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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 151 48 it is the complementary color RGB 202 104 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 151 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 151 48 shade: RGB 58 151 43, RGB 75 169 62, RGB 92 187 81, RGB 109 205 100 and RGB 126 223 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 151 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 36 133 29, RGB 19 115 10, RGB 2 97 0 and RGB 0 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 81 151 48, RGB 109 151 48, RGB 136 151 48 and RGB 151 138 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 48 151 71, RGB 48 151 99, RGB 48 151 126 and RGB 48 148 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 151 48 shade matches the following richer shades: RGB 53 151 48, RGB 38 167 32 and RGB 24 183 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 67 135 64, RGB 82 119 80, RGB 96 103 96 and RGB 111 87 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 151 48 shade: RGB 108 151 48, RGB 80 151 48, RGB 53 151 48, RGB 48 151 70 and RGB 48 151 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 151 48 shade: RGB 31 88 28, RGB 42 120 38, RGB 53 151 48, RGB 64 183 58 and RGB 87 200 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 48 136 151 and RGB 151 48 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 48 53 151 and RGB 151 48 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 48 136 151, RGB 146 48 151 and RGB 151 63 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 151 48 shade: RGB 53 151 48, RGB 48 105 151, RGB 146 48 151 and RGB 151 94 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

Complementary color

CMYK 2 / 50 / 0 / 19

HEX #CA68CF

RGB 202 104 207

HSL 297.09, 0.52%, 0.61%

LAB 58.94, 53.45, -36.65

 

CMYK 62 / 0 / 72 / 41

HEX #3A972B

RGB 58 151 43

HSL 111.67, 0.56%, 0.38%

LAB 55.29, -48.02, 46.52

 

CMYK 56 / 0 / 63 / 34

HEX #4BA93E

RGB 75 169 62

HSL 112.71, 0.46%, 0.45%

LAB 61.84, -48.62, 45.68

 

CMYK 51 / 0 / 57 / 27

HEX #5CBB51

RGB 92 187 81

HSL 113.77, 0.44%, 0.53%

LAB 68.32, -48.89, 44.56

 

CMYK 47 / 0 / 51 / 20

HEX #6DCD64

RGB 109 205 100

HSL 114.86, 0.51%, 0.6%

LAB 74.72, -48.95, 43.32

 

CMYK 43 / 0 / 47 / 13

HEX #7EDF77

RGB 126 223 119

HSL 115.96, 0.62%, 0.67%

LAB 81.04, -48.9, 42.07

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 73 / 0 / 78 / 48

HEX #24851D

RGB 36 133 29

HSL 115.96, 0.64%, 0.32%

LAB 48.56, -47.57, 44.84

 

CMYK 83 / 0 / 91 / 55

HEX #13730A

RGB 19 115 10

HSL 114.86, 0.84%, 0.25%

LAB 41.88, -45.49, 44.15

 

CMYK 98 / 0 / 100 / 62

HEX #026100

RGB 2 97 0

HSL 118.76, 1%, 0.19%

LAB 35.13, -42.22, 41.01

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 46 / 0 / 68 / 41

HEX #519730

RGB 81 151 48

HSL 100.78, 0.52%, 0.39%

LAB 56.18, -40.97, 45.66

 

CMYK 28 / 0 / 68 / 41

HEX #6D9730

RGB 109 151 48

HSL 84.47, 0.52%, 0.39%

LAB 57.65, -30.84, 47.66

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 0 / 9 / 68 / 41

HEX #978A30

RGB 151 138 48

HSL 52.43, 0.52%, 0.39%

LAB 57.05, -6.08, 48.03

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 0 / 53 / 41

HEX #309747

RGB 48 151 71

HSL 133.4, 0.52%, 0.39%

LAB 55.29, -46.93, 33.49

 

CMYK 68 / 0 / 34 / 41

HEX #309763

RGB 48 151 99

HSL 149.71, 0.52%, 0.39%

LAB 55.75, -41.86, 19.04

 

CMYK 68 / 0 / 17 / 41

HEX #30977E

RGB 48 151 126

HSL 165.44, 0.52%, 0.39%

LAB 56.36, -35.5, 4.65

 

CMYK 68 / 2 / 0 / 41

HEX #309497

RGB 48 148 151

HSL 181.75, 0.52%, 0.39%

LAB 56.13, -27.03, -9.98

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 77 / 0 / 81 / 35

HEX #26A720

RGB 38 167 32

HSL 117.33, 0.68%, 0.39%

LAB 60.03, -58.23, 54.9

 

CMYK 87 / 0 / 91 / 28

HEX #18B710

RGB 24 183 16

HSL 117.13, 0.84%, 0.39%

LAB 65.04, -65.39, 62.97

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 50 / 0 / 53 / 47

HEX #438740

RGB 67 135 64

HSL 117.46, 0.36%, 0.39%

LAB 50.56, -36.73, 31.45

 

CMYK 31 / 0 / 33 / 53

HEX #527750

RGB 82 119 80

HSL 116.92, 0.2%, 0.39%

LAB 46.4, -21.49, 17.39

 

CMYK 7 / 0 / 7 / 60

HEX #606760

RGB 96 103 96

HSL 120, 0.04%, 0.39%

LAB 42.81, -4.17, 3.02

 

CMYK 1 / 22 / 0 / 56

HEX #6F5770

RGB 111 87 112

HSL 297.6, 0.13%, 0.39%

LAB 40.19, 14.68, -10.48

 

CMYK 28 / 0 / 68 / 41

HEX #6C9730

RGB 108 151 48

HSL 85.05, 0.52%, 0.39%

LAB 57.59, -31.23, 47.58

 

CMYK 47 / 0 / 68 / 41

HEX #509730

RGB 80 151 48

HSL 101.36, 0.52%, 0.39%

LAB 56.14, -41.3, 45.6

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 0 / 54 / 41

HEX #309746

RGB 48 151 70

HSL 132.82, 0.52%, 0.39%

LAB 55.28, -47.08, 33.98

 

CMYK 68 / 0 / 35 / 41

HEX #309762

RGB 48 151 98

HSL 149.13, 0.52%, 0.39%

LAB 55.73, -42.07, 19.57

 

CMYK 65 / 0 / 68 / 65

HEX #1F581C

RGB 31 88 28

HSL 117, 0.52%, 0.23%

LAB 32.6, -31.82, 28.56

 

CMYK 65 / 0 / 68 / 53

HEX #2A7826

RGB 42 120 38

HSL 117.07, 0.52%, 0.31%

LAB 44.33, -40.71, 36.83

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 65 / 0 / 68 / 28

HEX #40B73A

RGB 64 183 58

HSL 117.12, 0.52%, 0.47%

LAB 65.95, -56.79, 51.77

 

CMYK 57 / 0 / 60 / 22

HEX #57C851

RGB 87 200 81

HSL 116.97, 0.52%, 0.55%

LAB 72.18, -55.22, 49

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 10 / 0 / 41

HEX #308897

RGB 48 136 151

HSL 188.74, 0.52%, 0.39%

LAB 52.37, -20.87, -15.66

 

CMYK 0 / 68 / 38 / 41

HEX #97305E

RGB 151 48 94

HSL 333.2, 0.52%, 0.39%

LAB 36.93, 47, -3.52

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 0 / 68 / 65 / 41

HEX #973035

RGB 151 48 53

HSL 357.09, 0.52%, 0.39%

LAB 35.89, 43.28, 21.18

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 10 / 0 / 41

HEX #308897

RGB 48 136 151

HSL 188.74, 0.52%, 0.39%

LAB 52.37, -20.87, -15.66

 

CMYK 3 / 68 / 0 / 41

HEX #923097

RGB 146 48 151

HSL 297.09, 0.52%, 0.39%

LAB 38.65, 54.17, -36.37

 

CMYK 0 / 58 / 68 / 41

HEX #973F30

RGB 151 63 48

HSL 8.74, 0.52%, 0.39%

LAB 38.46, 35.9, 27.41

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 30 / 0 / 41

HEX #306997

RGB 48 105 151

HSL 206.8, 0.52%, 0.39%

LAB 42.71, -3.24, -30.57

 

CMYK 3 / 68 / 0 / 41

HEX #923097

RGB 146 48 151

HSL 297.09, 0.52%, 0.39%

LAB 38.65, 54.17, -36.37

 

CMYK 0 / 38 / 68 / 41

HEX #975E30

RGB 151 94 48

HSL 26.8, 0.52%, 0.39%

LAB 45.36, 18.89, 35.43

 

Description

Color code: RGB 53 151 48 | qconv.com Color code: RGB 53 151 48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 151 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 151 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 68 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 68% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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