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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 80 / 40 / 0 / 2 it is the complementary color CMYK 0 / 49 / 98 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 80 / 40 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 80 / 40 / 0 / 2: CMYK 78 / 39 / 0 / 4, CMYK 72 / 34 / 0 / 0, CMYK 65 / 27 / 0 / 0, CMYK 58 / 20 / 0 / 0 and CMYK 52 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 80 / 40 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 80 / 40 / 0 / 2: CMYK 80 / 40 / 0 / 2, CMYK 86 / 43 / 0 / 9, CMYK 92 / 46 / 0 / 17, CMYK 100 / 50 / 0 / 24 and CMYK 100 / 55 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

Complementary color

CMYK 0 / 49 / 98 / 20

HEX #CD6905

RGB 205 105 5

HSL 30, 0.95%, 0.41%

LAB 55.17, 34.64, 62.25

 

CMYK 78 / 39 / 0 / 4

HEX #3796F5

RGB 55 150 245

HSL 210, 0.9%, 0.59%

LAB 60.97, 4.68, -55.33

 

CMYK 72 / 34 / 0 / 0

HEX #48A8FF

RGB 72 168 255

HSL 208.52, 1%, 0.64%

LAB 66.98, -0.22, -51.24

 

CMYK 65 / 27 / 0 / 0

HEX #59BAFF

RGB 89 186 255

HSL 204.94, 1%, 0.67%

LAB 72.54, -7.78, -42.47

 

CMYK 58 / 20 / 0 / 0

HEX #6ACCFF

RGB 106 204 255

HSL 200.54, 1%, 0.71%

LAB 78.15, -14.44, -33.7

 

CMYK 52 / 13 / 0 / 0

HEX #7BDEFF

RGB 123 222 255

HSL 195, 1%, 0.74%

LAB 83.8, -20.33, -24.99

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 86 / 43 / 0 / 9

HEX #2184E7

RGB 33 132 231

HSL 210, 0.8%, 0.52%

LAB 54.65, 8.4, -57.7

 

CMYK 92 / 46 / 0 / 17

HEX #1072D4

RGB 16 114 212

HSL 210, 0.86%, 0.45%

LAB 48.13, 11.31, -57.48

 

CMYK 100 / 50 / 0 / 24

HEX #0060C1

RGB 0 96 193

HSL 210.16, 1%, 0.38%

LAB 41.56, 14.76, -57.18

 

CMYK 100 / 55 / 0 / 32

HEX #004EAE

RGB 0 78 174

HSL 213.1, 1%, 0.34%

LAB 35.01, 18.99, -56.63

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 80 / 53 / 0 / 2

HEX #3375F9

RGB 51 117 249

HSL 220, 0.94%, 0.59%

LAB 52.14, 25.92, -71.75

 

CMYK 80 / 66 / 0 / 2

HEX #3354F9

RGB 51 84 249

HSL 230, 0.94%, 0.59%

LAB 44.07, 46.38, -84.94

 

CMYK 80 / 80 / 0 / 2

HEX #3333F9

RGB 51 51 249

HSL 240, 0.94%, 0.59%

LAB 37.68, 64.25, -95.49

 

CMYK 66 / 80 / 0 / 2

HEX #5433F9

RGB 84 51 249

HSL 250, 0.94%, 0.59%

LAB 39.74, 66.47, -92.02

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 80 / 39 / 0 / 82

HEX #091C2E

RGB 9 28 46

HSL 209.19, 0.67%, 0.11%

LAB 9.69, -0.4, -14.32

 

CMYK 80 / 40 / 0 / 62

HEX #133A61

RGB 19 58 97

HSL 210, 0.67%, 0.23%

LAB 23.76, 1.64, -27.01

 

CMYK 80 / 40 / 0 / 42

HEX #1E5994

RGB 30 89 148

HSL 210, 0.66%, 0.35%

LAB 37.04, 3.04, -37.77

 

CMYK 80 / 40 / 0 / 22

HEX #2877C7

RGB 40 119 199

HSL 210.19, 0.67%, 0.47%

LAB 49.21, 4.87, -48.3

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 24 / 80 / 0 / 2

HEX #BE33F9

RGB 190 51 249

HSL 282.12, 0.94%, 0.59%

LAB 52.01, 80.03, -71.43

 

CMYK 8 / 0 / 80 / 2

HEX #E5F933

RGB 229 249 51

HSL 66.06, 0.94%, 0.59%

LAB 93.73, -28.47, 83.76

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 0 / 80 / 40 / 2

HEX #F93396

RGB 249 51 150

HSL 330, 0.94%, 0.59%

LAB 56.79, 78.11, -6.37

 

CMYK 40 / 0 / 80 / 2

HEX #96F933

RGB 150 249 51

HSL 90, 0.94%, 0.59%

LAB 89.15, -57.69, 77.93

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 24 / 80 / 0 / 2

HEX #BE33F9

RGB 190 51 249

HSL 282.12, 0.94%, 0.59%

LAB 52.01, 80.03, -71.43

 

CMYK 0 / 40 / 80 / 2

HEX #F99633

RGB 249 150 51

HSL 30, 0.94%, 0.59%

LAB 71, 30.15, 64.16

 

CMYK 56 / 0 / 80 / 2

HEX #6EF933

RGB 110 249 51

HSL 102.12, 0.94%, 0.59%

LAB 87.63, -69.2, 75.99

 

CMYK 80 / 40 / 0 / 2

HEX #3296FA

RGB 50 150 250

HSL 210, 0.95%, 0.59%

LAB 61.13, 6, -57.84

 

CMYK 0 / 80 / 0 / 2

HEX #F933F9

RGB 249 51 249

HSL 300, 0.94%, 0.59%

LAB 61.09, 90.24, -56.35

 

CMYK 0 / 40 / 80 / 2

HEX #F99633

RGB 249 150 51

HSL 30, 0.94%, 0.59%

LAB 71, 30.15, 64.16

 

CMYK 80 / 0 / 80 / 2

HEX #33F933

RGB 51 249 51

HSL 120, 0.94%, 0.59%

LAB 86.35, -79.95, 74.33

 

Description

Color code: CMYK 80 / 40 / 0 / 2 | qconv.com Color code: CMYK 80 / 40 / 0 / 2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 150 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 150 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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