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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 97 / 0 / 63 / 9 it is the complementary color CMYK 0 / 91 / 32 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 97 / 0 / 63 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 97 / 0 / 63 / 9: CMYK 95 / 0 / 65 / 9, CMYK 88 / 0 / 60 / 2, CMYK 82 / 0 / 53 / 0, CMYK 75 / 0 / 46 / 0 and CMYK 69 / 0 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 97 / 0 / 63 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 97 / 0 / 63 / 9: CMYK 97 / 0 / 63 / 9, CMYK 100 / 0 / 69 / 16, CMYK 100 / 0 / 76 / 23, CMYK 100 / 0 / 84 / 30 and CMYK 100 / 0 / 94 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

Complementary color

CMYK 0 / 91 / 32 / 3

HEX #F817A9

RGB 248 23 169

HSL 321.07, 0.94%, 0.53%

LAB 55.52, 84.81, -19.49

 

CMYK 95 / 0 / 65 / 9

HEX #0CE851

RGB 12 232 81

HSL 138.82, 0.9%, 0.48%

LAB 80.95, -75.61, 58.53

 

CMYK 88 / 0 / 60 / 2

HEX #1DFA64

RGB 29 250 100

HSL 139.28, 0.96%, 0.55%

LAB 86.78, -77.95, 57.18

 

CMYK 82 / 0 / 53 / 0

HEX #2EFF77

RGB 46 255 119

HSL 140.96, 1%, 0.59%

LAB 88.65, -75.72, 51.01

 

CMYK 75 / 0 / 46 / 0

HEX #3FFF8A

RGB 63 255 138

HSL 143.44, 1%, 0.62%

LAB 89.12, -71.05, 42.72

 

CMYK 69 / 0 / 38 / 0

HEX #50FF9D

RGB 80 255 157

HSL 146.4, 1%, 0.66%

LAB 89.7, -65.47, 34.24

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 100 / 0 / 69 / 16

HEX #00D643

RGB 0 214 67

HSL 138.79, 1%, 0.42%

LAB 75.14, -72.22, 57.78

 

CMYK 100 / 0 / 76 / 23

HEX #00C430

RGB 0 196 48

HSL 134.69, 1%, 0.38%

LAB 69.25, -68.71, 58.62

 

CMYK 100 / 0 / 84 / 30

HEX #00B21D

RGB 0 178 29

HSL 129.78, 1%, 0.35%

LAB 63.28, -64.85, 58.63

 

CMYK 100 / 0 / 94 / 37

HEX #00A00A

RGB 0 160 10

HSL 123.75, 1%, 0.31%

LAB 57.23, -60.55, 57.23

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 97 / 0 / 47 / 9

HEX #07E87B

RGB 7 232 123

HSL 150.93, 0.94%, 0.47%

LAB 81.4, -70.1, 40.06

 

CMYK 97 / 0 / 31 / 9

HEX #07E8A1

RGB 7 232 161

HSL 161.07, 0.94%, 0.47%

LAB 82.02, -62.83, 21.7

 

CMYK 97 / 0 / 15 / 9

HEX #07E8C6

RGB 7 232 198

HSL 170.93, 0.94%, 0.47%

LAB 82.83, -53.99, 3.47

 

CMYK 97 / 2 / 0 / 9

HEX #07E4E8

RGB 7 228 232

HSL 181.07, 0.94%, 0.47%

LAB 82.57, -42.84, -14.89

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 96 / 0 / 64 / 89

HEX #011C0A

RGB 1 28 10

HSL 140, 0.93%, 0.06%

LAB 7.76, -13.67, 7.26

 

CMYK 97 / 0 / 63 / 69

HEX #024F1D

RGB 2 79 29

HSL 141.04, 0.95%, 0.16%

LAB 28.63, -33.59, 23.3

 

CMYK 97 / 0 / 63 / 49

HEX #048230

RGB 4 130 48

HSL 140.95, 0.94%, 0.26%

LAB 47.24, -48.42, 35.23

 

CMYK 97 / 0 / 63 / 29

HEX #05B543

RGB 5 181 67

HSL 141.14, 0.95%, 0.36%

LAB 64.55, -62.22, 46.17

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 97 / 53 / 0 / 9

HEX #076CE8

RGB 7 108 232

HSL 213.07, 0.94%, 0.47%

LAB 47.75, 22.7, -69.42

 

CMYK 0 / 97 / 92 / 9

HEX #E80712

RGB 232 7 18

HSL 357.07, 0.94%, 0.47%

LAB 48.7, 74.18, 57.43

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 63 / 97 / 0 / 9

HEX #5607E8

RGB 86 7 232

HSL 261.07, 0.94%, 0.47%

LAB 33.89, 74.6, -92.09

 

CMYK 0 / 63 / 97 / 9

HEX #E85607

RGB 232 86 7

HSL 21.07, 0.94%, 0.47%

LAB 55.91, 53.94, 64.48

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 97 / 53 / 0 / 9

HEX #076CE8

RGB 7 108 232

HSL 213.07, 0.94%, 0.47%

LAB 47.75, 22.7, -69.42

 

CMYK 0 / 97 / 34 / 9

HEX #E80799

RGB 232 7 153

HSL 321.07, 0.94%, 0.47%

LAB 51.39, 81.4, -16.59

 

CMYK 0 / 44 / 97 / 9

HEX #E88307

RGB 232 131 7

HSL 33.07, 0.94%, 0.47%

LAB 64.49, 32.19, 69.8

 

CMYK 97 / 0 / 63 / 9

HEX #07E856

RGB 7 232 86

HSL 141.07, 0.94%, 0.47%

LAB 80.98, -75.23, 56.49

 

CMYK 97 / 83 / 0 / 9

HEX #0728E8

RGB 7 40 232

HSL 231.2, 0.94%, 0.47%

LAB 32.68, 62.84, -94.23

 

CMYK 0 / 97 / 34 / 9

HEX #E80799

RGB 232 7 153

HSL 321.07, 0.94%, 0.47%

LAB 51.39, 81.4, -16.59

 

CMYK 0 / 15 / 97 / 9

HEX #E8C607

RGB 232 198 7

HSL 50.93, 0.94%, 0.47%

LAB 80.49, -3.06, 80.92

 

Description

Color code: CMYK 97 / 0 / 63 / 9 | qconv.com Color code: CMYK 97 / 0 / 63 / 9 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 232 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 232 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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