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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33FB70 it is the complementary color #CC048F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33FB70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33FB70 shade: #38FB6B, #49FF7E, #5AFF91, #6BFFA4 and #7CFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33FB70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33FB70 shade: #33FB70, #22E95D, #11D74A, #00C537 and #00B324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33FB70 shade: #32FB6F, #32FB39, #61FB32, #97FB32 and #CDFB32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33FB70 shade: #32FB6F, #32FBA5, #32FBDC, #32E4FB and #32AEFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33FB70 shade matches the following richer shades: #32FB6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33FB70 shade: #32FB6F, #43EA76, #54D97D, #65C883 and #76B78A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33FB70 shade: #61FB32, #32FB39, #32FB6E, #32FBA4 and #32FBD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33FB70 shade: #04D644, #0AFA53, #32FB6F, #5BFC8C and #83FCA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33FB70 shade: #33FB70, #3296FB and #FB3246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33FB70 shade: #33FB70, #6E32FB and #FB6E32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33FB70 shade: #33FB70, #3296FB, #FB32BF and #FB9632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33FB70 shade: #33FB70, #325AFB, #FB32BF and #FBD332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

Complementary color

CMYK 0 / 98 / 30 / 20

HEX #CC048F

RGB 204 4 143

HSL 318.3, 0.96%, 0.41%

LAB 45.51, 74.95, -20.05

 

CMYK 78 / 0 / 57 / 2

HEX #38FB6B

RGB 56 251 107

HSL 135.69, 0.96%, 0.6%

LAB 87.43, -74.99, 54.98

 

CMYK 71 / 0 / 51 / 0

HEX #49FF7E

RGB 73 255 126

HSL 137.47, 1%, 0.64%

LAB 89.13, -71.49, 48.46

 

CMYK 65 / 0 / 43 / 0

HEX #5AFF91

RGB 90 255 145

HSL 140, 1%, 0.68%

LAB 89.74, -65.82, 40.23

 

CMYK 58 / 0 / 36 / 0

HEX #6BFFA4

RGB 107 255 164

HSL 143.11, 1%, 0.71%

LAB 90.47, -59.31, 31.9

 

CMYK 51 / 0 / 28 / 0

HEX #7CFFB7

RGB 124 255 183

HSL 147.02, 1%, 0.74%

LAB 91.34, -52.1, 23.57

 

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

CMYK 85 / 0 / 60 / 9

HEX #22E95D

RGB 34 233 93

HSL 137.79, 0.82%, 0.52%

LAB 81.52, -73.31, 54.16

 

CMYK 92 / 0 / 66 / 16

HEX #11D74A

RGB 17 215 74

HSL 137.27, 0.85%, 0.45%

LAB 75.58, -71.16, 55.49

 

CMYK 100 / 0 / 72 / 23

HEX #00C537

RGB 0 197 55

HSL 136.75, 1%, 0.39%

LAB 69.62, -68.43, 56.53

 

CMYK 100 / 0 / 80 / 30

HEX #00B324

RGB 0 179 36

HSL 132.07, 1%, 0.35%

LAB 63.65, -64.72, 57.01

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6F

RGB 50 251 111

HSL 138.21, 0.96%, 0.59%

LAB 87.4, -75.15, 53.14

 

CMYK 80 / 0 / 77 / 2

HEX #32FB39

RGB 50 251 57

HSL 122.09, 0.96%, 0.59%

LAB 86.98, -80.28, 73.24

 

CMYK 61 / 0 / 80 / 2

HEX #61FB32

RGB 97 251 50

HSL 105.97, 0.96%, 0.59%

LAB 87.86, -72.95, 76.32

 

CMYK 40 / 0 / 80 / 2

HEX #97FB32

RGB 151 251 50

HSL 89.85, 0.96%, 0.59%

LAB 89.77, -58.18, 78.77

 

CMYK 18 / 0 / 80 / 2

HEX #CDFB32

RGB 205 251 50

HSL 73.73, 0.96%, 0.59%

LAB 92.66, -38.87, 82.46

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6F

RGB 50 251 111

HSL 138.21, 0.96%, 0.59%

LAB 87.4, -75.15, 53.14

 

CMYK 80 / 0 / 34 / 2

HEX #32FBA5

RGB 50 251 165

HSL 154.33, 0.96%, 0.59%

LAB 88.16, -66.29, 28.08

 

CMYK 80 / 0 / 12 / 2

HEX #32FBDC

RGB 50 251 220

HSL 170.75, 0.96%, 0.59%

LAB 89.32, -53.77, 1.42

 

CMYK 80 / 9 / 0 / 2

HEX #32E4FB

RGB 50 228 251

HSL 186.87, 0.96%, 0.59%

LAB 83.51, -35.03, -23.48

 

CMYK 80 / 31 / 0 / 2

HEX #32AEFB

RGB 50 174 251

HSL 202.99, 0.96%, 0.59%

LAB 67.96, -7.43, -47.55

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6F

RGB 50 251 111

HSL 138.21, 0.96%, 0.59%

LAB 87.4, -75.15, 53.14

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6F

RGB 50 251 111

HSL 138.21, 0.96%, 0.59%

LAB 87.4, -75.15, 53.14

 

CMYK 71 / 0 / 50 / 8

HEX #43EA76

RGB 67 234 118

HSL 138.32, 0.8%, 0.59%

LAB 82.56, -66.44, 44.08

 

CMYK 61 / 0 / 42 / 15

HEX #54D97D

RGB 84 217 125

HSL 138.5, 0.64%, 0.59%

LAB 77.87, -56.16, 34.76

 

CMYK 50 / 0 / 35 / 22

HEX #65C883

RGB 101 200 131

HSL 138.18, 0.47%, 0.59%

LAB 73.36, -44.29, 25.82

 

CMYK 36 / 0 / 25 / 28

HEX #76B78A

RGB 118 183 138

HSL 138.46, 0.31%, 0.59%

LAB 69.15, -30.45, 16.45

 

CMYK 61 / 0 / 80 / 2

HEX #61FB32

RGB 97 251 50

HSL 105.97, 0.96%, 0.59%

LAB 87.86, -72.95, 76.32

 

CMYK 80 / 0 / 77 / 2

HEX #32FB39

RGB 50 251 57

HSL 122.09, 0.96%, 0.59%

LAB 86.98, -80.28, 73.24

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6E

RGB 50 251 110

HSL 137.91, 0.96%, 0.59%

LAB 87.39, -75.28, 53.57

 

CMYK 80 / 0 / 35 / 2

HEX #32FBA4

RGB 50 251 164

HSL 154.03, 0.96%, 0.59%

LAB 88.14, -66.49, 28.56

 

CMYK 80 / 0 / 14 / 2

HEX #32FBD9

RGB 50 251 217

HSL 169.85, 0.96%, 0.59%

LAB 89.24, -54.54, 2.87

 

CMYK 98 / 0 / 68 / 16

HEX #04D644

RGB 4 214 68

HSL 138.29, 0.96%, 0.43%

LAB 75.16, -71.98, 57.42

 

CMYK 96 / 0 / 67 / 2

HEX #0AFA53

RGB 10 250 83

HSL 138.25, 0.96%, 0.51%

LAB 86.53, -80.62, 63.81

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6F

RGB 50 251 111

HSL 138.21, 0.96%, 0.59%

LAB 87.4, -75.15, 53.14

 

CMYK 64 / 0 / 44 / 1

HEX #5BFC8C

RGB 91 252 140

HSL 138.26, 0.96%, 0.67%

LAB 88.8, -65.34, 41.46

 

CMYK 48 / 0 / 33 / 1

HEX #83FCA8

RGB 131 252 168

HSL 138.35, 0.95%, 0.75%

LAB 90.45, -51.89, 29.99

 

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

CMYK 80 / 40 / 0 / 2

HEX #3296FB

RGB 50 150 251

HSL 210.15, 0.96%, 0.59%

LAB 61.18, 6.36, -58.3

 

CMYK 0 / 80 / 72 / 2

HEX #FB3246

RGB 251 50 70

HSL 354.03, 0.96%, 0.59%

LAB 55.31, 73.55, 38.96

 

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

CMYK 56 / 80 / 0 / 2

HEX #6E32FB

RGB 110 50 251

HSL 257.91, 0.96%, 0.59%

LAB 42.09, 69.88, -89.17

 

CMYK 0 / 56 / 80 / 2

HEX #FB6E32

RGB 251 110 50

HSL 17.91, 0.96%, 0.59%

LAB 63.25, 50.77, 57.48

 

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

CMYK 80 / 40 / 0 / 2

HEX #3296FB

RGB 50 150 251

HSL 210.15, 0.96%, 0.59%

LAB 61.18, 6.36, -58.3

 

CMYK 0 / 80 / 24 / 2

HEX #FB32BF

RGB 251 50 191

HSL 317.91, 0.96%, 0.59%

LAB 58.56, 83.14, -27.55

 

CMYK 0 / 40 / 80 / 2

HEX #FB9632

RGB 251 150 50

HSL 29.85, 0.96%, 0.59%

LAB 71.25, 30.93, 64.86

 

CMYK 80 / 0 / 55 / 2

HEX #33FB70

RGB 51 251 112

HSL 138.3, 0.96%, 0.59%

LAB 87.42, -74.91, 52.72

 

CMYK 80 / 64 / 0 / 2

HEX #325AFB

RGB 50 90 251

HSL 228.06, 0.96%, 0.59%

LAB 45.57, 43.37, -83.58

 

CMYK 0 / 80 / 24 / 2

HEX #FB32BF

RGB 251 50 191

HSL 317.91, 0.96%, 0.59%

LAB 58.56, 83.14, -27.55

 

CMYK 0 / 16 / 80 / 2

HEX #FBD332

RGB 251 211 50

HSL 48.06, 0.96%, 0.59%

LAB 85.67, -0.78, 77.68

 

Description

Color code: HEX #33FB70 | qconv.com Color code: HEX #33FB70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 251 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 251 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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