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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 80 / 37 it is the complementary color CMYK 58 / 43 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 80 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 20 / 80 / 37: CMYK 0 / 22 / 84 / 35, CMYK 0 / 20 / 75 / 28, CMYK 0 / 18 / 68 / 22, CMYK 0 / 16 / 61 / 15 and CMYK 0 / 14 / 56 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 80 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 20 / 80 / 37: CMYK 0 / 20 / 80 / 37, CMYK 0 / 23 / 91 / 44, CMYK 0 / 27 / 100 / 50, CMYK 0 / 32 / 100 / 57 and CMYK 0 / 39 / 100 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

Complementary color

CMYK 58 / 43 / 0 / 13

HEX #5E7EDF

RGB 94 126 223

HSL 225.12, 0.67%, 0.62%

LAB 54.69, 17.35, -53.04

 

CMYK 0 / 22 / 84 / 35

HEX #A6811B

RGB 166 129 27

HSL 44.03, 0.72%, 0.38%

LAB 55.97, 4.8, 55.49

 

CMYK 0 / 20 / 75 / 28

HEX #B7932E

RGB 183 147 46

HSL 44.23, 0.6%, 0.45%

LAB 62.62, 3.27, 55.47

 

CMYK 0 / 18 / 68 / 22

HEX #C8A541

RGB 200 165 65

HSL 44.44, 0.55%, 0.52%

LAB 69.16, 2, 54.76

 

CMYK 0 / 16 / 61 / 15

HEX #D9B754

RGB 217 183 84

HSL 44.66, 0.64%, 0.59%

LAB 75.61, 0.93, 53.72

 

CMYK 0 / 14 / 56 / 8

HEX #EAC967

RGB 234 201 103

HSL 44.89, 0.76%, 0.66%

LAB 81.97, 0.01, 52.56

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 0 / 23 / 91 / 44

HEX #906F0D

RGB 144 111 13

HSL 44.89, 0.83%, 0.31%

LAB 48.67, 4.39, 52.36

 

CMYK 0 / 27 / 100 / 50

HEX #7F5D00

RGB 127 93 0

HSL 43.94, 1%, 0.25%

LAB 41.75, 6.46, 49.45

 

CMYK 0 / 32 / 100 / 57

HEX #6E4B00

RGB 110 75 0

HSL 40.91, 1%, 0.22%

LAB 34.7, 8.93, 43.66

 

CMYK 0 / 39 / 100 / 64

HEX #5D3900

RGB 93 57 0

HSL 36.77, 1%, 0.18%

LAB 27.44, 11.57, 37.32

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 0 / 6 / 81 / 37

HEX #A1971F

RGB 161 151 31

HSL 55.38, 0.68%, 0.38%

LAB 61.49, -9.38, 58.88

 

CMYK 6 / 0 / 81 / 37

HEX #97A11F

RGB 151 161 31

HSL 64.62, 0.68%, 0.38%

LAB 63.48, -19.04, 60.31

 

CMYK 20 / 0 / 81 / 37

HEX #81A11F

RGB 129 161 31

HSL 74.77, 0.68%, 0.38%

LAB 61.87, -28.46, 58.27

 

CMYK 34 / 0 / 81 / 37

HEX #6BA11F

RGB 107 161 31

HSL 84.92, 0.68%, 0.38%

LAB 60.53, -37.23, 56.55

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 0 / 20 / 80 / 17

HEX #D4AA2A

RGB 212 170 42

HSL 45.18, 0.67%, 0.5%

LAB 71.5, 3.53, 66.18

 

CMYK 0 / 25 / 75 / 97

HEX #080602

RGB 8 6 2

HSL 40, 0.6%, 0.02%

LAB 1.68, -0.03, 1.7

 

CMYK 0 / 20 / 80 / 77

HEX #3B2F0C

RGB 59 47 12

HSL 44.68, 0.66%, 0.14%

LAB 20, 0.82, 23.43

 

CMYK 0 / 20 / 80 / 57

HEX #6E5816

RGB 110 88 22

HSL 45, 0.67%, 0.26%

LAB 38.47, 1.78, 39.22

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 76 / 0 / 81 / 37

HEX #26A11F

RGB 38 161 31

HSL 116.77, 0.68%, 0.38%

LAB 58.04, -56.39, 53.33

 

CMYK 52 / 81 / 0 / 37

HEX #4D1FA1

RGB 77 31 161

HSL 261.23, 0.68%, 0.38%

LAB 27.1, 50.12, -61.61

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 81 / 0 / 20 / 37

HEX #1FA181

RGB 31 161 129

HSL 165.23, 0.68%, 0.38%

LAB 59.31, -41.41, 7.15

 

CMYK 20 / 81 / 0 / 37

HEX #811FA1

RGB 129 31 161

HSL 285.23, 0.68%, 0.38%

LAB 34.44, 58.54, -49.34

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 76 / 0 / 81 / 37

HEX #26A11F

RGB 38 161 31

HSL 116.77, 0.68%, 0.38%

LAB 58.04, -56.39, 53.33

 

CMYK 81 / 60 / 0 / 37

HEX #1F40A1

RGB 31 64 161

HSL 224.77, 0.68%, 0.38%

LAB 30.72, 25.11, -55.82

 

CMYK 4 / 81 / 0 / 37

HEX #9B1FA1

RGB 155 31 161

HSL 297.23, 0.68%, 0.38%

LAB 38.76, 63.52, -42.16

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 81 / 0 / 60 / 37

HEX #1FA140

RGB 31 161 64

HSL 135.23, 0.68%, 0.38%

LAB 58.18, -54.21, 40.3

 

CMYK 81 / 60 / 0 / 37

HEX #1F40A1

RGB 31 64 161

HSL 224.77, 0.68%, 0.38%

LAB 30.72, 25.11, -55.82

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

Description

Color code: CMYK 0 / 20 / 80 / 37 | qconv.com Color code: CMYK 0 / 20 / 80 / 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 129 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 129 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 80 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 80% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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