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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC13B it is the complementary color #D03EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC13B shade: #34C136, #45D349, #56E55C, #67F76F and #78FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC13B shade: #2FC13B, #1EAF28, #0D9D15, #008B02 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC13B shade: #2FC13B, #4AC12F, #72C12F, #99C12F and #C0C12F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC13B shade: #2FC13B, #2FC162, #2FC18A, #2FC1B1 and #2FA9C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC13B shade matches the following richer shades: #2FC13B, #1BD42B and #08E81A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC13B shade: #2FC13B, #42AE4B, #569A5B, #69876B and #7C737C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC13B shade: #73C12F, #4CC12F, #2FC138, #2FC15F and #2FC186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC13B shade: #1F7F27, #27A031, #2FC13B, #47D252 and #68DA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC13B shade: #2FC13B, #2F9AC1 and #C12F5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC13B shade: #2FC13B, #382FC1 and #C1382F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC13B shade: #2FC13B, #2F9AC1, #C12FB7 and #C1562F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC13B shade: #2FC13B, #2F6EC1, #C12FB7 and #C1822F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

Complementary color

CMYK 0 / 70 / 6 / 18

HEX #D03EC4

RGB 208 62 196

HSL 304.93, 0.61%, 0.53%

LAB 52.77, 70.92, -39.99

 

CMYK 73 / 0 / 72 / 24

HEX #34C136

RGB 52 193 54

HSL 120.85, 0.58%, 0.48%

LAB 68.85, -62.73, 56.27

 

CMYK 67 / 0 / 65 / 17

HEX #45D349

RGB 69 211 73

HSL 121.69, 0.62%, 0.55%

LAB 75.04, -63.91, 55.5

 

CMYK 62 / 0 / 60 / 10

HEX #56E55C

RGB 86 229 92

HSL 122.52, 0.73%, 0.62%

LAB 81.18, -64.66, 54.44

 

CMYK 58 / 0 / 55 / 3

HEX #67F76F

RGB 103 247 111

HSL 123.33, 0.9%, 0.69%

LAB 87.27, -65.12, 53.24

 

CMYK 53 / 0 / 49 / 0

HEX #78FF82

RGB 120 255 130

HSL 124.44, 1%, 0.74%

LAB 90.38, -61.65, 48.39

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 83 / 0 / 77 / 31

HEX #1EAF28

RGB 30 175 40

HSL 124.14, 0.71%, 0.4%

LAB 62.58, -61.22, 54.79

 

CMYK 92 / 0 / 87 / 38

HEX #0D9D15

RGB 13 157 21

HSL 123.33, 0.85%, 0.33%

LAB 56.34, -58.51, 54.37

 

CMYK 100 / 0 / 99 / 45

HEX #008B02

RGB 0 139 2

HSL 120.86, 1%, 0.27%

LAB 50.06, -54.81, 52.6

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 62 / 0 / 76 / 24

HEX #4AC12F

RGB 74 193 47

HSL 108.9, 0.61%, 0.47%

LAB 69.33, -58.91, 59.38

 

CMYK 41 / 0 / 76 / 24

HEX #72C12F

RGB 114 193 47

HSL 92.47, 0.61%, 0.47%

LAB 70.82, -47.48, 61.34

 

CMYK 21 / 0 / 76 / 24

HEX #99C12F

RGB 153 193 47

HSL 76.44, 0.61%, 0.47%

LAB 72.97, -33.06, 64.15

 

CMYK 1 / 0 / 76 / 24

HEX #C0C12F

RGB 192 193 47

HSL 60.41, 0.61%, 0.47%

LAB 75.79, -16.89, 67.8

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 76 / 0 / 49 / 24

HEX #2FC162

RGB 47 193 98

HSL 140.96, 0.61%, 0.47%

LAB 69.2, -58.19, 37.09

 

CMYK 76 / 0 / 28 / 24

HEX #2FC18A

RGB 47 193 138

HSL 157.4, 0.61%, 0.47%

LAB 69.88, -50.54, 17.11

 

CMYK 76 / 0 / 8 / 24

HEX #2FC1B1

RGB 47 193 177

HSL 173.42, 0.61%, 0.47%

LAB 70.81, -40.81, -2.75

 

CMYK 76 / 12 / 0 / 24

HEX #2FA9C1

RGB 47 169 193

HSL 189.86, 0.61%, 0.47%

LAB 64.02, -24.63, -21.76

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 87 / 0 / 80 / 17

HEX #1BD42B

RGB 27 212 43

HSL 125.19, 0.77%, 0.47%

LAB 74.5, -72.2, 65.31

 

CMYK 97 / 0 / 89 / 9

HEX #08E81A

RGB 8 232 26

HSL 124.82, 0.93%, 0.47%

LAB 80.65, -79.43, 74.62

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 62 / 0 / 57 / 32

HEX #42AE4B

RGB 66 174 75

HSL 125, 0.45%, 0.47%

LAB 63.29, -51.21, 41.25

 

CMYK 44 / 0 / 41 / 40

HEX #569A5B

RGB 86 154 91

HSL 124.41, 0.28%, 0.47%

LAB 57.89, -35.23, 26.51

 

CMYK 22 / 0 / 21 / 47

HEX #69876B

RGB 105 135 107

HSL 124, 0.13%, 0.47%

LAB 53.38, -16.53, 11.64

 

CMYK 0 / 7 / 0 / 51

HEX #7C737C

RGB 124 115 124

HSL 300, 0.04%, 0.47%

LAB 49.5, 5.24, -3.7

 

CMYK 40 / 0 / 76 / 24

HEX #73C12F

RGB 115 193 47

HSL 92.05, 0.61%, 0.47%

LAB 70.86, -47.14, 61.41

 

CMYK 61 / 0 / 76 / 24

HEX #4CC12F

RGB 76 193 47

HSL 108.08, 0.61%, 0.47%

LAB 69.39, -58.45, 59.46

 

CMYK 76 / 0 / 71 / 24

HEX #2FC138

RGB 47 193 56

HSL 123.7, 0.61%, 0.47%

LAB 68.77, -63.34, 55.42

 

CMYK 76 / 0 / 51 / 24

HEX #2FC15F

RGB 47 193 95

HSL 139.73, 0.61%, 0.47%

LAB 69.16, -58.66, 38.53

 

CMYK 76 / 0 / 31 / 24

HEX #2FC186

RGB 47 193 134

HSL 155.75, 0.61%, 0.47%

LAB 69.8, -51.42, 19.15

 

CMYK 76 / 0 / 69 / 50

HEX #1F7F27

RGB 31 127 39

HSL 125, 0.61%, 0.31%

LAB 46.47, -45.48, 38.63

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 66 / 0 / 61 / 18

HEX #47D252

RGB 71 210 82

HSL 124.75, 0.61%, 0.55%

LAB 74.85, -62.24, 51.49

 

CMYK 52 / 0 / 48 / 15

HEX #68DA71

RGB 104 218 113

HSL 124.74, 0.61%, 0.63%

LAB 78.62, -53.76, 41.8

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 76 / 20 / 0 / 24

HEX #2F9AC1

RGB 47 154 193

HSL 196.03, 0.61%, 0.47%

LAB 59.49, -16.78, -28.73

 

CMYK 0 / 76 / 51 / 24

HEX #C12F5F

RGB 193 47 95

HSL 340.27, 0.61%, 0.47%

LAB 44.51, 59.84, 7.8

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 71 / 76 / 0 / 24

HEX #382FC1

RGB 56 47 193

HSL 243.7, 0.61%, 0.47%

LAB 31.17, 49.4, -74.1

 

CMYK 0 / 71 / 76 / 24

HEX #C1382F

RGB 193 56 47

HSL 3.7, 0.61%, 0.47%

LAB 44.76, 53.78, 37.17

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 76 / 20 / 0 / 24

HEX #2F9AC1

RGB 47 154 193

HSL 196.03, 0.61%, 0.47%

LAB 59.49, -16.78, -28.73

 

CMYK 0 / 76 / 5 / 24

HEX #C12FB7

RGB 193 47 183

HSL 304.11, 0.61%, 0.47%

LAB 47.99, 70.39, -40.15

 

CMYK 0 / 55 / 76 / 24

HEX #C1562F

RGB 193 86 47

HSL 16.03, 0.61%, 0.47%

LAB 49.74, 40.54, 42.49

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 76 / 43 / 0 / 24

HEX #2F6EC1

RGB 47 110 193

HSL 214.11, 0.61%, 0.47%

LAB 46.45, 9.01, -49.25

 

CMYK 0 / 76 / 5 / 24

HEX #C12FB7

RGB 193 47 183

HSL 304.11, 0.61%, 0.47%

LAB 47.99, 70.39, -40.15

 

CMYK 0 / 33 / 76 / 24

HEX #C1822F

RGB 193 130 47

HSL 34.11, 0.61%, 0.47%

LAB 59.44, 17.09, 52.34

 

Description

Color code: HEX #2FC13B | qconv.com Color code: HEX #2FC13B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 193 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 193 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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