, 69.16, -45.65

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 3 / 76 / 0 / 27

HEX #B32DB9

RGB 179 45 185

HSL 297.43, 0.61%, 0.45%

LAB 45.58, 68.37, -45.29

 

CMYK 2 / 84 / 0 / 35

HEX #A21BA6

RGB 162 27 166

HSL 298.27, 0.72%, 0.38%

LAB 39.95, 66.66, -43.2

 

CMYK 1 / 94 / 0 / 42

HEX #910993

RGB 145 9 147

HSL 299.13, 0.88%, 0.31%

LAB 34.64, 63.65, -40.34

 

CMYK 0 / 100 / 0 / 50

HEX #800080

RGB 128 0 128

HSL 300, 1%, 0.25%

LAB 29.78, 58.94, -36.5

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 70 / 7 / 20

HEX #CB3DBD

RGB 203 61 189

HSL 305.92, 0.58%, 0.52%

LAB 51.51, 69.05, -37.99

 

CMYK 0 / 70 / 19 / 20

HEX #CB3DA5

RGB 203 61 165

HSL 316.06, 0.58%, 0.52%

LAB 50.39, 65.56, -25.68

 

CMYK 0 / 70 / 30 / 20

HEX #CB3D8E

RGB 203 61 142

HSL 325.77, 0.58%, 0.52%

LAB 49.48, 62.6, -13.4

 

CMYK 0 / 70 / 42 / 20

HEX #CB3D76

RGB 203 61 118

HSL 335.92, 0.58%, 0.52%

LAB 48.69, 59.96, -0.09

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 4 / 69 / 0 / 80

HEX #311033

RGB 49 16 51

HSL 296.57, 0.52%, 0.13%

LAB 11.01, 22.74, -15.58

 

CMYK 4 / 69 / 0 / 60

HEX #622066

RGB 98 32 102

HSL 296.57, 0.52%, 0.26%

LAB 25.53, 39.67, -26.97

 

CMYK 4 / 69 / 0 / 40

HEX #932F99

RGB 147 47 153

HSL 296.6, 0.53%, 0.39%

LAB 38.79, 55.16, -37.36

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 61 / 70 / 20

HEX #CB503D

RGB 203 80 61

HSL 8.03, 0.58%, 0.52%

LAB 50.42, 47.75, 36.17

 

CMYK 70 / 0 / 33 / 20

HEX #3DCB89

RGB 61 203 137

HSL 152.11, 0.58%, 0.52%

LAB 73.23, -52.72, 22.29

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 4 / 70 / 20

HEX #CBC23D

RGB 203 194 61

HSL 56.2, 0.58%, 0.52%

LAB 77.05, -12.07, 64.49

 

CMYK 70 / 0 / 4 / 20

HEX #3DCBC2

RGB 61 203 194

HSL 176.2, 0.58%, 0.52%

LAB 74.57, -38.91, -6.42

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 61 / 70 / 20

HEX #CB503D

RGB 203 80 61

HSL 8.03, 0.58%, 0.52%

LAB 50.42, 47.75, 36.17

 

CMYK 65 / 0 / 70 / 20

HEX #47CB3D

RGB 71 203 61

HSL 115.77, 0.58%, 0.52%

LAB 72.49, -61.92, 57.55

 

CMYK 70 / 9 / 0 / 20

HEX #3DB8CB

RGB 61 184 203

HSL 188.03, 0.58%, 0.52%

LAB 69.17, -27.28, -19.43

 

CMYK 4 / 69 / 0 / 20

HEX #C43FCC

RGB 196 63 204

HSL 296.6, 0.58%, 0.52%

LAB 51.44, 69.19, -46.82

 

CMYK 0 / 39 / 70 / 20

HEX #CB7B3D

RGB 203 123 61

HSL 26.2, 0.58%, 0.52%

LAB 59.16, 25.87, 45.99

 

CMYK 65 / 0 / 70 / 20

HEX #47CB3D

RGB 71 203 61

HSL 115.77, 0.58%, 0.52%

LAB 72.49, -61.92, 57.55

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

Description

Color code: CMYK 4 / 69 / 0 / 20 | qconv.com Color code: CMYK 4 / 69 / 0 / 20 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 63 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 63 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 69 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 69% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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