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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37A221 it is the complementary color #C85DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37A221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37A221 shade: #3CA21C, #4DB42F, #5EC642, #6FD855 and #80EA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37A221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37A221 shade: #37A221, #26900E, #157E00, #046C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37A221 shade: #37A121, #59A121, #7CA121, #9EA121 and #A18121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37A221 shade: #37A121, #21A12E, #21A150, #21A173 and #21A195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37A221 shade matches the following richer shades: #37A121, #2CB111 and #22C002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37A221 shade: #37A121, #419131, #4B8140, #567250 and #606260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37A221 shade: #7DA121, #5BA121, #38A121, #21A12C and #21A14E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37A221 shade: #1F5C13, #2B7F1A, #37A121, #42C328 and #57D73D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37A221 shade: #37A221, #219FA1 and #A1216C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37A221 shade: #37A221, #2138A1 and #A12138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37A221 shade: #37A221, #219FA1, #8921A1 and #A12321

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37A221 shade: #37A221, #2178A1, #8921A1 and #A14921

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

Complementary color

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 63 / 0 / 83 / 36

HEX #3CA21C

RGB 60 162 28

HSL 105.67, 0.71%, 0.37%

LAB 58.87, -52.54, 55.16

 

CMYK 57 / 0 / 74 / 29

HEX #4DB42F

RGB 77 180 47

HSL 106.47, 0.59%, 0.45%

LAB 65.3, -53.55, 55.42

 

CMYK 53 / 0 / 67 / 22

HEX #5EC642

RGB 94 198 66

HSL 107.27, 0.54%, 0.52%

LAB 71.66, -54.15, 54.92

 

CMYK 49 / 0 / 61 / 15

HEX #6FD855

RGB 111 216 85

HSL 108.09, 0.63%, 0.59%

LAB 77.96, -54.47, 54.04

 

CMYK 45 / 0 / 56 / 8

HEX #80EA68

RGB 128 234 104

HSL 108.92, 0.76%, 0.66%

LAB 84.19, -54.61, 52.98

 

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 74 / 0 / 90 / 44

HEX #26900E

RGB 38 144 14

HSL 108.92, 0.82%, 0.31%

LAB 52.28, -51.73, 52.48

 

CMYK 83 / 0 / 100 / 51

HEX #157E00

RGB 21 126 0

HSL 110, 1%, 0.25%

LAB 45.75, -49.14, 49.6

 

CMYK 96 / 0 / 100 / 58

HEX #046C00

RGB 4 108 0

HSL 117.78, 1%, 0.21%

LAB 39.16, -45.38, 44.25

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 66 / 0 / 80 / 37

HEX #37A121

RGB 55 161 33

HSL 109.69, 0.66%, 0.38%

LAB 58.43, -53.05, 53.21

 

CMYK 45 / 0 / 80 / 37

HEX #59A121

RGB 89 161 33

HSL 93.75, 0.66%, 0.38%

LAB 59.64, -43.55, 54.79

 

CMYK 23 / 0 / 80 / 37

HEX #7CA121

RGB 124 161 33

HSL 77.34, 0.66%, 0.38%

LAB 61.55, -30.43, 57.26

 

CMYK 2 / 0 / 80 / 37

HEX #9EA121

RGB 158 161 33

HSL 61.41, 0.66%, 0.38%

LAB 64.05, -15.89, 60.45

 

CMYK 0 / 20 / 80 / 37

HEX #A18121

RGB 161 129 33

HSL 45, 0.66%, 0.38%

LAB 55.47, 2.72, 52.82

 

CMYK 66 / 0 / 80 / 37

HEX #37A121

RGB 55 161 33

HSL 109.69, 0.66%, 0.38%

LAB 58.43, -53.05, 53.21

 

CMYK 80 / 0 / 71 / 37

HEX #21A12E

RGB 33 161 46

HSL 126.09, 0.66%, 0.38%

LAB 58.05, -55.96, 48.03

 

CMYK 80 / 0 / 50 / 37

HEX #21A150

RGB 33 161 80

HSL 142.03, 0.66%, 0.38%

LAB 58.41, -51.61, 32.66

 

CMYK 80 / 0 / 29 / 37

HEX #21A173

RGB 33 161 115

HSL 158.44, 0.66%, 0.38%

LAB 59.02, -44.63, 14.58

 

CMYK 80 / 0 / 7 / 37

HEX #21A195

RGB 33 161 149

HSL 174.38, 0.66%, 0.38%

LAB 59.87, -35.73, -3.32

 

CMYK 66 / 0 / 80 / 37

HEX #37A121

RGB 55 161 33

HSL 109.69, 0.66%, 0.38%

LAB 58.43, -53.05, 53.21

 

CMYK 75 / 0 / 90 / 31

HEX #2CB111

RGB 44 177 17

HSL 109.88, 0.82%, 0.38%

LAB 63.36, -61.12, 61.48

 

CMYK 82 / 0 / 99 / 25

HEX #22C002

RGB 34 192 2

HSL 109.89, 0.98%, 0.38%

LAB 68.05, -67.3, 67.27

 

CMYK 66 / 0 / 80 / 37

HEX #37A121

RGB 55 161 33

HSL 109.69, 0.66%, 0.38%

LAB 58.43, -53.05, 53.21

 

CMYK 55 / 0 / 66 / 43

HEX #419131

RGB 65 145 49

HSL 110, 0.49%, 0.38%

LAB 53.6, -43.3, 42.25

 

CMYK 42 / 0 / 50 / 49

HEX #4B8140

RGB 75 129 64

HSL 109.85, 0.34%, 0.38%

LAB 48.97, -31.46, 29.57

 

CMYK 25 / 0 / 30 / 55

HEX #567250

RGB 86 114 80

HSL 109.41, 0.18%, 0.38%

LAB 45.07, -17.36, 15.63

 

CMYK 2 / 0 / 2 / 62

HEX #606260

RGB 96 98 96

HSL 120, 0.01%, 0.38%

LAB 41.32, -1.2, 0.86

 

CMYK 22 / 0 / 80 / 37

HEX #7DA121

RGB 125 161 33

HSL 76.88, 0.66%, 0.38%

LAB 61.62, -30.02, 57.34

 

CMYK 43 / 0 / 80 / 37

HEX #5BA121

RGB 91 161 33

HSL 92.81, 0.66%, 0.38%

LAB 59.73, -42.87, 54.9

 

CMYK 65 / 0 / 80 / 37

HEX #38A121

RGB 56 161 33

HSL 109.22, 0.66%, 0.38%

LAB 58.45, -52.83, 53.24

 

CMYK 80 / 0 / 73 / 37

HEX #21A12C

RGB 33 161 44

HSL 125.16, 0.66%, 0.38%

LAB 58.03, -56.14, 48.79

 

CMYK 80 / 0 / 52 / 37

HEX #21A14E

RGB 33 161 78

HSL 141.09, 0.66%, 0.38%

LAB 58.38, -51.93, 33.65

 

CMYK 66 / 0 / 79 / 64

HEX #1F5C13

RGB 31 92 19

HSL 110.14, 0.66%, 0.22%

LAB 33.97, -34.36, 34.08

 

CMYK 66 / 0 / 80 / 50

HEX #2B7F1A

RGB 43 127 26

HSL 109.9, 0.66%, 0.3%

LAB 46.67, -44.16, 44.1

 

CMYK 66 / 0 / 80 / 37

HEX #37A121

RGB 55 161 33

HSL 109.69, 0.66%, 0.38%

LAB 58.43, -53.05, 53.21

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 60 / 0 / 72 / 16

HEX #57D73D

RGB 87 215 61

HSL 109.87, 0.66%, 0.54%

LAB 76.66, -62.49, 61.98

 

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 80 / 1 / 0 / 37

HEX #219FA1

RGB 33 159 161

HSL 180.94, 0.66%, 0.38%

LAB 59.61, -31.22, -10.5

 

CMYK 0 / 80 / 33 / 37

HEX #A1216C

RGB 161 33 108

HSL 324.84, 0.66%, 0.38%

LAB 37.39, 56.75, -11.53

 

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 80 / 65 / 0 / 37

HEX #2138A1

RGB 33 56 161

HSL 229.22, 0.66%, 0.38%

LAB 28.71, 30.67, -59.1

 

CMYK 0 / 80 / 65 / 37

HEX #A12138

RGB 161 33 56

HSL 349.22, 0.66%, 0.38%

LAB 35.89, 52.16, 19.67

 

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 80 / 1 / 0 / 37

HEX #219FA1

RGB 33 159 161

HSL 180.94, 0.66%, 0.38%

LAB 59.61, -31.22, -10.5

 

CMYK 15 / 80 / 0 / 37

HEX #8921A1

RGB 137 33 161

HSL 288.75, 0.66%, 0.38%

LAB 35.94, 59.43, -46.84

 

CMYK 0 / 78 / 80 / 37

HEX #A12321

RGB 161 35 33

HSL 0.94, 0.66%, 0.38%

LAB 35.77, 50.46, 33.7

 

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 80 / 25 / 0 / 37

HEX #2178A1

RGB 33 120 161

HSL 199.22, 0.66%, 0.38%

LAB 47.4, -10.65, -29.16

 

CMYK 15 / 80 / 0 / 37

HEX #8921A1

RGB 137 33 161

HSL 288.75, 0.66%, 0.38%

LAB 35.94, 59.43, -46.84

 

CMYK 0 / 55 / 80 / 37

HEX #A14921

RGB 161 73 33

HSL 18.75, 0.66%, 0.38%

LAB 41.93, 33.98, 39.96

 

Description

Color code: HEX #37A221 | qconv.com Color code: HEX #37A221 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 162 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 162 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 80 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 80% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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