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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30C2D9 it is the complementary color #CF3D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30C2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30C2D9 shade: #35C2D4, #46D4E7, #57E6FA, #68F8FF and #79FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30C2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30C2D9 shade: #30C2D9, #1FB0C6, #0E9EB3, #008CA0 and #007A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30C2D9 shade: #30C2D9, #3094D9, #3066D9, #3039D9 and #5430D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30C2D9 shade: #30C2D9, #3094D9, #3066D9, #3039D9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30C2D9 shade matches the following richer shades: #30C2D9 and #1CD0EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30C2D9 shade: #30C2D9, #43B3C5, #57A5B1, #6B969D and #7F8889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30C2D9 shade: #30D995, #30D9C2, #30C2D9, #3095D9 and #3068D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30C2D9 shade: #1C899A, #22A8BD, #30C2D9, #53CCDF and #75D6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30C2D9 shade: #30C2D9, #6830D9 and #D9AC30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30C2D9 shade: #30C2D9, #D930C2 and #C2D930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30C2D9 shade: #30C2D9, #6830D9, #D94630 and #A0D930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30C2D9 shade: #30C2D9, #9B30D9, #D94630 and #6ED930

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

Complementary color

CMYK 0 / 71 / 82 / 19

HEX #CF3D26

RGB 207 61 38

HSL 8.17, 0.69%, 0.48%

LAB 47.93, 56.12, 46.02

 

CMYK 75 / 8 / 0 / 17

HEX #35C2D4

RGB 53 194 212

HSL 186.79, 0.65%, 0.52%

LAB 72.29, -30.41, -19.63

 

CMYK 70 / 8 / 0 / 9

HEX #46D4E7

RGB 70 212 231

HSL 187.08, 0.77%, 0.59%

LAB 78.55, -31.33, -20.35

 

CMYK 65 / 8 / 0 / 2

HEX #57E6FA

RGB 87 230 250

HSL 187.36, 0.94%, 0.66%

LAB 84.75, -32.05, -21.01

 

CMYK 59 / 3 / 0 / 0

HEX #68F8FF

RGB 104 248 255

HSL 182.78, 1%, 0.7%

LAB 90.46, -36.42, -14.98

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 84 / 11 / 0 / 22

HEX #1FB0C6

RGB 31 176 198

HSL 187.9, 0.73%, 0.45%

LAB 66.07, -28.02, -21.43

 

CMYK 92 / 12 / 0 / 30

HEX #0E9EB3

RGB 14 158 179

HSL 187.64, 0.85%, 0.38%

LAB 59.71, -26.26, -20.54

 

CMYK 100 / 13 / 0 / 37

HEX #008CA0

RGB 0 140 160

HSL 187.5, 1%, 0.31%

LAB 53.27, -24.1, -19.55

 

CMYK 100 / 13 / 0 / 45

HEX #007A8D

RGB 0 122 141

HSL 188.09, 1%, 0.28%

LAB 46.77, -21.35, -18.41

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 78 / 32 / 0 / 15

HEX #3094D9

RGB 48 148 217

HSL 204.5, 0.69%, 0.52%

LAB 58.81, -4.95, -43.26

 

CMYK 78 / 53 / 0 / 15

HEX #3066D9

RGB 48 102 217

HSL 220.83, 0.69%, 0.52%

LAB 45.83, 23.24, -64.02

 

CMYK 78 / 74 / 0 / 15

HEX #3039D9

RGB 48 57 217

HSL 236.8, 0.69%, 0.52%

LAB 35.13, 51.04, -81.53

 

CMYK 61 / 78 / 0 / 15

HEX #5430D9

RGB 84 48 217

HSL 252.78, 0.69%, 0.52%

LAB 36, 58.88, -80.01

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 78 / 32 / 0 / 15

HEX #3094D9

RGB 48 148 217

HSL 204.5, 0.69%, 0.52%

LAB 58.81, -4.95, -43.26

 

CMYK 78 / 53 / 0 / 15

HEX #3066D9

RGB 48 102 217

HSL 220.83, 0.69%, 0.52%

LAB 45.83, 23.24, -64.02

 

CMYK 78 / 74 / 0 / 15

HEX #3039D9

RGB 48 57 217

HSL 236.8, 0.69%, 0.52%

LAB 35.13, 51.04, -81.53

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 88 / 12 / 0 / 7

HEX #1CD0EC

RGB 28 208 236

HSL 188.08, 0.85%, 0.52%

LAB 76.93, -31.65, -25.56

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 66 / 9 / 0 / 23

HEX #43B3C5

RGB 67 179 197

HSL 188.31, 0.53%, 0.52%

LAB 67.62, -25.74, -18.46

 

CMYK 51 / 7 / 0 / 31

HEX #57A5B1

RGB 87 165 177

HSL 188, 0.37%, 0.52%

LAB 63.43, -20.66, -13.61

 

CMYK 32 / 4 / 0 / 38

HEX #6B969D

RGB 107 150 157

HSL 188.4, 0.2%, 0.52%

LAB 59.32, -12.82, -8.4

 

CMYK 7 / 1 / 0 / 46

HEX #7F8889

RGB 127 136 137

HSL 186, 0.04%, 0.52%

LAB 56.01, -3.08, -1.68

 

CMYK 78 / 0 / 31 / 15

HEX #30D995

RGB 48 217 149

HSL 155.86, 0.69%, 0.52%

LAB 77.53, -57.31, 21.83

 

CMYK 78 / 0 / 11 / 15

HEX #30D9C2

RGB 48 217 194

HSL 171.83, 0.69%, 0.52%

LAB 78.55, -46.55, -0.59

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 78 / 31 / 0 / 15

HEX #3095D9

RGB 48 149 217

HSL 204.14, 0.69%, 0.52%

LAB 59.1, -5.53, -42.8

 

CMYK 78 / 52 / 0 / 15

HEX #3068D9

RGB 48 104 217

HSL 220.12, 0.69%, 0.52%

LAB 46.36, 21.97, -63.15

 

CMYK 82 / 11 / 0 / 40

HEX #1C899A

RGB 28 137 154

HSL 188.1, 0.69%, 0.36%

LAB 52.37, -22.94, -17.44

 

CMYK 82 / 11 / 0 / 26

HEX #22A8BD

RGB 34 168 189

HSL 188.13, 0.7%, 0.44%

LAB 63.36, -26.71, -20.57

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 63 / 9 / 0 / 13

HEX #53CCDF

RGB 83 204 223

HSL 188.14, 0.69%, 0.6%

LAB 76.29, -27.9, -19.46

 

CMYK 49 / 7 / 0 / 10

HEX #75D6E5

RGB 117 214 229

HSL 188.04, 0.68%, 0.68%

LAB 80.48, -24.64, -16.24

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 52 / 78 / 0 / 15

HEX #6830D9

RGB 104 48 217

HSL 259.88, 0.69%, 0.52%

LAB 37.96, 61.24, -76.71

 

CMYK 0 / 21 / 78 / 15

HEX #D9AC30

RGB 217 172 48

HSL 44.02, 0.69%, 0.52%

LAB 72.54, 4.86, 65.32

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 0 / 78 / 11 / 15

HEX #D930C2

RGB 217 48 194

HSL 308.17, 0.69%, 0.52%

LAB 52.69, 76.78, -38.87

 

CMYK 11 / 0 / 78 / 15

HEX #C2D930

RGB 194 217 48

HSL 68.17, 0.69%, 0.52%

LAB 82.54, -27.71, 73.69

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 52 / 78 / 0 / 15

HEX #6830D9

RGB 104 48 217

HSL 259.88, 0.69%, 0.52%

LAB 37.96, 61.24, -76.71

 

CMYK 0 / 68 / 78 / 15

HEX #D94630

RGB 217 70 48

HSL 7.81, 0.69%, 0.52%

LAB 51.09, 56.25, 44.64

 

CMYK 26 / 0 / 78 / 15

HEX #A0D930

RGB 160 217 48

HSL 80.24, 0.69%, 0.52%

LAB 80.36, -41.12, 70.89

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 29 / 78 / 0 / 15

HEX #9B30D9

RGB 155 48 217

HSL 277.99, 0.69%, 0.52%

LAB 44.36, 68.89, -65.98

 

CMYK 0 / 68 / 78 / 15

HEX #D94630

RGB 217 70 48

HSL 7.81, 0.69%, 0.52%

LAB 51.09, 56.25, 44.64

 

CMYK 49 / 0 / 78 / 15

HEX #6ED930

RGB 110 217 48

HSL 97.99, 0.69%, 0.52%

LAB 77.97, -58, 67.8

 

Description

Color code: HEX #30C2D9 | qconv.com Color code: HEX #30C2D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 194 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 194 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 11 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 11% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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