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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C933CC it is the complementary color #36CC33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C933CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C933CC shade: #CE33C7, #DF45DA, #F057ED, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C933CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C933CC shade: #C933CC, #B821B9, #A70FA6, #960093 and #850080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C933CC shade: #C933CC, #CC33A6, #CC337C, #CC3353 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C933CC shade: #C933CC, #A033CC, #7633CC, #4D33CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C933CC shade matches the following richer shades: #C933CC, #DD1EE1 and #F10AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C933CC shade: #C933CC, #B548B7, #A15CA3, #8E718E and #7A8679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C933CC shade: #7533CC, #9E33CC, #C733CC, #CC33A8 and #CC3380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C933CC shade: #88228A, #A82BAB, #C933CC, #D254D4 and #DA75DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C933CC shade: #C933CC, #CC4D33 and #33CC8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C933CC shade: #C933CC, #CCC733 and #33CCC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C933CC shade: #C933CC, #CC4D33, #38CC33 and #33B3CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C933CC shade: #C933CC, #CC7A33, #38CC33 and #3385CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

Complementary color

CMYK 74 / 0 / 75 / 20

HEX #36CC33

RGB 54 204 51

HSL 118.82, 0.6%, 0.5%

LAB 72.37, -66.14, 60.89

 

CMYK 0 / 75 / 3 / 19

HEX #CE33C7

RGB 206 51 199

HSL 302.71, 0.61%, 0.5%

LAB 51.4, 74.4, -43.92

 

CMYK 0 / 69 / 2 / 13

HEX #DF45DA

RGB 223 69 218

HSL 301.95, 0.71%, 0.57%

LAB 57.08, 75.31, -45.6

 

CMYK 0 / 64 / 1 / 6

HEX #F057ED

RGB 240 87 237

HSL 301.18, 0.84%, 0.64%

LAB 62.89, 75.67, -46.91

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 1 / 82 / 0 / 27

HEX #B821B9

RGB 184 33 185

HSL 299.61, 0.7%, 0.43%

LAB 45.33, 72.51, -45.64

 

CMYK 0 / 91 / 1 / 35

HEX #A70FA6

RGB 167 15 166

HSL 300.39, 0.84%, 0.36%

LAB 40.1, 69.73, -42.9

 

CMYK 0 / 100 / 2 / 41

HEX #960093

RGB 150 0 147

HSL 301.2, 1%, 0.29%

LAB 35.18, 65.68, -39.42

 

CMYK 0 / 100 / 4 / 48

HEX #850080

RGB 133 0 128

HSL 302.26, 1%, 0.26%

LAB 30.75, 59.82, -34.9

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 75 / 19 / 20

HEX #CC33A6

RGB 204 51 166

HSL 314.9, 0.6%, 0.5%

LAB 49.45, 69.22, -27.73

 

CMYK 0 / 75 / 39 / 20

HEX #CC337C

RGB 204 51 124

HSL 331.37, 0.6%, 0.5%

LAB 47.83, 64.26, -4.98

 

CMYK 0 / 75 / 59 / 20

HEX #CC3353

RGB 204 51 83

HSL 347.45, 0.6%, 0.5%

LAB 46.75, 60.81, 18.62

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 22 / 75 / 0 / 20

HEX #A033CC

RGB 160 51 204

HSL 282.75, 0.6%, 0.5%

LAB 44.52, 66.11, -58.22

 

CMYK 42 / 75 / 0 / 20

HEX #7633CC

RGB 118 51 204

HSL 266.27, 0.6%, 0.5%

LAB 38.86, 58.69, -67.67

 

CMYK 62 / 75 / 0 / 20

HEX #4D33CC

RGB 77 51 204

HSL 250.2, 0.6%, 0.5%

LAB 34.61, 52.91, -74.8

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 2 / 87 / 0 / 12

HEX #DD1EE1

RGB 221 30 225

HSL 298.77, 0.76%, 0.5%

LAB 53.75, 85.79, -54.89

 

CMYK 2 / 96 / 0 / 4

HEX #F10AF5

RGB 241 10 245

HSL 298.98, 0.92%, 0.5%

LAB 57.57, 94.09, -59.82

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 1 / 61 / 0 / 28

HEX #B548B7

RGB 181 72 183

HSL 298.92, 0.44%, 0.5%

LAB 49.35, 58.46, -38.13

 

CMYK 1 / 44 / 0 / 36

HEX #A15CA3

RGB 161 92 163

HSL 298.31, 0.28%, 0.5%

LAB 49.35, 39.28, -26.62

 

CMYK 0 / 20 / 0 / 44

HEX #8E718E

RGB 142 113 142

HSL 300, 0.11%, 0.5%

LAB 51.28, 16.72, -11.48

 

CMYK 9 / 0 / 10 / 47

HEX #7A8679

RGB 122 134 121

HSL 115.38, 0.05%, 0.5%

LAB 54.62, -7.01, 5.5

 

CMYK 43 / 75 / 0 / 20

HEX #7533CC

RGB 117 51 204

HSL 265.88, 0.6%, 0.5%

LAB 38.74, 58.53, -67.87

 

CMYK 23 / 75 / 0 / 20

HEX #9E33CC

RGB 158 51 204

HSL 281.96, 0.6%, 0.5%

LAB 44.23, 65.73, -58.7

 

CMYK 2 / 75 / 0 / 20

HEX #C733CC

RGB 199 51 204

HSL 298.04, 0.6%, 0.5%

LAB 50.53, 73.76, -48.24

 

CMYK 0 / 75 / 18 / 20

HEX #CC33A8

RGB 204 51 168

HSL 314.12, 0.6%, 0.5%

LAB 49.54, 69.49, -28.78

 

CMYK 0 / 75 / 37 / 20

HEX #CC3380

RGB 204 51 128

HSL 329.8, 0.6%, 0.5%

LAB 47.96, 64.67, -7.22

 

CMYK 1 / 75 / 0 / 46

HEX #88228A

RGB 136 34 138

HSL 298.85, 0.6%, 0.34%

LAB 34.42, 54.73, -35.24

 

CMYK 2 / 75 / 0 / 33

HEX #A82BAB

RGB 168 43 171

HSL 298.59, 0.6%, 0.42%

LAB 42.75, 64.37, -41.65

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 1 / 60 / 0 / 17

HEX #D254D4

RGB 210 84 212

HSL 299.06, 0.6%, 0.58%

LAB 56.88, 65.6, -42.65

 

CMYK 1 / 47 / 0 / 13

HEX #DA75DD

RGB 218 117 221

HSL 298.27, 0.6%, 0.66%

LAB 64.04, 54.08, -36.41

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 62 / 75 / 20

HEX #CC4D33

RGB 204 77 51

HSL 10.2, 0.6%, 0.5%

LAB 49.96, 48.99, 41.18

 

CMYK 75 / 0 / 32 / 20

HEX #33CC8A

RGB 51 204 138

HSL 154.12, 0.6%, 0.5%

LAB 73.37, -54.32, 21.92

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 2 / 75 / 20

HEX #CCC733

RGB 204 199 51

HSL 58.04, 0.6%, 0.5%

LAB 78.42, -14.63, 69.3

 

CMYK 75 / 0 / 2 / 20

HEX #33CCC7

RGB 51 204 199

HSL 178.04, 0.6%, 0.5%

LAB 74.83, -39.16, -8.76

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 62 / 75 / 20

HEX #CC4D33

RGB 204 77 51

HSL 10.2, 0.6%, 0.5%

LAB 49.96, 48.99, 41.18

 

CMYK 73 / 0 / 75 / 20

HEX #38CC33

RGB 56 204 51

HSL 118.04, 0.6%, 0.5%

LAB 72.41, -65.82, 60.94

 

CMYK 75 / 12 / 0 / 20

HEX #33B3CC

RGB 51 179 204

HSL 189.8, 0.6%, 0.5%

LAB 67.5, -25.72, -22.54

 

CMYK 1 / 75 / 0 / 20

HEX #C933CC

RGB 201 51 204

HSL 298.82, 0.6%, 0.5%

LAB 50.86, 74.16, -47.71

 

CMYK 0 / 40 / 75 / 20

HEX #CC7A33

RGB 204 122 51

HSL 27.84, 0.6%, 0.5%

LAB 58.97, 26.34, 50.57

 

CMYK 73 / 0 / 75 / 20

HEX #38CC33

RGB 56 204 51

HSL 118.04, 0.6%, 0.5%

LAB 72.41, -65.82, 60.94

 

CMYK 75 / 35 / 0 / 20

HEX #3385CC

RGB 51 133 204

HSL 207.84, 0.6%, 0.5%

LAB 53.86, -0.51, -43.76

 

Description

Color code: HEX #C933CC | qconv.com Color code: HEX #C933CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 51 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 51 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 75% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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