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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EF3E it is the complementary color #3610C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9EF3E shade: #CEEF39, #DFFF4C, #F0FF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9EF3E shade: #C9EF3E, #B8DD2B, #A7CB18, #96B905 and #85A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9EF3E shade: #C9EF3D, #EFE53D, #EFB53D, #EF853D and #EF553D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9EF3E shade: #C9EF3D, #99EF3D, #69EF3D, #3DEF41 and #3DEF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9EF3E shade matches the following richer shades: #C9EF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9EF3E shade: #C9EF3D, #BFDE4E, #B5CD5F, #ACBC70 and #A2AB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9EF3E shade: #EFB43D, #EFE33D, #CBEF3D, #9CEF3D and #6CEF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9EF3E shade: #A2CA10, #BEEC17, #C9EF3D, #D3F263 and #DEF589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9EF3E shade: #C9EF3E, #3DEF84 and #CB3DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9EF3E shade: #C9EF3E, #3DCBEF and #EF3DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9EF3E shade: #C9EF3E, #3DEF84, #613DEF and #EF3DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9EF3E shade: #C9EF3E, #3DEFB9, #613DEF and #EF3D72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

Complementary color

CMYK 72 / 92 / 0 / 24

HEX #3610C1

RGB 54 16 193

HSL 252.88, 0.85%, 0.41%

LAB 26.75, 61.83, -81.43

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 13 / 0 / 70 / 0

HEX #DFFF4C

RGB 223 255 76

HSL 70.73, 1%, 0.65%

LAB 95.05, -32.57, 77.37

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 17 / 0 / 81 / 13

HEX #B8DD2B

RGB 184 221 43

HSL 72.47, 0.72%, 0.52%

LAB 82.95, -33.8, 75.15

 

CMYK 18 / 0 / 88 / 20

HEX #A7CB18

RGB 167 203 24

HSL 72.07, 0.79%, 0.45%

LAB 76.67, -32.88, 73.53

 

CMYK 19 / 0 / 97 / 27

HEX #96B905

RGB 150 185 5

HSL 71.67, 0.95%, 0.37%

LAB 70.31, -31.77, 70.58

 

CMYK 20 / 0 / 100 / 35

HEX #85A700

RGB 133 167 0

HSL 72.22, 1%, 0.33%

LAB 63.86, -30.42, 65.78

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3D

RGB 201 239 61

HSL 72.81, 0.85%, 0.59%

LAB 89.15, -34.59, 76.08

 

CMYK 0 / 4 / 74 / 6

HEX #EFE53D

RGB 239 229 61

HSL 56.63, 0.85%, 0.59%

LAB 89.26, -14.44, 77.19

 

CMYK 0 / 24 / 74 / 6

HEX #EFB53D

RGB 239 181 61

HSL 40.45, 0.85%, 0.59%

LAB 77.12, 10.06, 65.72

 

CMYK 0 / 44 / 74 / 6

HEX #EF853D

RGB 239 133 61

HSL 24.27, 0.85%, 0.59%

LAB 66.11, 35.29, 54.78

 

CMYK 0 / 64 / 74 / 6

HEX #EF553D

RGB 239 85 61

HSL 8.09, 0.85%, 0.59%

LAB 57.25, 57.96, 45.48

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3D

RGB 201 239 61

HSL 72.81, 0.85%, 0.59%

LAB 89.15, -34.59, 76.08

 

CMYK 36 / 0 / 74 / 6

HEX #99EF3D

RGB 153 239 61

HSL 88.99, 0.85%, 0.59%

LAB 86.43, -52.24, 72.53

 

CMYK 56 / 0 / 74 / 6

HEX #69EF3D

RGB 105 239 61

HSL 105.17, 0.85%, 0.59%

LAB 84.52, -66.45, 70.03

 

CMYK 74 / 0 / 73 / 6

HEX #3DEF41

RGB 61 239 65

HSL 121.35, 0.85%, 0.59%

LAB 83.5, -74.83, 67.34

 

CMYK 74 / 0 / 53 / 6

HEX #3DEF71

RGB 61 239 113

HSL 137.53, 0.85%, 0.59%

LAB 83.92, -69.7, 48.08

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3D

RGB 201 239 61

HSL 72.81, 0.85%, 0.59%

LAB 89.15, -34.59, 76.08

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3D

RGB 201 239 61

HSL 72.81, 0.85%, 0.59%

LAB 89.15, -34.59, 76.08

 

CMYK 14 / 0 / 65 / 13

HEX #BFDE4E

RGB 191 222 78

HSL 72.92, 0.69%, 0.59%

LAB 83.9, -29.72, 64.64

 

CMYK 12 / 0 / 54 / 20

HEX #B5CD5F

RGB 181 205 95

HSL 73.09, 0.52%, 0.59%

LAB 78.64, -24.25, 51.33

 

CMYK 9 / 0 / 40 / 26

HEX #ACBC70

RGB 172 188 112

HSL 72.63, 0.36%, 0.59%

LAB 73.49, -17.62, 36.59

 

CMYK 5 / 0 / 25 / 33

HEX #A2AB81

RGB 162 171 129

HSL 72.86, 0.2%, 0.59%

LAB 68.31, -10.47, 20.62

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 5 / 74 / 6

HEX #EFE33D

RGB 239 227 61

HSL 55.96, 0.85%, 0.59%

LAB 88.75, -13.45, 76.71

 

CMYK 15 / 0 / 74 / 6

HEX #CBEF3D

RGB 203 239 61

HSL 72.13, 0.85%, 0.59%

LAB 89.28, -33.8, 76.25

 

CMYK 35 / 0 / 74 / 6

HEX #9CEF3D

RGB 156 239 61

HSL 87.98, 0.85%, 0.59%

LAB 86.57, -51.22, 72.72

 

CMYK 55 / 0 / 74 / 6

HEX #6CEF3D

RGB 108 239 61

HSL 104.16, 0.85%, 0.59%

LAB 84.62, -65.7, 70.15

 

CMYK 20 / 0 / 92 / 21

HEX #A2CA10

RGB 162 202 16

HSL 72.9, 0.85%, 0.43%

LAB 76.04, -34.6, 74.14

 

CMYK 19 / 0 / 90 / 7

HEX #BEEC17

RGB 190 236 23

HSL 72.96, 0.85%, 0.51%

LAB 87.48, -38.73, 83.05

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3D

RGB 201 239 61

HSL 72.81, 0.85%, 0.59%

LAB 89.15, -34.59, 76.08

 

CMYK 13 / 0 / 59 / 5

HEX #D3F263

RGB 211 242 99

HSL 73.01, 0.85%, 0.67%

LAB 90.9, -29.78, 63.99

 

CMYK 9 / 0 / 44 / 4

HEX #DEF589

RGB 222 245 137

HSL 72.78, 0.84%, 0.75%

LAB 92.86, -23.58, 49.3

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 74 / 0 / 45 / 6

HEX #3DEF84

RGB 61 239 132

HSL 143.93, 0.85%, 0.59%

LAB 84.17, -66.83, 39.3

 

CMYK 15 / 74 / 0 / 6

HEX #CB3DEF

RGB 203 61 239

HSL 287.87, 0.85%, 0.59%

LAB 54.31, 77.41, -62.03

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 74 / 15 / 0 / 6

HEX #3DCBEF

RGB 61 203 239

HSL 192.13, 0.85%, 0.59%

LAB 76.03, -25.58, -28.5

 

CMYK 0 / 74 / 15 / 6

HEX #EF3DCB

RGB 239 61 203

HSL 312.13, 0.85%, 0.59%

LAB 58.04, 79.17, -35.39

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 74 / 0 / 45 / 6

HEX #3DEF84

RGB 61 239 132

HSL 143.93, 0.85%, 0.59%

LAB 84.17, -66.83, 39.3

 

CMYK 59 / 74 / 0 / 6

HEX #613DEF

RGB 97 61 239

HSL 252.13, 0.85%, 0.59%

LAB 41.39, 60.44, -83.62

 

CMYK 0 / 74 / 30 / 6

HEX #EF3DA8

RGB 239 61 168

HSL 323.93, 0.85%, 0.59%

LAB 56.6, 74.83, -17.4

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 74 / 0 / 23 / 6

HEX #3DEFB9

RGB 61 239 185

HSL 161.8, 0.85%, 0.59%

LAB 85.11, -56.36, 13.62

 

CMYK 59 / 74 / 0 / 6

HEX #613DEF

RGB 97 61 239

HSL 252.13, 0.85%, 0.59%

LAB 41.39, 60.44, -83.62

 

CMYK 0 / 74 / 52 / 6

HEX #EF3D72

RGB 239 61 114

HSL 342.13, 0.85%, 0.59%

LAB 54.97, 69.72, 12.16

 

Description

Color code: HEX #C9EF3E | qconv.com Color code: HEX #C9EF3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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