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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DEFBE it is the complementary color #C21041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DEFBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DEFBE shade: #42EFB9, #53FFCC, #64FFDF, #75FFF2 and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DEFBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DEFBE shade: #3DEFBE, #2CDDAB, #1BCB98, #0AB985 and #00A772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DEFBE shade: #3EEFBE, #3EEF8E, #3EEF5F, #4DEF3E and #7DEF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DEFBE shade: #3EEFBE, #3EEFEE, #3EC0EF, #3E90EF and #3E61EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DEFBE shade matches the following richer shades: #3EEFBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DEFBE shade: #3EEFBE, #4EDEB7, #5FCDAF, #70BDA8 and #81ACA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DEFBE shade: #3EEF5E, #3EEF8E, #3EEFBD, #3EEFEC and #3EC3EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DEFBE shade: #10CA97, #17ECB2, #3EEFBE, #64F2CB and #8AF6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DEFBE shade: #3DEFBE, #3E4CEF and #EF763E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DEFBE shade: #3DEFBE, #BD3EEF and #EFBD3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DEFBE shade: #3DEFBE, #3E4CEF, #EF3E70 and #EFE13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DEFBE shade: #3DEFBE, #643EEF, #EF3E70 and #C9EF3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

Complementary color

CMYK 0 / 92 / 66 / 24

HEX #C21041

RGB 194 16 65

HSL 343.48, 0.85%, 0.41%

LAB 41.57, 65.19, 22.61

 

CMYK 72 / 0 / 23 / 6

HEX #42EFB9

RGB 66 239 185

HSL 161.27, 0.84%, 0.6%

LAB 85.2, -55.75, 13.75

 

CMYK 67 / 0 / 20 / 0

HEX #53FFCC

RGB 83 255 204

HSL 162.21, 1%, 0.66%

LAB 90.65, -55.47, 11.7

 

CMYK 61 / 0 / 13 / 0

HEX #64FFDF

RGB 100 255 223

HSL 167.61, 1%, 0.7%

LAB 91.49, -48.33, 3.13

 

CMYK 54 / 0 / 5 / 0

HEX #75FFF2

RGB 117 255 242

HSL 174.35, 1%, 0.73%

LAB 92.45, -40.63, -5.24

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

CMYK 80 / 0 / 23 / 13

HEX #2CDDAB

RGB 44 221 171

HSL 163.05, 0.72%, 0.52%

LAB 79.15, -54.34, 12.5

 

CMYK 87 / 0 / 25 / 20

HEX #1BCB98

RGB 27 203 152

HSL 162.61, 0.77%, 0.45%

LAB 73.03, -53.15, 13.96

 

CMYK 95 / 0 / 28 / 27

HEX #0AB985

RGB 10 185 133

HSL 162.17, 0.9%, 0.38%

LAB 66.87, -51.55, 15.57

 

CMYK 100 / 0 / 32 / 35

HEX #00A772

RGB 0 167 114

HSL 160.96, 1%, 0.33%

LAB 60.65, -49.48, 17.34

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 74 / 0 / 41 / 6

HEX #3EEF8E

RGB 62 239 142

HSL 147.12, 0.85%, 0.59%

LAB 84.33, -64.99, 34.58

 

CMYK 74 / 0 / 60 / 6

HEX #3EEF5F

RGB 62 239 95

HSL 131.19, 0.85%, 0.59%

LAB 83.75, -71.85, 55.95

 

CMYK 68 / 0 / 74 / 6

HEX #4DEF3E

RGB 77 239 62

HSL 114.92, 0.85%, 0.59%

LAB 83.79, -72.43, 68.73

 

CMYK 48 / 0 / 74 / 6

HEX #7DEF3E

RGB 125 239 62

HSL 98.64, 0.85%, 0.59%

LAB 85.22, -61, 70.62

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 74 / 0 / 0 / 6

HEX #3EEFEE

RGB 62 239 238

HSL 179.66, 0.85%, 0.59%

LAB 86.47, -42.72, -12.16

 

CMYK 74 / 20 / 0 / 6

HEX #3EC0EF

RGB 62 192 239

HSL 195.93, 0.85%, 0.59%

LAB 72.86, -19.88, -33.38

 

CMYK 74 / 40 / 0 / 6

HEX #3E90EF

RGB 62 144 239

HSL 212.2, 0.85%, 0.59%

LAB 59.16, 6.89, -54.9

 

CMYK 74 / 59 / 0 / 6

HEX #3E61EF

RGB 62 97 239

HSL 228.14, 0.85%, 0.59%

LAB 46.72, 35.92, -74.97

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 65 / 0 / 18 / 13

HEX #4EDEB7

RGB 78 222 183

HSL 163.75, 0.69%, 0.59%

LAB 80.34, -47.52, 7.92

 

CMYK 54 / 0 / 15 / 20

HEX #5FCDAF

RGB 95 205 175

HSL 163.64, 0.52%, 0.59%

LAB 75.57, -38.76, 5.41

 

CMYK 41 / 0 / 11 / 26

HEX #70BDA8

RGB 112 189 168

HSL 163.64, 0.37%, 0.59%

LAB 71.33, -28.77, 3.16

 

CMYK 25 / 0 / 7 / 33

HEX #81ACA0

RGB 129 172 160

HSL 163.26, 0.21%, 0.59%

LAB 67.06, -17.01, 1.47

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 0 / 41 / 6

HEX #3EEF8E

RGB 62 239 142

HSL 147.12, 0.85%, 0.59%

LAB 84.33, -64.99, 34.58

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBD

RGB 62 239 189

HSL 163.05, 0.85%, 0.59%

LAB 85.22, -55.32, 11.69

 

CMYK 74 / 0 / 1 / 6

HEX #3EEFEC

RGB 62 239 236

HSL 178.98, 0.85%, 0.59%

LAB 86.41, -43.27, -11.2

 

CMYK 74 / 18 / 0 / 6

HEX #3EC3EF

RGB 62 195 239

HSL 194.92, 0.85%, 0.59%

LAB 73.73, -21.42, -32.04

 

CMYK 92 / 0 / 25 / 21

HEX #10CA97

RGB 16 202 151

HSL 163.55, 0.85%, 0.43%

LAB 72.62, -53.62, 13.9

 

CMYK 90 / 0 / 25 / 7

HEX #17ECB2

RGB 23 236 178

HSL 163.66, 0.85%, 0.51%

LAB 83.65, -59.93, 15.14

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 59 / 0 / 16 / 5

HEX #64F2CB

RGB 100 242 203

HSL 163.52, 0.85%, 0.67%

LAB 87.25, -47.48, 7.41

 

CMYK 44 / 0 / 12 / 4

HEX #8AF6D8

RGB 138 246 216

HSL 163.33, 0.86%, 0.75%

LAB 89.99, -38.09, 4.74

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

CMYK 74 / 68 / 0 / 6

HEX #3E4CEF

RGB 62 76 239

HSL 235.25, 0.85%, 0.59%

LAB 41.88, 48.64, -82.9

 

CMYK 0 / 51 / 74 / 6

HEX #EF763E

RGB 239 118 62

HSL 18.98, 0.85%, 0.59%

LAB 63.06, 42.91, 51.15

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

CMYK 21 / 74 / 0 / 6

HEX #BD3EEF

RGB 189 62 239

HSL 283.05, 0.85%, 0.59%

LAB 52.39, 74.47, -65.22

 

CMYK 0 / 21 / 74 / 6

HEX #EFBD3E

RGB 239 189 62

HSL 43.05, 0.85%, 0.59%

LAB 79.1, 5.91, 67.25

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

CMYK 74 / 68 / 0 / 6

HEX #3E4CEF

RGB 62 76 239

HSL 235.25, 0.85%, 0.59%

LAB 41.88, 48.64, -82.9

 

CMYK 0 / 74 / 53 / 6

HEX #EF3E70

RGB 239 62 112

HSL 343.05, 0.85%, 0.59%

LAB 55.04, 69.26, 13.45

 

CMYK 0 / 6 / 74 / 6

HEX #EFE13E

RGB 239 225 62

HSL 55.25, 0.85%, 0.59%

LAB 88.23, -12.43, 75.92

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBE

RGB 61 239 190

HSL 163.48, 0.85%, 0.59%

LAB 85.22, -55.21, 11.17

 

CMYK 58 / 74 / 0 / 6

HEX #643EEF

RGB 100 62 239

HSL 252.88, 0.85%, 0.59%

LAB 41.82, 60.33, -82.9

 

CMYK 0 / 74 / 53 / 6

HEX #EF3E70

RGB 239 62 112

HSL 343.05, 0.85%, 0.59%

LAB 55.04, 69.26, 13.45

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

Description

Color code: HEX #3DEFBE | qconv.com Color code: HEX #3DEFBE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 239 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 239 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 21 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 21% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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