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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 132 59 it is the complementary color RGB 60 123 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 132 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 132 59: RGB 200 132 54, RGB 217 150 73, RGB 234 168 92, RGB 251 186 111 and RGB 255 204 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 132 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 132 59: RGB 195 132 59, RGB 178 114 40, RGB 161 96 21, RGB 144 78 2 and RGB 127 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

Complementary color

CMYK 69 / 37 / 0 / 23

HEX #3C7BC4

RGB 60 123 196

HSL 212.21, 0.54%, 0.5%

LAB 50.82, 3.88, -44

 

CMYK 0 / 34 / 73 / 22

HEX #C88436

RGB 200 132 54

HSL 32.05, 0.57%, 0.5%

LAB 60.82, 19.35, 50.94

 

CMYK 0 / 31 / 66 / 15

HEX #D99649

RGB 217 150 73

HSL 32.08, 0.65%, 0.57%

LAB 67.31, 17.84, 49.63

 

CMYK 0 / 28 / 61 / 8

HEX #EAA85C

RGB 234 168 92

HSL 32.11, 0.77%, 0.64%

LAB 73.72, 16.54, 48.22

 

CMYK 0 / 26 / 56 / 2

HEX #FBBA6F

RGB 251 186 111

HSL 32.14, 0.95%, 0.71%

LAB 80.05, 15.4, 46.8

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC82

RGB 255 204 130

HSL 35.52, 1%, 0.75%

LAB 85.03, 9.23, 43.54

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 0 / 36 / 78 / 30

HEX #B27228

RGB 178 114 40

HSL 32.17, 0.63%, 0.43%

LAB 53.66, 19.09, 49.05

 

CMYK 0 / 40 / 87 / 37

HEX #A16015

RGB 161 96 21

HSL 32.14, 0.77%, 0.36%

LAB 46.97, 21.01, 49.57

 

CMYK 0 / 46 / 99 / 44

HEX #904E02

RGB 144 78 2

HSL 32.11, 0.97%, 0.29%

LAB 40.22, 23.22, 48.94

 

CMYK 0 / 53 / 100 / 50

HEX #7F3C00

RGB 127 60 0

HSL 28.35, 1%, 0.25%

LAB 33.44, 25.79, 44.1

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 0 / 21 / 70 / 23

HEX #C49B3A

RGB 196 155 58

HSL 42.17, 0.54%, 0.5%

LAB 66.12, 5.25, 54.49

 

CMYK 0 / 10 / 70 / 23

HEX #C4B13A

RGB 196 177 58

HSL 51.74, 0.54%, 0.5%

LAB 71.88, -6.47, 60.31

 

CMYK 3 / 0 / 70 / 23

HEX #BFC43A

RGB 191 196 58

HSL 62.17, 0.54%, 0.5%

LAB 76.6, -18.31, 64.82

 

CMYK 14 / 0 / 70 / 23

HEX #A8C43A

RGB 168 196 58

HSL 72.17, 0.54%, 0.5%

LAB 74.89, -27.85, 62.57

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 0 / 32 / 70 / 4

HEX #F6A74A

RGB 246 167 74

HSL 32.44, 0.91%, 0.63%

LAB 74.65, 20.96, 58.08

 

CMYK 0 / 33 / 69 / 84

HEX #2A1C0D

RGB 42 28 13

HSL 31.03, 0.53%, 0.11%

LAB 11.63, 4.69, 11.97

 

CMYK 0 / 32 / 70 / 64

HEX #5D3F1C

RGB 93 63 28

HSL 32.31, 0.54%, 0.24%

LAB 29.33, 9.11, 26.21

 

CMYK 0 / 33 / 69 / 44

HEX #90612C

RGB 144 97 44

HSL 31.8, 0.53%, 0.37%

LAB 45.17, 13.75, 37.05

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 52 / 0 / 70 / 23

HEX #5FC43A

RGB 95 196 58

HSL 103.91, 0.54%, 0.5%

LAB 71.02, -53.78, 57.39

 

CMYK 61 / 70 / 0 / 23

HEX #4D3AC4

RGB 77 58 196

HSL 248.26, 0.54%, 0.5%

LAB 35.18, 46.79, -69.2

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 70 / 0 / 33 / 23

HEX #3AC484

RGB 58 196 132

HSL 152.17, 0.54%, 0.5%

LAB 70.9, -51.47, 21.76

 

CMYK 33 / 70 / 0 / 23

HEX #843AC4

RGB 132 58 196

HSL 272.17, 0.54%, 0.5%

LAB 41.08, 56.18, -59.32

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 52 / 0 / 70 / 23

HEX #5FC43A

RGB 95 196 58

HSL 103.91, 0.54%, 0.5%

LAB 71.02, -53.78, 57.39

 

CMYK 70 / 38 / 0 / 23

HEX #3A7AC4

RGB 58 122 196

HSL 212.17, 0.54%, 0.5%

LAB 50.46, 4.19, -44.57

 

CMYK 19 / 70 / 0 / 23

HEX #9F3AC4

RGB 159 58 196

HSL 283.91, 0.54%, 0.5%

LAB 44.78, 61.67, -53.17

 

CMYK 0 / 32 / 70 / 24

HEX #C3843B

RGB 195 132 59

HSL 32.21, 0.54%, 0.5%

LAB 60.27, 17.45, 47.86

 

CMYK 70 / 0 / 68 / 23

HEX #3AC43F

RGB 58 196 63

HSL 122.17, 0.54%, 0.5%

LAB 69.99, -61.89, 54.04

 

CMYK 70 / 38 / 0 / 23

HEX #3A7AC4

RGB 58 122 196

HSL 212.17, 0.54%, 0.5%

LAB 50.46, 4.19, -44.57

 

CMYK 0 / 70 / 3 / 23

HEX #C43ABF

RGB 196 58 191

HSL 302.17, 0.54%, 0.5%

LAB 50.12, 68.8, -41.41

 

Description

Color code: RGB 195 132 59 | qconv.com Color code: RGB 195 132 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 132 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 132 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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