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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C328 it is the complementary color #BD3CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C328 shade: #47C323, #58D536, #69E749, #7AF95C and #8BFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C328 shade: #42C328, #31B115, #209F02, #0F8D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C328 shade: #42C328, #6CC328, #95C328, #BFC328 and #C39D28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C328 shade: #42C328, #28C338, #28C361, #28C38B and #28C3B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C328 shade matches the following richer shades: #42C328, #35D615 and #29E902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C328 shade: #42C328, #4EB03B, #5B9D4E, #688A61 and #747774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C328 shade: #97C328, #6EC328, #44C328, #28C335 and #28C35E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C328 shade: #2B7E1A, #36A021, #42C328, #57D73D and #74DE5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C328 shade: #42C328, #28C0C3 and #C32882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C328 shade: #42C328, #2844C3 and #C32844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C328 shade: #42C328, #28C0C3, #A628C3 and #C32A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C328 shade: #42C328, #2892C3, #A628C3 and #C35928

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

Complementary color

CMYK 12 / 72 / 0 / 16

HEX #BD3CD7

RGB 189 60 215

HSL 289.94, 0.66%, 0.54%

LAB 50.64, 70.7, -54.47

 

CMYK 64 / 0 / 82 / 24

HEX #47C323

RGB 71 195 35

HSL 106.5, 0.7%, 0.45%

LAB 69.82, -60.98, 63.42

 

CMYK 59 / 0 / 75 / 16

HEX #58D536

RGB 88 213 54

HSL 107.17, 0.65%, 0.52%

LAB 76.03, -62.06, 63.78

 

CMYK 55 / 0 / 68 / 9

HEX #69E749

RGB 105 231 73

HSL 107.85, 0.77%, 0.6%

LAB 82.18, -62.77, 63.45

 

CMYK 51 / 0 / 63 / 2

HEX #7AF95C

RGB 122 249 92

HSL 108.54, 0.93%, 0.67%

LAB 88.29, -63.21, 62.73

 

CMYK 45 / 0 / 56 / 0

HEX #8BFF6F

RGB 139 255 111

HSL 108.33, 1%, 0.72%

LAB 90.85, -58.89, 57.76

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 72 / 0 / 88 / 31

HEX #31B115

RGB 49 177 21

HSL 109.23, 0.79%, 0.39%

LAB 63.47, -60.14, 60.85

 

CMYK 80 / 0 / 99 / 38

HEX #209F02

RGB 32 159 2

HSL 108.54, 0.98%, 0.32%

LAB 57.18, -57.79, 58.5

 

CMYK 89 / 0 / 100 / 45

HEX #0F8D00

RGB 15 141 0

HSL 113.62, 1%, 0.28%

LAB 50.86, -54.37, 53.66

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 45 / 0 / 79 / 24

HEX #6CC328

RGB 108 195 40

HSL 93.68, 0.66%, 0.46%

LAB 71.13, -50.63, 63.71

 

CMYK 24 / 0 / 79 / 24

HEX #95C328

RGB 149 195 40

HSL 77.81, 0.66%, 0.46%

LAB 73.27, -35.88, 66.46

 

CMYK 2 / 0 / 79 / 24

HEX #BFC328

RGB 191 195 40

HSL 61.55, 0.66%, 0.46%

LAB 76.23, -18.57, 70.22

 

CMYK 0 / 19 / 79 / 24

HEX #C39D28

RGB 195 157 40

HSL 45.29, 0.66%, 0.46%

LAB 66.42, 2.94, 61.64

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 79 / 0 / 71 / 24

HEX #28C338

RGB 40 195 56

HSL 126.19, 0.66%, 0.46%

LAB 69.3, -64.92, 55.93

 

CMYK 79 / 0 / 50 / 24

HEX #28C361

RGB 40 195 97

HSL 142.06, 0.66%, 0.46%

LAB 69.71, -59.93, 38.2

 

CMYK 79 / 0 / 29 / 24

HEX #28C38B

RGB 40 195 139

HSL 158.32, 0.66%, 0.46%

LAB 70.42, -51.91, 17.3

 

CMYK 79 / 0 / 7 / 24

HEX #28C3B5

RGB 40 195 181

HSL 174.58, 0.66%, 0.46%

LAB 71.43, -41.3, -4.04

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 75 / 0 / 90 / 16

HEX #35D615

RGB 53 214 21

HSL 110.05, 0.82%, 0.46%

LAB 75.39, -70.82, 71.11

 

CMYK 82 / 0 / 99 / 9

HEX #29E902

RGB 41 233 2

HSL 109.87, 0.98%, 0.46%

LAB 81.16, -78.1, 77.84

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 56 / 0 / 66 / 31

HEX #4EB03B

RGB 78 176 59

HSL 110.26, 0.5%, 0.46%

LAB 64.15, -50.8, 49.55

 

CMYK 42 / 0 / 50 / 38

HEX #5B9D4E

RGB 91 157 78

HSL 110.13, 0.34%, 0.46%

LAB 58.87, -36.94, 34.65

 

CMYK 25 / 0 / 30 / 46

HEX #688A61

RGB 104 138 97

HSL 109.76, 0.17%, 0.46%

LAB 54.01, -20.3, 18.2

 

CMYK 3 / 0 / 3 / 53

HEX #747774

RGB 116 119 116

HSL 120, 0.01%, 0.46%

LAB 49.7, -1.74, 1.25

 

CMYK 23 / 0 / 79 / 24

HEX #97C328

RGB 151 195 40

HSL 77.03, 0.66%, 0.46%

LAB 73.39, -35.09, 66.62

 

CMYK 44 / 0 / 79 / 24

HEX #6EC328

RGB 110 195 40

HSL 92.9, 0.66%, 0.46%

LAB 71.21, -49.98, 63.82

 

CMYK 65 / 0 / 79 / 24

HEX #44C328

RGB 68 195 40

HSL 109.16, 0.66%, 0.46%

LAB 69.76, -61.36, 61.94

 

CMYK 79 / 0 / 73 / 24

HEX #28C335

RGB 40 195 53

HSL 125.03, 0.66%, 0.46%

LAB 69.28, -65.17, 57.02

 

CMYK 79 / 0 / 52 / 24

HEX #28C35E

RGB 40 195 94

HSL 140.9, 0.66%, 0.46%

LAB 69.68, -60.4, 39.63

 

CMYK 66 / 0 / 79 / 51

HEX #2B7E1A

RGB 43 126 26

HSL 109.8, 0.66%, 0.3%

LAB 46.32, -43.79, 43.77

 

CMYK 66 / 0 / 79 / 37

HEX #36A021

RGB 54 160 33

HSL 110.08, 0.66%, 0.38%

LAB 58.07, -52.93, 52.86

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 60 / 0 / 72 / 16

HEX #57D73D

RGB 87 215 61

HSL 109.87, 0.66%, 0.54%

LAB 76.66, -62.49, 61.98

 

CMYK 48 / 0 / 57 / 13

HEX #74DE5F

RGB 116 222 95

HSL 110.08, 0.66%, 0.62%

LAB 80.06, -54.33, 52.08

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 79 / 2 / 0 / 24

HEX #28C0C3

RGB 40 192 195

HSL 181.16, 0.66%, 0.46%

LAB 70.93, -35.9, -12.42

 

CMYK 0 / 79 / 33 / 24

HEX #C32882

RGB 195 40 130

HSL 325.16, 0.66%, 0.46%

LAB 45.26, 65.8, -12.66

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 79 / 65 / 0 / 24

HEX #2844C3

RGB 40 68 195

HSL 229.16, 0.66%, 0.46%

LAB 35.05, 36.18, -68.91

 

CMYK 0 / 79 / 65 / 24

HEX #C32844

RGB 195 40 68

HSL 349.16, 0.66%, 0.46%

LAB 43.56, 60.64, 23.34

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 79 / 2 / 0 / 24

HEX #28C0C3

RGB 40 192 195

HSL 181.16, 0.66%, 0.46%

LAB 70.93, -35.9, -12.42

 

CMYK 15 / 79 / 0 / 24

HEX #A628C3

RGB 166 40 195

HSL 288.77, 0.66%, 0.46%

LAB 43.6, 69.06, -54.43

 

CMYK 0 / 78 / 79 / 24

HEX #C32A28

RGB 195 42 40

HSL 0.77, 0.66%, 0.46%

LAB 43.38, 58.85, 39.73

 

CMYK 66 / 0 / 79 / 24

HEX #42C328

RGB 66 195 40

HSL 109.94, 0.66%, 0.46%

LAB 69.71, -61.78, 61.88

 

CMYK 79 / 25 / 0 / 24

HEX #2892C3

RGB 40 146 195

HSL 198.97, 0.66%, 0.46%

LAB 57.03, -12.47, -33.7

 

CMYK 15 / 79 / 0 / 24

HEX #A628C3

RGB 166 40 195

HSL 288.77, 0.66%, 0.46%

LAB 43.6, 69.06, -54.43

 

CMYK 0 / 54 / 79 / 24

HEX #C35928

RGB 195 89 40

HSL 18.97, 0.66%, 0.46%

LAB 50.57, 39.54, 46.87

 

Description

Color code: HEX #42C328 | qconv.com Color code: HEX #42C328 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 195 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 195 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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