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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309762 it is the complementary color #CF689D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309762 shade: #35975D, #46A970, #57BB83, #68CD96 and #79DFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309762 shade: #309762, #1F854F, #0E733C, #006129 and #004F16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309762 shade: #309762, #309746, #359730, #519730 and #6D9730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309762 shade: #309762, #30977E, #309597, #307997 and #305D97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309762 shade matches the following richer shades: #309762, #20A761 and #10B761

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309762 shade: #309762, #408762, #507763, #606763 and #705764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309762 shade: #359730, #309746, #309762, #30977D and #309597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309762 shade: #1C5839, #26784E, #309762, #3AB776 and #51C88B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309762 shade: #309762, #305097 and #973830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309762 shade: #309762, #623097 and #976230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309762 shade: #309762, #305097, #973065 and #977630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309762 shade: #309762, #303197, #973065 and #979530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

Complementary color

CMYK 0 / 50 / 24 / 19

HEX #CF689D

RGB 207 104 157

HSL 329.13, 0.52%, 0.61%

LAB 57.66, 46.84, -9.88

 

CMYK 65 / 0 / 38 / 41

HEX #35975D

RGB 53 151 93

HSL 144.49, 0.48%, 0.4%

LAB 55.77, -42.11, 22.4

 

CMYK 59 / 0 / 34 / 34

HEX #46A970

RGB 70 169 112

HSL 145.45, 0.41%, 0.47%

LAB 62.38, -42.25, 20.98

 

CMYK 53 / 0 / 30 / 27

HEX #57BB83

RGB 87 187 131

HSL 146.4, 0.42%, 0.54%

LAB 68.9, -42.22, 19.68

 

CMYK 49 / 0 / 27 / 20

HEX #68CD96

RGB 104 205 150

HSL 147.33, 0.5%, 0.61%

LAB 75.33, -42.09, 18.49

 

CMYK 46 / 0 / 24 / 13

HEX #79DFA9

RGB 121 223 169

HSL 148.24, 0.61%, 0.67%

LAB 81.68, -41.9, 17.39

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 77 / 0 / 41 / 48

HEX #1F854F

RGB 31 133 79

HSL 148.24, 0.62%, 0.32%

LAB 49.05, -41.5, 21.15

 

CMYK 88 / 0 / 48 / 55

HEX #0E733C

RGB 14 115 60

HSL 147.33, 0.78%, 0.25%

LAB 42.28, -40.35, 22.93

 

CMYK 100 / 0 / 58 / 62

HEX #006129

RGB 0 97 41

HSL 145.36, 1%, 0.19%

LAB 35.42, -38.44, 24.87

 

CMYK 100 / 0 / 72 / 69

HEX #004F16

RGB 0 79 22

HSL 136.71, 1%, 0.15%

LAB 28.51, -34.89, 26.81

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 0 / 54 / 41

HEX #309746

RGB 48 151 70

HSL 132.82, 0.52%, 0.39%

LAB 55.28, -47.08, 33.98

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 46 / 0 / 68 / 41

HEX #519730

RGB 81 151 48

HSL 100.78, 0.52%, 0.39%

LAB 56.18, -40.97, 45.66

 

CMYK 28 / 0 / 68 / 41

HEX #6D9730

RGB 109 151 48

HSL 84.47, 0.52%, 0.39%

LAB 57.65, -30.84, 47.66

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 0 / 17 / 41

HEX #30977E

RGB 48 151 126

HSL 165.44, 0.52%, 0.39%

LAB 56.36, -35.5, 4.65

 

CMYK 68 / 1 / 0 / 41

HEX #309597

RGB 48 149 151

HSL 181.17, 0.52%, 0.39%

LAB 56.44, -27.53, -9.51

 

CMYK 68 / 20 / 0 / 41

HEX #307997

RGB 48 121 151

HSL 197.48, 0.52%, 0.39%

LAB 47.67, -12.66, -22.85

 

CMYK 68 / 38 / 0 / 41

HEX #305D97

RGB 48 93 151

HSL 213.79, 0.52%, 0.39%

LAB 39.06, 4.26, -36.33

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 81 / 0 / 42 / 35

HEX #20A761

RGB 32 167 97

HSL 148.89, 0.68%, 0.39%

LAB 60.61, -50.89, 26.56

 

CMYK 91 / 0 / 47 / 28

HEX #10B761

RGB 16 183 97

HSL 149.1, 0.84%, 0.39%

LAB 65.62, -57.92, 33

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 53 / 0 / 27 / 47

HEX #408762

RGB 64 135 98

HSL 148.73, 0.36%, 0.39%

LAB 51.04, -31.45, 13.22

 

CMYK 33 / 0 / 17 / 53

HEX #507763

RGB 80 119 99

HSL 149.23, 0.2%, 0.39%

LAB 46.71, -18.38, 6.67

 

CMYK 7 / 0 / 4 / 60

HEX #606763

RGB 96 103 99

HSL 145.71, 0.04%, 0.39%

LAB 42.9, -3.54, 1.32

 

CMYK 0 / 22 / 11 / 56

HEX #705764

RGB 112 87 100

HSL 328.8, 0.13%, 0.39%

LAB 39.88, 12.65, -3.53

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 0 / 54 / 41

HEX #309746

RGB 48 151 70

HSL 132.82, 0.52%, 0.39%

LAB 55.28, -47.08, 33.98

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 0 / 17 / 41

HEX #30977D

RGB 48 151 125

HSL 164.85, 0.52%, 0.39%

LAB 56.33, -35.76, 5.18

 

CMYK 68 / 1 / 0 / 41

HEX #309597

RGB 48 149 151

HSL 181.17, 0.52%, 0.39%

LAB 56.44, -27.53, -9.51

 

CMYK 68 / 0 / 35 / 65

HEX #1C5839

RGB 28 88 57

HSL 149, 0.52%, 0.23%

LAB 32.97, -27.45, 12.45

 

CMYK 68 / 0 / 35 / 53

HEX #26784E

RGB 38 120 78

HSL 149.27, 0.52%, 0.31%

LAB 44.79, -35.07, 16.06

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 0 / 36 / 28

HEX #3AB776

RGB 58 183 118

HSL 148.8, 0.52%, 0.47%

LAB 66.58, -49.18, 23.36

 

CMYK 60 / 0 / 31 / 22

HEX #51C88B

RGB 81 200 139

HSL 149.24, 0.52%, 0.55%

LAB 72.84, -47.46, 20.78

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 47 / 0 / 41

HEX #305097

RGB 48 80 151

HSL 221.36, 0.52%, 0.39%

LAB 35.2, 12.74, -42.48

 

CMYK 0 / 63 / 68 / 41

HEX #973830

RGB 151 56 48

HSL 4.66, 0.52%, 0.39%

LAB 37.15, 39.34, 25.84

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 35 / 68 / 0 / 41

HEX #623097

RGB 98 48 151

HSL 269.13, 0.52%, 0.39%

LAB 31.68, 43.06, -47.94

 

CMYK 0 / 35 / 68 / 41

HEX #976230

RGB 151 98 48

HSL 29.13, 0.52%, 0.39%

LAB 46.35, 16.59, 36.54

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 47 / 0 / 41

HEX #305097

RGB 48 80 151

HSL 221.36, 0.52%, 0.39%

LAB 35.2, 12.74, -42.48

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 22 / 68 / 41

HEX #977630

RGB 151 118 48

HSL 40.78, 0.52%, 0.39%

LAB 51.55, 5.1, 42.24

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 68 / 0 / 41

HEX #303197

RGB 48 49 151

HSL 239.42, 0.52%, 0.39%

LAB 26.9, 33.31, -55.94

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 1 / 68 / 41

HEX #979530

RGB 151 149 48

HSL 58.83, 0.52%, 0.39%

LAB 60.15, -12, 51.21

 

Description

Color code: HEX #309762 | qconv.com Color code: HEX #309762 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 151 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 151 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 35 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 35% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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