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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 18 / 0 / 80 / 2 it is the complementary color CMYK 76 / 98 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 18 / 0 / 80 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 18 / 0 / 80 / 2: CMYK 16 / 0 / 82 / 2, CMYK 11 / 0 / 75 / 0, CMYK 4 / 0 / 67 / 0, CMYK 0 / 0 / 60 / 0 and CMYK 0 / 0 / 53 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 18 / 0 / 80 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 18 / 0 / 80 / 2: CMYK 18 / 0 / 80 / 2, CMYK 19 / 0 / 87 / 9, CMYK 20 / 0 / 94 / 16, CMYK 21 / 0 / 100 / 23 and CMYK 23 / 0 / 100 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

Complementary color

CMYK 76 / 98 / 0 / 20

HEX #3205CD

RGB 50 5 205

HSL 253.5, 0.95%, 0.41%

LAB 27.28, 66.96, -87.6

 

CMYK 16 / 0 / 82 / 2

HEX #D2FA2D

RGB 210 250 45

HSL 71.71, 0.95%, 0.58%

LAB 92.69, -36.65, 83.8

 

CMYK 11 / 0 / 75 / 0

HEX #E3FF40

RGB 227 255 64

HSL 68.8, 1%, 0.63%

LAB 95.25, -31.55, 81.49

 

CMYK 4 / 0 / 67 / 0

HEX #F4FF53

RGB 244 255 83

HSL 63.84, 1%, 0.66%

LAB 96.57, -23.92, 76.92

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 19 / 0 / 87 / 9

HEX #BCE81F

RGB 188 232 31

HSL 73.13, 0.81%, 0.52%

LAB 86.26, -37.56, 80.71

 

CMYK 20 / 0 / 94 / 16

HEX #ABD60C

RGB 171 214 12

HSL 72.77, 0.89%, 0.44%

LAB 80.05, -36.52, 78.01

 

CMYK 21 / 0 / 100 / 23

HEX #9AC400

RGB 154 196 0

HSL 72.86, 1%, 0.38%

LAB 73.77, -35.29, 73.89

 

CMYK 23 / 0 / 100 / 30

HEX #89B200

RGB 137 178 0

HSL 73.82, 1%, 0.35%

LAB 67.4, -33.91, 68.58

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 31 / 0 / 80 / 2

HEX #ADF933

RGB 173 249 51

HSL 83.03, 0.94%, 0.59%

LAB 90.26, -49.87, 79.36

 

CMYK 44 / 0 / 80 / 2

HEX #8CF933

RGB 140 249 51

HSL 93.03, 0.94%, 0.59%

LAB 88.72, -60.84, 77.38

 

CMYK 57 / 0 / 80 / 2

HEX #6BF933

RGB 107 249 51

HSL 103.03, 0.94%, 0.59%

LAB 87.54, -69.94, 75.87

 

CMYK 70 / 0 / 80 / 2

HEX #4AF933

RGB 74 249 51

HSL 113.03, 0.94%, 0.59%

LAB 86.72, -76.72, 74.81

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 17 / 0 / 80 / 82

HEX #262E09

RGB 38 46 9

HSL 72.97, 0.67%, 0.11%

LAB 17.39, -10.04, 21.08

 

CMYK 18 / 0 / 80 / 62

HEX #506113

RGB 80 97 19

HSL 73.08, 0.67%, 0.23%

LAB 38.38, -18.04, 39.29

 

CMYK 18 / 0 / 80 / 42

HEX #79941E

RGB 121 148 30

HSL 73.73, 0.66%, 0.35%

LAB 57.4, -25.54, 54.31

 

CMYK 18 / 0 / 80 / 22

HEX #A3C728

RGB 163 199 40

HSL 73.58, 0.67%, 0.47%

LAB 75.32, -32.15, 68.64

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 80 / 0 / 47 / 2

HEX #33F985

RGB 51 249 133

HSL 144.85, 0.94%, 0.59%

LAB 87.07, -71.22, 42.49

 

CMYK 14 / 80 / 0 / 2

HEX #D533F9

RGB 213 51 249

HSL 289.09, 0.94%, 0.59%

LAB 55.43, 83.87, -65.72

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 80 / 17 / 0 / 2

HEX #33CEF9

RGB 51 206 249

HSL 193.03, 0.94%, 0.59%

LAB 77.09, -24.9, -32.24

 

CMYK 0 / 80 / 17 / 2

HEX #F933CE

RGB 249 51 206

HSL 313.03, 0.94%, 0.59%

LAB 58.94, 84.32, -35.57

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 80 / 0 / 47 / 2

HEX #33F985

RGB 51 249 133

HSL 144.85, 0.94%, 0.59%

LAB 87.07, -71.22, 42.49

 

CMYK 62 / 80 / 0 / 2

HEX #5E33F9

RGB 94 51 249

HSL 253.03, 0.94%, 0.59%

LAB 40.55, 67.36, -90.65

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 18 / 0 / 80 / 2

HEX #CDFA32

RGB 205 250 50

HSL 73.5, 0.95%, 0.59%

LAB 92.39, -38.43, 82.21

 

CMYK 80 / 0 / 22 / 2

HEX #33F9C1

RGB 51 249 193

HSL 163.03, 0.94%, 0.59%

LAB 88.12, -59.46, 13.7

 

CMYK 62 / 80 / 0 / 2

HEX #5E33F9

RGB 94 51 249

HSL 253.03, 0.94%, 0.59%

LAB 40.55, 67.36, -90.65

 

CMYK 0 / 80 / 57 / 2

HEX #F9336B

RGB 249 51 107

HSL 343.03, 0.94%, 0.59%

LAB 55.65, 74.7, 17.57

 

Description

Color code: CMYK 18 / 0 / 80 / 2 | qconv.com Color code: CMYK 18 / 0 / 80 / 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 250 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 250 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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