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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #973065 it is the complementary color #68CF9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #973065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #973065 shade: #9C3060, #AD4273, #BE5486, #CF6699 and #E078AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #973065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #973065 shade: #973065, #861E52, #750C3F, #64002C and #530019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #973065 shade: #973065, #973049 and #973030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #973065 shade: #973065, #973081, #923097, #763097 and #5A3097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #973065 shade matches the following richer shades: #973065, #A72065 and #B71066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #973065 shade: #973065, #874064, #775064, #676064 and #577063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #973065 shade: #923097, #973081, #973065, #97304A and #973130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #973065 shade: #581C3B, #782650, #973065, #B73A7A and #C8518E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #973065 shade: #973065, #977630 and #308F97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #973065 shade: #973065, #659730 and #306597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #973065 shade: #973065, #977630, #309762 and #305097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #973065 shade: #973065, #979530, #309762 and #303197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

Complementary color

CMYK 50 / 0 / 26 / 19

HEX #68CF9A

RGB 104 207 154

HSL 149.13, 0.52%, 0.61%

LAB 76.01, -42.16, 17.31

 

CMYK 0 / 69 / 38 / 39

HEX #9C3060

RGB 156 48 96

HSL 333.33, 0.53%, 0.4%

LAB 37.89, 48.76, -3.27

 

CMYK 0 / 62 / 34 / 32

HEX #AD4273

RGB 173 66 115

HSL 332.52, 0.45%, 0.47%

LAB 44.26, 48.54, -5.36

 

CMYK 0 / 56 / 29 / 25

HEX #BE5486

RGB 190 84 134

HSL 331.7, 0.45%, 0.54%

LAB 50.7, 47.99, -7

 

CMYK 0 / 51 / 26 / 19

HEX #CF6699

RGB 207 102 153

HSL 330.86, 0.52%, 0.61%

LAB 57.14, 47.28, -8.33

 

CMYK 0 / 46 / 23 / 12

HEX #E078AC

RGB 224 120 172

HSL 330, 0.63%, 0.67%

LAB 63.56, 46.5, -9.44

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 78 / 39 / 47

HEX #861E52

RGB 134 30 82

HSL 330, 0.63%, 0.32%

LAB 30.89, 47.44, -5.08

 

CMYK 0 / 90 / 46 / 54

HEX #750C3F

RGB 117 12 63

HSL 330.86, 0.81%, 0.25%

LAB 24.96, 45.84, -1.52

 

CMYK 0 / 100 / 56 / 61

HEX #64002C

RGB 100 0 44

HSL 333.6, 1%, 0.2%

LAB 19.6, 42.37, 3.5

 

CMYK 0 / 100 / 70 / 67

HEX #530019

RGB 83 0 25

HSL 341.93, 1%, 0.16%

LAB 15, 36.47, 10.34

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 68 / 52 / 41

HEX #973049

RGB 151 48 73

HSL 345.44, 0.52%, 0.39%

LAB 36.32, 44.83, 9.02

 

CMYK 0 / 68 / 68 / 41

HEX #973030

RGB 151 48 48

HSL 0, 0.52%, 0.39%

LAB 35.8, 42.97, 24.19

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 68 / 15 / 41

HEX #973081

RGB 151 48 129

HSL 312.82, 0.52%, 0.39%

LAB 38.34, 51.76, -23.35

 

CMYK 3 / 68 / 0 / 41

HEX #923097

RGB 146 48 151

HSL 297.09, 0.52%, 0.39%

LAB 38.65, 54.17, -36.37

 

CMYK 22 / 68 / 0 / 41

HEX #763097

RGB 118 48 151

HSL 280.78, 0.52%, 0.39%

LAB 34.4, 47.55, -43.42

 

CMYK 40 / 68 / 0 / 41

HEX #5A3097

RGB 90 48 151

HSL 264.47, 0.52%, 0.39%

LAB 30.69, 41.36, -49.59

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 81 / 40 / 35

HEX #A72065

RGB 167 32 101

HSL 329.33, 0.68%, 0.39%

LAB 38.18, 57.81, -5.79

 

CMYK 0 / 91 / 44 / 28

HEX #B71066

RGB 183 16 102

HSL 329.1, 0.84%, 0.39%

LAB 40.24, 65.09, -3.02

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 53 / 26 / 47

HEX #874064

RGB 135 64 100

HSL 329.58, 0.36%, 0.39%

LAB 37.37, 34.81, -6.95

 

CMYK 0 / 33 / 16 / 53

HEX #775064

RGB 119 80 100

HSL 329.23, 0.2%, 0.39%

LAB 38.86, 19.65, -4.95

 

CMYK 0 / 7 / 3 / 60

HEX #676064

RGB 103 96 100

HSL 325.71, 0.04%, 0.39%

LAB 41.48, 3.59, -1.28

HEX #676064

CMYK 22 / 0 / 12 / 56

HEX #577063

RGB 87 112 99

HSL 148.8, 0.13%, 0.39%

LAB 44.96, -12.1, 4.22

HEX #577063

CMYK 3 / 68 / 0 / 41

HEX #923097

RGB 146 48 151

HSL 297.09, 0.52%, 0.39%

LAB 38.65, 54.17, -36.37

 

CMYK 0 / 68 / 15 / 41

HEX #973081

RGB 151 48 129

HSL 312.82, 0.52%, 0.39%

LAB 38.34, 51.76, -23.35

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 68 / 51 / 41

HEX #97304A

RGB 151 48 74

HSL 344.85, 0.52%, 0.39%

LAB 36.34, 44.92, 8.41

 

CMYK 0 / 68 / 68 / 41

HEX #973130

RGB 151 49 48

HSL 0.58, 0.52%, 0.39%

LAB 35.96, 42.53, 24.39

 

CMYK 0 / 68 / 33 / 65

HEX #581C3B

RGB 88 28 59

HSL 329, 0.52%, 0.23%

LAB 20.91, 31.08, -5.43

 

CMYK 0 / 68 / 33 / 53

HEX #782650

RGB 120 38 80

HSL 329.27, 0.52%, 0.31%

LAB 29.31, 39.86, -6.41

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 68 / 33 / 28

HEX #B73A7A

RGB 183 58 122

HSL 329.28, 0.52%, 0.47%

LAB 44.94, 55.77, -8.46

 

CMYK 0 / 60 / 29 / 22

HEX #C8518E

RGB 200 81 142

HSL 329.24, 0.52%, 0.55%

LAB 51.97, 53.57, -9.7

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 22 / 68 / 41

HEX #977630

RGB 151 118 48

HSL 40.78, 0.52%, 0.39%

LAB 51.55, 5.1, 42.24

 

CMYK 68 / 5 / 0 / 41

HEX #308F97

RGB 48 143 151

HSL 184.66, 0.52%, 0.39%

LAB 54.56, -24.51, -12.34

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 33 / 0 / 68 / 41

HEX #659730

RGB 101 151 48

HSL 89.13, 0.52%, 0.39%

LAB 57.19, -33.93, 47.03

 

CMYK 68 / 33 / 0 / 41

HEX #306597

RGB 48 101 151

HSL 209.13, 0.52%, 0.39%

LAB 41.49, -0.78, -32.49

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 22 / 68 / 41

HEX #977630

RGB 151 118 48

HSL 40.78, 0.52%, 0.39%

LAB 51.55, 5.1, 42.24

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 47 / 0 / 41

HEX #305097

RGB 48 80 151

HSL 221.36, 0.52%, 0.39%

LAB 35.2, 12.74, -42.48

 

CMYK 0 / 68 / 33 / 41

HEX #973065

RGB 151 48 101

HSL 329.13, 0.52%, 0.39%

LAB 37.18, 47.84, -7.6

 

CMYK 0 / 1 / 68 / 41

HEX #979530

RGB 151 149 48

HSL 58.83, 0.52%, 0.39%

LAB 60.15, -12, 51.21

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 68 / 68 / 0 / 41

HEX #303197

RGB 48 49 151

HSL 239.42, 0.52%, 0.39%

LAB 26.9, 33.31, -55.94

 

Description

Color code: HEX #973065 | qconv.com Color code: HEX #973065 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 48 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 48 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 33 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 33% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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