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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EEF5E it is the complementary color #C110A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EEF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EEF5E shade: #43EF59, #54FF6C, #65FF7F, #76FF92 and #87FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EEF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EEF5E shade: #3EEF5E, #2DDD4B, #1CCB38, #0BB925 and #00A712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EEF5E shade: #3EEF5E, #4DEF3E, #7DEF3E, #ADEF3E and #DDEF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EEF5E shade: #3EEF5E, #3EEF8E, #3EEFBE, #3EEFEE and #3EC1EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EEF5E shade matches the following richer shades: #3EEF5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EEF5E shade: #3EEF5E, #4EDE69, #5FCD73, #70BD7E and #81AC89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EEF5E shade: #7FEF3E, #4FEF3E, #3EEF5B, #3EEF8B and #3EEFBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EEF5E shade: #10CA32, #17EC3E, #3EEF5E, #64F27E and #8AF69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EEF5E shade: #3EEF5E, #3EAEEF and #EF3E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EEF5E shade: #3EEF5E, #5B3EEF and #EF5B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EEF5E shade: #3EEF5E, #3EAEEF, #EF3ED2 and #EF7F3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EEF5E shade: #3EEF5E, #3E79EF, #EF3ED2 and #EFB43E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

Complementary color

CMYK 0 / 92 / 17 / 24

HEX #C110A1

RGB 193 16 161

HSL 310.85, 0.85%, 0.41%

LAB 44.63, 73.74, -32.42

 

CMYK 72 / 0 / 63 / 6

HEX #43EF59

RGB 67 239 89

HSL 127.67, 0.84%, 0.6%

LAB 83.78, -71.77, 58.55

 

CMYK 67 / 0 / 58 / 0

HEX #54FF6C

RGB 84 255 108

HSL 128.42, 1%, 0.66%

LAB 89.15, -72.03, 56.67

 

CMYK 60 / 0 / 50 / 0

HEX #65FF7F

RGB 101 255 127

HSL 130.13, 1%, 0.7%

LAB 89.78, -66.35, 48.92

 

CMYK 54 / 0 / 43 / 0

HEX #76FF92

RGB 118 255 146

HSL 132.26, 1%, 0.73%

LAB 90.53, -59.84, 40.92

 

CMYK 47 / 0 / 35 / 0

HEX #87FFA5

RGB 135 255 165

HSL 135, 1%, 0.76%

LAB 91.41, -52.61, 32.81

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 80 / 0 / 66 / 13

HEX #2DDD4B

RGB 45 221 75

HSL 130.23, 0.72%, 0.52%

LAB 77.74, -70.55, 57.52

 

CMYK 86 / 0 / 72 / 20

HEX #1CCB38

RGB 28 203 56

HSL 129.6, 0.76%, 0.45%

LAB 71.72, -68.58, 58.38

 

CMYK 94 / 0 / 80 / 27

HEX #0BB925

RGB 11 185 37

HSL 128.97, 0.89%, 0.38%

LAB 65.67, -65.86, 58.66

 

CMYK 100 / 0 / 89 / 35

HEX #00A712

RGB 0 167 18

HSL 126.47, 1%, 0.33%

LAB 59.6, -62.26, 57.87

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 68 / 0 / 74 / 6

HEX #4DEF3E

RGB 77 239 62

HSL 114.92, 0.85%, 0.59%

LAB 83.79, -72.43, 68.73

 

CMYK 48 / 0 / 74 / 6

HEX #7DEF3E

RGB 125 239 62

HSL 98.64, 0.85%, 0.59%

LAB 85.22, -61, 70.62

 

CMYK 28 / 0 / 74 / 6

HEX #ADEF3E

RGB 173 239 62

HSL 82.37, 0.85%, 0.59%

LAB 87.47, -45.15, 73.57

 

CMYK 8 / 0 / 74 / 6

HEX #DDEF3E

RGB 221 239 62

HSL 66.1, 0.85%, 0.59%

LAB 90.53, -26.59, 77.56

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 0 / 41 / 6

HEX #3EEF8E

RGB 62 239 142

HSL 147.12, 0.85%, 0.59%

LAB 84.33, -64.99, 34.58

 

CMYK 74 / 0 / 21 / 6

HEX #3EEFBE

RGB 62 239 190

HSL 163.39, 0.85%, 0.59%

LAB 85.24, -55.09, 11.2

 

CMYK 74 / 0 / 0 / 6

HEX #3EEFEE

RGB 62 239 238

HSL 179.66, 0.85%, 0.59%

LAB 86.47, -42.72, -12.16

 

CMYK 74 / 19 / 0 / 6

HEX #3EC1EF

RGB 62 193 239

HSL 195.59, 0.85%, 0.59%

LAB 73.15, -20.39, -32.93

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 65 / 0 / 53 / 13

HEX #4EDE69

RGB 78 222 105

HSL 131.25, 0.69%, 0.59%

LAB 78.97, -62.21, 45.89

 

CMYK 54 / 0 / 44 / 20

HEX #5FCD73

RGB 95 205 115

HSL 130.91, 0.52%, 0.59%

LAB 74.4, -50.58, 35.4

 

CMYK 41 / 0 / 33 / 26

HEX #70BD7E

RGB 112 189 126

HSL 130.91, 0.37%, 0.59%

LAB 70.42, -37.26, 24.58

 

CMYK 25 / 0 / 20 / 33

HEX #81AC89

RGB 129 172 137

HSL 131.16, 0.21%, 0.59%

LAB 66.5, -21.66, 13.39

 

CMYK 47 / 0 / 74 / 6

HEX #7FEF3E

RGB 127 239 62

HSL 97.97, 0.85%, 0.59%

LAB 85.3, -60.42, 70.73

 

CMYK 67 / 0 / 74 / 6

HEX #4FEF3E

RGB 79 239 62

HSL 114.24, 0.85%, 0.59%

LAB 83.83, -72.06, 68.79

 

CMYK 74 / 0 / 62 / 6

HEX #3EEF5B

RGB 62 239 91

HSL 129.83, 0.85%, 0.59%

LAB 83.71, -72.29, 57.61

 

CMYK 74 / 0 / 42 / 6

HEX #3EEF8B

RGB 62 239 139

HSL 146.1, 0.85%, 0.59%

LAB 84.29, -65.51, 36.01

 

CMYK 74 / 0 / 22 / 6

HEX #3EEFBA

RGB 62 239 186

HSL 162.03, 0.85%, 0.59%

LAB 85.15, -56.02, 13.16

 

CMYK 92 / 0 / 75 / 21

HEX #10CA32

RGB 16 202 50

HSL 130.97, 0.85%, 0.43%

LAB 71.27, -69.59, 59.98

 

CMYK 90 / 0 / 74 / 7

HEX #17EC3E

RGB 23 236 62

HSL 130.99, 0.85%, 0.51%

LAB 82.12, -77.95, 66.82

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 59 / 0 / 48 / 5

HEX #64F27E

RGB 100 242 126

HSL 130.99, 0.85%, 0.67%

LAB 85.87, -61.98, 44.54

 

CMYK 44 / 0 / 36 / 4

HEX #8AF69D

RGB 138 246 157

HSL 130.56, 0.86%, 0.75%

LAB 88.8, -49.4, 33.37

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 27 / 0 / 6

HEX #3EAEEF

RGB 62 174 239

HSL 202.03, 0.85%, 0.59%

LAB 67.67, -10.29, -41.46

 

CMYK 0 / 74 / 57 / 6

HEX #EF3E67

RGB 239 62 103

HSL 346.1, 0.85%, 0.59%

LAB 54.84, 68.62, 18.54

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 62 / 74 / 0 / 6

HEX #5B3EEF

RGB 91 62 239

HSL 249.83, 0.85%, 0.59%

LAB 41.06, 59.26, -84.19

 

CMYK 0 / 62 / 74 / 6

HEX #EF5B3E

RGB 239 91 62

HSL 9.83, 0.85%, 0.59%

LAB 58.21, 55.48, 45.99

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 27 / 0 / 6

HEX #3EAEEF

RGB 62 174 239

HSL 202.03, 0.85%, 0.59%

LAB 67.67, -10.29, -41.46

 

CMYK 0 / 74 / 12 / 6

HEX #EF3ED2

RGB 239 62 210

HSL 309.83, 0.85%, 0.59%

LAB 58.46, 79.84, -38.71

 

CMYK 0 / 47 / 74 / 6

HEX #EF7F3E

RGB 239 127 62

HSL 22.03, 0.85%, 0.59%

LAB 64.87, 38.4, 53.04

 

CMYK 74 / 0 / 61 / 6

HEX #3EEF5E

RGB 62 239 94

HSL 130.85, 0.85%, 0.59%

LAB 83.74, -71.96, 56.37

 

CMYK 74 / 49 / 0 / 6

HEX #3E79EF

RGB 62 121 239

HSL 220, 0.85%, 0.59%

LAB 52.87, 20.92, -64.98

 

CMYK 0 / 74 / 12 / 6

HEX #EF3ED2

RGB 239 62 210

HSL 309.83, 0.85%, 0.59%

LAB 58.46, 79.84, -38.71

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43E

RGB 239 180 62

HSL 40, 0.85%, 0.59%

LAB 76.89, 10.63, 65.1

 

Description

Color code: HEX #3EEF5E | qconv.com Color code: HEX #3EEF5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 239 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 239 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 61 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 61% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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