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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC169 it is the complementary color #C33E96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3CC169: #41C164, #52D377, #63E58A, #74F79D and #85FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3CC169: #3CC169, #2BAF56, #1A9D43, #098B30 and #00791D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

Complementary color

CMYK 0 / 68 / 23 / 24

HEX #C33E96

RGB 195 62 150

HSL 320.3, 0.53%, 0.5%

LAB 48.57, 61.09, -19.7

 

CMYK 66 / 0 / 48 / 24

HEX #41C164

RGB 65 193 100

HSL 136.41, 0.51%, 0.51%

LAB 69.6, -54.92, 36.67

 

CMYK 61 / 0 / 44 / 17

HEX #52D377

RGB 82 211 119

HSL 137.21, 0.59%, 0.57%

LAB 75.89, -55.27, 35.22

 

CMYK 57 / 0 / 40 / 10

HEX #63E58A

RGB 99 229 138

HSL 138, 0.71%, 0.64%

LAB 82.12, -55.41, 33.84

 

CMYK 53 / 0 / 36 / 3

HEX #74F79D

RGB 116 247 157

HSL 138.78, 0.89%, 0.71%

LAB 88.29, -55.4, 32.54

 

CMYK 48 / 0 / 31 / 0

HEX #85FFB0

RGB 133 255 176

HSL 141.15, 1%, 0.76%

LAB 91.52, -51.22, 27.43

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 75 / 0 / 51 / 31

HEX #2BAF56

RGB 43 175 86

HSL 139.55, 0.61%, 0.43%

LAB 63.21, -54.28, 35.63

 

CMYK 83 / 0 / 57 / 38

HEX #1A9D43

RGB 26 157 67

HSL 138.78, 0.72%, 0.36%

LAB 56.82, -53.03, 37.24

 

CMYK 94 / 0 / 65 / 45

HEX #098B30

RGB 9 139 48

HSL 138, 0.88%, 0.29%

LAB 50.38, -51.03, 38.8

 

CMYK 100 / 0 / 76 / 53

HEX #00791D

RGB 0 121 29

HSL 134.38, 1%, 0.24%

LAB 43.89, -47.98, 39.99

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 70 / 0 / 35 / 24

HEX #3BC37F

RGB 59 195 127

HSL 150, 0.54%, 0.5%

LAB 70.52, -51.93, 23.89

 

CMYK 70 / 0 / 23 / 24

HEX #3BC396

RGB 59 195 150

HSL 160.15, 0.54%, 0.5%

LAB 70.98, -46.96, 12.22

 

CMYK 70 / 0 / 12 / 24

HEX #3BC3AC

RGB 59 195 172

HSL 169.85, 0.54%, 0.5%

LAB 71.51, -41.52, 1.03

 

CMYK 70 / 0 / 0 / 24

HEX #3BC3C3

RGB 59 195 195

HSL 180, 0.54%, 0.5%

LAB 72.16, -35.21, -10.55

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 69 / 0 / 45 / 4

HEX #4CF485

RGB 76 244 133

HSL 140.36, 0.88%, 0.63%

LAB 85.97, -66.2, 41.18

 

CMYK 70 / 0 / 45 / 84

HEX #0C2816

RGB 12 40 22

HSL 141.43, 0.54%, 0.1%

LAB 13.55, -15.84, 8.76

 

CMYK 69 / 0 / 45 / 64

HEX #1C5B32

RGB 28 91 50

HSL 140.95, 0.53%, 0.23%

LAB 33.9, -30.32, 17.92

 

CMYK 69 / 0 / 46 / 44

HEX #2C8E4D

RGB 44 142 77

HSL 140.2, 0.53%, 0.36%

LAB 52.31, -43.23, 26.56

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 70 / 37 / 0 / 24

HEX #3B7AC3

RGB 59 122 195

HSL 212.21, 0.54%, 0.5%

LAB 50.44, 3.98, -44.03

 

CMYK 0 / 70 / 65 / 24

HEX #C33B44

RGB 195 59 68

HSL 356.03, 0.54%, 0.5%

LAB 45.84, 54.31, 26.23

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 47 / 70 / 0 / 24

HEX #683BC3

RGB 104 59 195

HSL 259.85, 0.54%, 0.5%

LAB 37.86, 50.23, -64.12

 

CMYK 0 / 47 / 70 / 24

HEX #C3683B

RGB 195 104 59

HSL 19.85, 0.54%, 0.5%

LAB 53.83, 32.65, 40.82

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 70 / 37 / 0 / 24

HEX #3B7AC3

RGB 59 122 195

HSL 212.21, 0.54%, 0.5%

LAB 50.44, 3.98, -44.03

 

CMYK 0 / 70 / 23 / 24

HEX #C33B96

RGB 195 59 150

HSL 319.85, 0.54%, 0.5%

LAB 48.17, 62.2, -20.31

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 69 / 0 / 46 / 24

HEX #3CC169

RGB 60 193 105

HSL 140.3, 0.53%, 0.5%

LAB 69.56, -55.03, 34.06

 

CMYK 70 / 58 / 0 / 24

HEX #3B52C3

RGB 59 82 195

HSL 229.85, 0.54%, 0.5%

LAB 39.42, 29.34, -61.74

 

CMYK 0 / 70 / 23 / 24

HEX #C33B96

RGB 195 59 150

HSL 319.85, 0.54%, 0.5%

LAB 48.17, 62.2, -20.31

 

CMYK 0 / 12 / 70 / 24

HEX #C3AC3B

RGB 195 172 59

HSL 49.85, 0.54%, 0.5%

LAB 70.47, -4.22, 58.47

 

Description

Color code: HEX #3CC169 | qconv.com Color code: HEX #3CC169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 193 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 193 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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