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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34CCCB it is the complementary color #CB3334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34CCCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34CCCB shade: #39CCC6, #4ADED9, #5BF0EC, #6CFFFF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34CCCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34CCCB shade: #34CCCB, #23BAB8, #12A8A5, #019692 and #00847F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34CCCB shade: #33CCCB, #33CCA2, #33CC78, #33CC4F and #40CC33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34CCCB shade: #33CCCB, #33A4CC, #337ACC, #3351CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34CCCB shade matches the following richer shades: #33CCCB, #1EE1DF and #0AF5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34CCCB shade: #33CCCB, #48B7B7, #5CA3A2, #718E8E and #86797A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34CCCB shade: #33CC78, #33CCA1, #33CCC9, #33A6CC and #337DCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34CCCB shade: #228A89, #2BABAA, #33CCCB, #54D4D3 and #75DDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34CCCB shade: #34CCCB, #4F33CC and #CC8C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34CCCB shade: #34CCCB, #C933CC and #CCC933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34CCCB shade: #34CCCB, #4F33CC, #CC3336 and #B0CC33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34CCCB shade: #34CCCB, #7D33CC, #CC3336 and #82CC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

Complementary color

CMYK 0 / 75 / 74 / 20

HEX #CB3334

RGB 203 51 52

HSL 359.61, 0.6%, 0.5%

LAB 46.06, 58.87, 36.29

 

CMYK 72 / 0 / 3 / 20

HEX #39CCC6

RGB 57 204 198

HSL 177.55, 0.59%, 0.51%

LAB 74.91, -38.75, -8.09

 

CMYK 67 / 0 / 2 / 13

HEX #4ADED9

RGB 74 222 217

HSL 177.97, 0.69%, 0.58%

LAB 81.13, -39.44, -9

 

CMYK 62 / 0 / 2 / 6

HEX #5BF0EC

RGB 91 240 236

HSL 178.39, 0.83%, 0.65%

LAB 87.29, -39.94, -9.83

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

CMYK 81 / 0 / 1 / 27

HEX #23BAB8

RGB 35 186 184

HSL 179.21, 0.68%, 0.43%

LAB 68.7, -36.81, -9.73

 

CMYK 89 / 0 / 2 / 34

HEX #12A8A5

RGB 18 168 165

HSL 178.8, 0.81%, 0.36%

LAB 62.38, -35.37, -8.63

 

CMYK 99 / 0 / 3 / 41

HEX #019692

RGB 1 150 146

HSL 178.39, 0.99%, 0.3%

LAB 55.98, -33.57, -7.4

 

CMYK 100 / 0 / 4 / 48

HEX #00847F

RGB 0 132 127

HSL 177.73, 1%, 0.26%

LAB 49.54, -31.09, -5.98

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCB

RGB 51 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.95, -38.01, -10.74

 

CMYK 75 / 0 / 21 / 20

HEX #33CCA2

RGB 51 204 162

HSL 163.53, 0.6%, 0.5%

LAB 73.87, -48.91, 9.82

 

CMYK 75 / 0 / 41 / 20

HEX #33CC78

RGB 51 204 120

HSL 147.06, 0.6%, 0.5%

LAB 73.05, -57.83, 30.89

 

CMYK 75 / 0 / 61 / 20

HEX #33CC4F

RGB 51 204 79

HSL 130.98, 0.6%, 0.5%

LAB 72.53, -63.96, 50.05

 

CMYK 69 / 0 / 75 / 20

HEX #40CC33

RGB 64 204 51

HSL 114.9, 0.6%, 0.5%

LAB 72.57, -64.41, 61.16

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCB

RGB 51 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.95, -38.01, -10.74

 

CMYK 75 / 20 / 0 / 20

HEX #33A4CC

RGB 51 164 204

HSL 195.69, 0.6%, 0.5%

LAB 63.02, -17.97, -29.42

 

CMYK 75 / 40 / 0 / 20

HEX #337ACC

RGB 51 122 204

HSL 212.16, 0.6%, 0.5%

LAB 50.67, 6.14, -48.82

 

CMYK 75 / 60 / 0 / 20

HEX #3351CC

RGB 51 81 204

HSL 228.24, 0.6%, 0.5%

LAB 39.49, 32.24, -66.86

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCB

RGB 51 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.95, -38.01, -10.74

 

CMYK 87 / 0 / 1 / 12

HEX #1EE1DF

RGB 30 225 223

HSL 179.38, 0.76%, 0.5%

LAB 81.54, -43.32, -11.65

 

CMYK 96 / 0 / 0 / 4

HEX #0AF5F4

RGB 10 245 244

HSL 179.74, 0.92%, 0.5%

LAB 87.92, -46.73, -13.19

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCB

RGB 51 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.95, -38.01, -10.74

 

CMYK 61 / 0 / 0 / 28

HEX #48B7B7

RGB 72 183 183

HSL 180, 0.44%, 0.5%

LAB 68.51, -30.96, -9.4

 

CMYK 44 / 0 / 1 / 36

HEX #5CA3A2

RGB 92 163 162

HSL 179.15, 0.28%, 0.5%

LAB 62.57, -22.51, -6.46

HEX #5CA3A2

CMYK 20 / 0 / 0 / 44

HEX #718E8E

RGB 113 142 142

HSL 180, 0.11%, 0.5%

LAB 56.89, -10.16, -3.38

HEX #718E8E

CMYK 0 / 10 / 9 / 47

HEX #86797A

RGB 134 121 122

HSL 355.38, 0.05%, 0.5%

LAB 52, 5.17, 1.26

HEX #86797A

CMYK 75 / 0 / 41 / 20

HEX #33CC78

RGB 51 204 120

HSL 147.06, 0.6%, 0.5%

LAB 73.05, -57.83, 30.89

 

CMYK 75 / 0 / 21 / 20

HEX #33CCA1

RGB 51 204 161

HSL 163.14, 0.6%, 0.5%

LAB 73.84, -49.15, 10.32

 

CMYK 75 / 0 / 1 / 20

HEX #33CCC9

RGB 51 204 201

HSL 178.82, 0.6%, 0.5%

LAB 74.89, -38.59, -9.75

 

CMYK 75 / 19 / 0 / 20

HEX #33A6CC

RGB 51 166 204

HSL 194.9, 0.6%, 0.5%

LAB 63.62, -19.03, -28.5

 

CMYK 75 / 39 / 0 / 20

HEX #337DCC

RGB 51 125 204

HSL 210.98, 0.6%, 0.5%

LAB 51.53, 4.31, -47.45

 

CMYK 75 / 0 / 1 / 46

HEX #228A89

RGB 34 138 137

HSL 179.42, 0.6%, 0.34%

LAB 52.2, -28.26, -7.81

 

CMYK 75 / 0 / 1 / 33

HEX #2BABAA

RGB 43 171 170

HSL 179.53, 0.6%, 0.42%

LAB 63.79, -33.17, -9.29

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCB

RGB 51 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.95, -38.01, -10.74

 

CMYK 60 / 0 / 0 / 17

HEX #54D4D3

RGB 84 212 211

HSL 179.53, 0.6%, 0.58%

LAB 78.27, -34.93, -10.02

 

CMYK 47 / 0 / 0 / 13

HEX #75DDDC

RGB 117 221 220

HSL 179.42, 0.6%, 0.66%

LAB 82.2, -30.38, -8.87

 

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

CMYK 61 / 75 / 0 / 20

HEX #4F33CC

RGB 79 51 204

HSL 250.98, 0.6%, 0.5%

LAB 34.78, 53.15, -74.52

 

CMYK 0 / 31 / 75 / 20

HEX #CC8C33

RGB 204 140 51

HSL 34.9, 0.6%, 0.5%

LAB 63.2, 16.57, 54.8

 

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 1 / 75 / 20

HEX #CCC933

RGB 204 201 51

HSL 58.82, 0.6%, 0.5%

LAB 78.95, -15.63, 69.8

 

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

CMYK 61 / 75 / 0 / 20

HEX #4F33CC

RGB 79 51 204

HSL 250.98, 0.6%, 0.5%

LAB 34.78, 53.15, -74.52

 

CMYK 0 / 75 / 74 / 20

HEX #CC3336

RGB 204 51 54

HSL 358.82, 0.6%, 0.5%

LAB 46.27, 59.25, 35.43

 

CMYK 14 / 0 / 75 / 20

HEX #B0CC33

RGB 176 204 51

HSL 70.98, 0.6%, 0.5%

LAB 77.67, -28.76, 67.84

 

CMYK 75 / 0 / 0 / 20

HEX #34CCCB

RGB 52 204 203

HSL 179.61, 0.6%, 0.5%

LAB 74.97, -37.91, -10.72

 

CMYK 39 / 75 / 0 / 20

HEX #7D33CC

RGB 125 51 204

HSL 269.02, 0.6%, 0.5%

LAB 39.73, 59.85, -66.22

 

CMYK 0 / 75 / 74 / 20

HEX #CC3336

RGB 204 51 54

HSL 358.82, 0.6%, 0.5%

LAB 46.27, 59.25, 35.43

 

CMYK 36 / 0 / 75 / 20

HEX #82CC33

RGB 130 204 51

HSL 89.02, 0.6%, 0.5%

LAB 74.93, -46.32, 64.27

 

Description

Color code: HEX #34CCCB | qconv.com Color code: HEX #34CCCB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 204 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 204 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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