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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD981 it is the complementary color #D0267E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2FD981: #34D97C, #45EB8F, #56FDA2, #67FFB5 and #78FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2FD981: #2FD981, #1EC76E, #0DB55B, #00A348 and #009135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

Complementary color

CMYK 0 / 82 / 39 / 18

HEX #D0267E

RGB 208 38 126

HSL 328.94, 0.69%, 0.48%

LAB 47.37, 69.06, -6.81

 

CMYK 76 / 0 / 43 / 15

HEX #34D97C

RGB 52 217 124

HSL 146.18, 0.68%, 0.53%

LAB 77.17, -61.66, 34.22

 

CMYK 71 / 0 / 39 / 8

HEX #45EB8F

RGB 69 235 143

HSL 146.75, 0.81%, 0.6%

LAB 83.27, -62.39, 32.69

 

CMYK 66 / 0 / 36 / 1

HEX #56FDA2

RGB 86 253 162

HSL 147.31, 0.98%, 0.66%

LAB 89.32, -62.86, 31.26

 

CMYK 60 / 0 / 29 / 0

HEX #67FFB5

RGB 103 255 181

HSL 150.79, 1%, 0.7%

LAB 90.66, -56.94, 23.56

 

CMYK 53 / 0 / 22 / 0

HEX #78FFC8

RGB 120 255 200

HSL 155.56, 1%, 0.74%

LAB 91.54, -49.61, 15.15

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 85 / 0 / 45 / 22

HEX #1EC76E

RGB 30 199 110

HSL 148.4, 0.74%, 0.45%

LAB 71.04, -60.15, 33.33

 

CMYK 93 / 0 / 50 / 29

HEX #0DB55B

RGB 13 181 91

HSL 147.86, 0.87%, 0.38%

LAB 64.87, -58.42, 35.1

 

CMYK 100 / 0 / 56 / 36

HEX #00A348

RGB 0 163 72

HSL 146.5, 1%, 0.32%

LAB 58.66, -56.09, 36.94

 

CMYK 100 / 0 / 63 / 43

HEX #009135

RGB 0 145 53

HSL 141.93, 1%, 0.28%

LAB 52.41, -52.92, 38.75

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 78 / 0 / 29 / 15

HEX #30D99B

RGB 48 217 155

HSL 157.99, 0.69%, 0.52%

LAB 77.65, -56.02, 18.85

 

CMYK 78 / 0 / 16 / 15

HEX #30D9B7

RGB 48 217 183

HSL 167.93, 0.69%, 0.52%

LAB 78.27, -49.4, 4.88

 

CMYK 78 / 0 / 3 / 15

HEX #30D9D3

RGB 48 217 211

HSL 177.87, 0.69%, 0.52%

LAB 79.02, -41.89, -8.99

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 77 / 0 / 38 / 95

HEX #030D08

RGB 3 13 8

HSL 150, 0.63%, 0.03%

LAB 2.93, -3.41, 1.04

 

CMYK 78 / 0 / 41 / 75

HEX #0E4026

RGB 14 64 38

HSL 148.8, 0.64%, 0.15%

LAB 23.34, -23.6, 11.27

 

CMYK 78 / 0 / 41 / 55

HEX #197344

RGB 25 115 68

HSL 148.67, 0.64%, 0.27%

LAB 42.59, -37.37, 18.83

 

CMYK 78 / 0 / 40 / 35

HEX #24A663

RGB 36 166 99

HSL 149.08, 0.64%, 0.4%

LAB 60.38, -49.65, 25.19

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 78 / 52 / 0 / 15

HEX #3068D9

RGB 48 104 217

HSL 220.12, 0.69%, 0.52%

LAB 46.36, 21.97, -63.15

 

CMYK 0 / 73 / 78 / 15

HEX #D93B30

RGB 217 59 48

HSL 3.91, 0.69%, 0.52%

LAB 49.61, 60.31, 43.11

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 42 / 78 / 0 / 15

HEX #7E30D9

RGB 126 48 217

HSL 267.69, 0.69%, 0.52%

LAB 40.51, 64.29, -72.44

 

CMYK 0 / 42 / 78 / 15

HEX #D97E30

RGB 217 126 48

HSL 27.69, 0.69%, 0.52%

LAB 61.56, 29.5, 55.01

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 78 / 52 / 0 / 15

HEX #3068D9

RGB 48 104 217

HSL 220.12, 0.69%, 0.52%

LAB 46.36, 21.97, -63.15

 

CMYK 0 / 78 / 36 / 15

HEX #D9308A

RGB 217 48 138

HSL 328.05, 0.69%, 0.52%

LAB 50.34, 69.91, -9.47

 

CMYK 0 / 26 / 78 / 15

HEX #D9A030

RGB 217 160 48

HSL 39.76, 0.69%, 0.52%

LAB 69.55, 11.26, 62.56

 

CMYK 78 / 0 / 41 / 15

HEX #2FD981

RGB 47 217 129

HSL 148.94, 0.69%, 0.52%

LAB 77.17, -61.36, 31.68

 

CMYK 78 / 76 / 0 / 15

HEX #3035D9

RGB 48 53 217

HSL 238.22, 0.69%, 0.52%

LAB 34.36, 53.21, -82.8

 

CMYK 0 / 78 / 36 / 15

HEX #D9308A

RGB 217 48 138

HSL 328.05, 0.69%, 0.52%

LAB 50.34, 69.91, -9.47

 

CMYK 0 / 3 / 78 / 15

HEX #D9D330

RGB 217 211 48

HSL 57.87, 0.69%, 0.52%

LAB 82.68, -15.23, 74.47

 

Description

Color code: HEX #2FD981 | qconv.com Color code: HEX #2FD981 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 217 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 217 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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