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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC363 it is the complementary color #D03C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC363 shade: #34C35E, #45D571, #56E784, #67F997 and #78FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC363 shade: #2FC363, #1EB150, #0D9F3D, #008D2A and #007B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC363 shade: #2FC162, #2FC13B, #4AC12F, #72C12F and #99C12F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC363 shade: #2FC162, #2FC18A, #2FC1B1, #2FAAC1 and #2F82C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC363 shade matches the following richer shades: #2FC162, #1BD45C and #08E857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC363 shade: #2FC162, #42AE68, #569A6E, #698773 and #7C7379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC363 shade: #4AC12F, #2FC13B, #2FC162, #2FC189 and #2FC1B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC363 shade: #1F7F40, #27A051, #2FC162, #47D278 and #68DA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC363 shade: #2FC363, #2F71C1 and #C12F36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC363 shade: #2FC363, #622FC1 and #C1622F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC363 shade: #2FC363, #2F71C1, #C12F8E and #C17F2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC363 shade: #2FC363, #2F45C1, #C12F8E and #C1AB2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

Complementary color

CMYK 0 / 71 / 25 / 18

HEX #D03C9C

RGB 208 60 156

HSL 321.08, 0.61%, 0.53%

LAB 50.74, 65.98, -19.76

 

CMYK 73 / 0 / 52 / 24

HEX #34C35E

RGB 52 195 94

HSL 137.62, 0.58%, 0.48%

LAB 69.87, -58.78, 39.92

 

CMYK 68 / 0 / 47 / 16

HEX #45D571

RGB 69 213 113

HSL 138.33, 0.63%, 0.55%

LAB 76.1, -59.48, 38.41

 

CMYK 63 / 0 / 43 / 9

HEX #56E784

RGB 86 231 132

HSL 139.03, 0.75%, 0.62%

LAB 82.27, -59.88, 36.96

 

CMYK 59 / 0 / 39 / 2

HEX #67F997

RGB 103 249 151

HSL 139.73, 0.92%, 0.69%

LAB 88.39, -60.08, 35.59

 

CMYK 53 / 0 / 33 / 0

HEX #78FFAA

RGB 120 255 170

HSL 142.22, 1%, 0.74%

LAB 90.97, -55.41, 29.63

 

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

CMYK 83 / 0 / 55 / 31

HEX #1EB150

RGB 30 177 80

HSL 140.41, 0.71%, 0.41%

LAB 63.59, -57.5, 39.02

 

CMYK 92 / 0 / 62 / 38

HEX #0D9F3D

RGB 13 159 61

HSL 139.73, 0.85%, 0.34%

LAB 57.29, -55.62, 40.63

 

CMYK 100 / 0 / 70 / 45

HEX #008D2A

RGB 0 141 42

HSL 137.87, 1%, 0.28%

LAB 50.94, -52.94, 42.04

 

CMYK 100 / 0 / 81 / 52

HEX #007B17

RGB 0 123 23

HSL 131.22, 1%, 0.24%

LAB 44.56, -49.1, 42.85

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 62 / 0 / 76 / 24

HEX #4AC12F

RGB 74 193 47

HSL 108.9, 0.61%, 0.47%

LAB 69.33, -58.91, 59.38

 

CMYK 41 / 0 / 76 / 24

HEX #72C12F

RGB 114 193 47

HSL 92.47, 0.61%, 0.47%

LAB 70.82, -47.48, 61.34

 

CMYK 21 / 0 / 76 / 24

HEX #99C12F

RGB 153 193 47

HSL 76.44, 0.61%, 0.47%

LAB 72.97, -33.06, 64.15

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 76 / 0 / 28 / 24

HEX #2FC18A

RGB 47 193 138

HSL 157.4, 0.61%, 0.47%

LAB 69.88, -50.54, 17.11

 

CMYK 76 / 0 / 8 / 24

HEX #2FC1B1

RGB 47 193 177

HSL 173.42, 0.61%, 0.47%

LAB 70.81, -40.81, -2.75

 

CMYK 76 / 12 / 0 / 24

HEX #2FAAC1

RGB 47 170 193

HSL 189.45, 0.61%, 0.47%

LAB 64.33, -25.14, -21.3

 

CMYK 76 / 33 / 0 / 24

HEX #2F82C1

RGB 47 130 193

HSL 205.89, 0.61%, 0.47%

LAB 52.31, -3.21, -39.95

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 87 / 0 / 57 / 17

HEX #1BD45C

RGB 27 212 92

HSL 141.08, 0.77%, 0.47%

LAB 74.88, -67.47, 46.85

 

CMYK 97 / 0 / 63 / 9

HEX #08E857

RGB 8 232 87

HSL 141.16, 0.93%, 0.47%

LAB 80.99, -75.09, 56.09

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 62 / 0 / 40 / 32

HEX #42AE68

RGB 66 174 104

HSL 141.11, 0.45%, 0.47%

LAB 63.7, -46.71, 27.02

 

CMYK 44 / 0 / 29 / 40

HEX #569A6E

RGB 86 154 110

HSL 141.18, 0.28%, 0.47%

LAB 58.24, -31.77, 16.53

 

CMYK 22 / 0 / 15 / 47

HEX #698773

RGB 105 135 115

HSL 140, 0.13%, 0.47%

LAB 53.57, -14.95, 7.29

 

CMYK 0 / 7 / 2 / 51

HEX #7C7379

RGB 124 115 121

HSL 320, 0.04%, 0.47%

LAB 49.41, 4.64, -2.06

 

CMYK 62 / 0 / 76 / 24

HEX #4AC12F

RGB 74 193 47

HSL 108.9, 0.61%, 0.47%

LAB 69.33, -58.91, 59.38

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 76 / 0 / 29 / 24

HEX #2FC189

RGB 47 193 137

HSL 156.99, 0.61%, 0.47%

LAB 69.86, -50.76, 17.62

 

CMYK 76 / 0 / 9 / 24

HEX #2FC1B0

RGB 47 193 176

HSL 173.01, 0.61%, 0.47%

LAB 70.79, -41.08, -2.24

 

CMYK 76 / 0 / 50 / 50

HEX #1F7F40

RGB 31 127 64

HSL 140.63, 0.61%, 0.31%

LAB 46.76, -41.97, 26.49

 

CMYK 76 / 0 / 49 / 37

HEX #27A051

RGB 39 160 81

HSL 140.83, 0.61%, 0.39%

LAB 58.2, -50.25, 31.9

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 66 / 0 / 43 / 18

HEX #47D278

RGB 71 210 120

HSL 141.15, 0.61%, 0.55%

LAB 75.32, -56.88, 33.92

 

CMYK 52 / 0 / 34 / 15

HEX #68DA90

RGB 104 218 144

HSL 141.05, 0.61%, 0.63%

LAB 79.1, -48.77, 26.79

 

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

CMYK 76 / 41 / 0 / 24

HEX #2F71C1

RGB 47 113 193

HSL 212.88, 0.61%, 0.47%

LAB 47.32, 7.13, -47.87

 

CMYK 0 / 76 / 72 / 24

HEX #C12F36

RGB 193 47 54

HSL 357.12, 0.61%, 0.47%

LAB 43.71, 57.24, 31.93

 

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

CMYK 49 / 76 / 0 / 24

HEX #622FC1

RGB 98 47 193

HSL 260.96, 0.61%, 0.47%

LAB 34.96, 54.55, -67.72

 

CMYK 0 / 49 / 76 / 24

HEX #C1622F

RGB 193 98 47

HSL 20.96, 0.61%, 0.47%

LAB 52.15, 34.42, 45

 

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

CMYK 76 / 41 / 0 / 24

HEX #2F71C1

RGB 47 113 193

HSL 212.88, 0.61%, 0.47%

LAB 47.32, 7.13, -47.87

 

CMYK 0 / 76 / 26 / 24

HEX #C12F8E

RGB 193 47 142

HSL 320.96, 0.61%, 0.47%

LAB 46.07, 64.7, -18.75

 

CMYK 0 / 34 / 76 / 24

HEX #C17F2F

RGB 193 127 47

HSL 32.88, 0.61%, 0.47%

LAB 58.72, 18.74, 51.63

 

CMYK 76 / 0 / 49 / 24

HEX #2FC363

RGB 47 195 99

HSL 141.08, 0.61%, 0.47%

LAB 69.85, -58.74, 37.4

 

CMYK 76 / 64 / 0 / 24

HEX #2F45C1

RGB 47 69 193

HSL 230.96, 0.61%, 0.47%

LAB 35.42, 35.48, -67.12

 

CMYK 0 / 76 / 26 / 24

HEX #C12F8E

RGB 193 47 142

HSL 320.96, 0.61%, 0.47%

LAB 46.07, 64.7, -18.75

 

CMYK 0 / 11 / 76 / 24

HEX #C1AB2F

RGB 193 171 47

HSL 50.96, 0.61%, 0.47%

LAB 69.94, -5.14, 62.42

 

Description

Color code: HEX #2FC363 | qconv.com Color code: HEX #2FC363 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 195 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 195 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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