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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 75 / 0 / 20 it is the complementary color CMYK 0 / 0 / 75 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 75 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 75 / 0 / 20: CMYK 72 / 74 / 0 / 22, CMYK 67 / 68 / 0 / 15, CMYK 62 / 63 / 0 / 7, CMYK 58 / 59 / 0 / 0 and CMYK 51 / 52 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 75 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 75 / 0 / 20: CMYK 75 / 75 / 0 / 20, CMYK 82 / 82 / 0 / 27, CMYK 90 / 91 / 0 / 35, CMYK 100 / 100 / 0 / 42 and CMYK 100 / 100 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

Complementary color

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 72 / 74 / 0 / 22

HEX #3833C7

RGB 56 51 199

HSL 242.03, 0.59%, 0.49%

LAB 32.55, 49.16, -75.34

 

CMYK 67 / 68 / 0 / 15

HEX #4945DA

RGB 73 69 218

HSL 241.61, 0.67%, 0.56%

LAB 39.13, 46.99, -75.46

 

CMYK 62 / 63 / 0 / 7

HEX #5A57ED

RGB 90 87 237

HSL 241.2, 0.81%, 0.64%

LAB 45.78, 44.89, -75.32

 

CMYK 58 / 59 / 0 / 0

HEX #6B69FF

RGB 107 105 255

HSL 240.8, 1%, 0.71%

LAB 52.34, 42.67, -74.62

 

CMYK 51 / 52 / 0 / 0

HEX #7C7BFF

RGB 124 123 255

HSL 240.45, 1%, 0.74%

LAB 57.72, 35.22, -65.86

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 82 / 82 / 0 / 27

HEX #2221B9

RGB 34 33 185

HSL 240.39, 0.7%, 0.43%

LAB 26.54, 52.39, -77.09

 

CMYK 90 / 91 / 0 / 35

HEX #110FA6

RGB 17 15 166

HSL 240.79, 0.83%, 0.35%

LAB 20.88, 53.42, -75.11

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 63 / 75 / 0 / 20

HEX #4C33CC

RGB 76 51 204

HSL 249.8, 0.6%, 0.5%

LAB 34.53, 52.8, -74.94

 

CMYK 50 / 75 / 0 / 20

HEX #6533CC

RGB 101 51 204

HSL 259.61, 0.6%, 0.5%

LAB 36.92, 56.08, -70.92

 

CMYK 38 / 75 / 0 / 20

HEX #7F33CC

RGB 127 51 204

HSL 269.8, 0.6%, 0.5%

LAB 39.98, 60.18, -65.79

 

CMYK 25 / 75 / 0 / 20

HEX #9933CC

RGB 153 51 204

HSL 280, 0.6%, 0.5%

LAB 43.51, 64.8, -59.9

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 75 / 75 / 0 / 80

HEX #0D0D33

RGB 13 13 51

HSL 240, 0.59%, 0.13%

LAB 5.53, 13.26, -24.61

 

CMYK 75 / 75 / 0 / 60

HEX #1A1A66

RGB 26 26 102

HSL 240, 0.59%, 0.25%

LAB 15.05, 27.51, -44.37

 

CMYK 75 / 75 / 0 / 40

HEX #262699

RGB 38 38 153

HSL 240, 0.6%, 0.37%

LAB 23.99, 39.59, -61.97

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

CMYK 45 / 0 / 75 / 20

HEX #70CC33

RGB 112 204 51

HSL 96.08, 0.6%, 0.5%

LAB 74.11, -52.28, 63.19

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 75 / 0 / 75 / 20

HEX #33CC33

RGB 51 204 51

HSL 120, 0.6%, 0.5%

LAB 72.31, -66.6, 60.82

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 75 / 0 / 60 / 20

HEX #33CC51

RGB 51 204 81

HSL 131.76, 0.6%, 0.5%

LAB 72.55, -63.72, 49.19

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 75 / 0 / 38 / 20

HEX #33CC7F

RGB 51 204 127

HSL 149.8, 0.6%, 0.5%

LAB 73.17, -56.52, 27.42

 

Description

Color code: CMYK 75 / 75 / 0 / 20 | qconv.com Color code: CMYK 75 / 75 / 0 / 20 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 51 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 51 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 75% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Newgle
Link: http://pcgamenext.blog34.fc2.com

88% - とある市大生のページ
Link: http://www.ex.media.osaka-cu.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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