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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D437F it is the complementary color #D2BC80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D437F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D437F shade: #32437A, #43558D, #5467A0, #6579B3 and #768BC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D437F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D437F shade: #2D437F, #1C316C, #0B1F59, #000D46 and #000033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D437F shade: #2D4380, #2D2D80, #432D80, #5A2D80 and #702D80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D437F shade: #2D4380 and #2D2D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D437F shade matches the following richer shades: #2D4380, #1F3C8E, #11369C and #022FAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D437F shade: #2D4380, #3B4972, #495064, #575656 and #655D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D437F shade: #2D7180, #2D5A80, #2D4480, #2D2E80 and #412D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D437F shade: #172343, #223361, #2D4380, #37539E and #4263BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D437F shade: #2D437F, #792D80 and #65802D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D437F shade: #2D437F, #802D44 and #44802D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D437F shade: #2D437F, #792D80, #80682D and #34802D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D437F shade: #2D437F, #802D6E, #80682D and #2D803F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

Complementary color

CMYK 0 / 10 / 39 / 18

HEX #D2BC80

RGB 210 188 128

HSL 43.9, 0.48%, 0.66%

LAB 76.82, -0.64, 33.22

 

CMYK 59 / 45 / 0 / 52

HEX #32437A

RGB 50 67 122

HSL 225.83, 0.42%, 0.34%

LAB 29.66, 11.13, -33.49

 

CMYK 52 / 40 / 0 / 45

HEX #43558D

RGB 67 85 141

HSL 225.41, 0.36%, 0.41%

LAB 37.14, 9.88, -33.26

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 44 / 32 / 0 / 30

HEX #6579B3

RGB 101 121 179

HSL 224.62, 0.34%, 0.55%

LAB 51.49, 8.16, -33.03

 

CMYK 40 / 30 / 0 / 22

HEX #768BC6

RGB 118 139 198

HSL 224.25, 0.41%, 0.62%

LAB 58.41, 7.54, -32.99

 

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

CMYK 74 / 55 / 0 / 58

HEX #1C316C

RGB 28 49 108

HSL 224.25, 0.59%, 0.27%

LAB 22.04, 13.98, -36.88

 

CMYK 88 / 65 / 0 / 65

HEX #0B1F59

RGB 11 31 89

HSL 224.62, 0.78%, 0.2%

LAB 14.24, 16.96, -37.07

 

CMYK 100 / 81 / 0 / 73

HEX #000D46

RGB 0 13 70

HSL 228.86, 1%, 0.14%

LAB 6.59, 20.61, -36.6

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 65 / 48 / 0 / 50

HEX #2D4380

RGB 45 67 128

HSL 224.1, 0.48%, 0.34%

LAB 29.74, 12.29, -37.13

 

CMYK 65 / 65 / 0 / 50

HEX #2D2D80

RGB 45 45 128

HSL 240, 0.48%, 0.34%

LAB 23.65, 27.26, -46.97

 

CMYK 48 / 65 / 0 / 50

HEX #432D80

RGB 67 45 128

HSL 255.9, 0.48%, 0.34%

LAB 25.65, 31.54, -43.63

 

CMYK 30 / 65 / 0 / 50

HEX #5A2D80

RGB 90 45 128

HSL 272.53, 0.48%, 0.34%

LAB 28.4, 36.93, -39.05

 

CMYK 13 / 65 / 0 / 50

HEX #702D80

RGB 112 45 128

HSL 288.43, 0.48%, 0.34%

LAB 31.53, 42.54, -33.86

 

CMYK 65 / 48 / 0 / 50

HEX #2D4380

RGB 45 67 128

HSL 224.1, 0.48%, 0.34%

LAB 29.74, 12.29, -37.13

 

CMYK 65 / 65 / 0 / 50

HEX #2D2D80

RGB 45 45 128

HSL 240, 0.48%, 0.34%

LAB 23.65, 27.26, -46.97

 

CMYK 65 / 48 / 0 / 50

HEX #2D4380

RGB 45 67 128

HSL 224.1, 0.48%, 0.34%

LAB 29.74, 12.29, -37.13

 

CMYK 78 / 58 / 0 / 44

HEX #1F3C8E

RGB 31 60 142

HSL 224.32, 0.64%, 0.34%

LAB 28.05, 20.34, -48.57

 

CMYK 89 / 65 / 0 / 39

HEX #11369C

RGB 17 54 156

HSL 224.03, 0.8%, 0.34%

LAB 27.18, 28.83, -58.59

 

CMYK 99 / 72 / 0 / 33

HEX #022FAA

RGB 2 47 170

HSL 223.93, 0.98%, 0.34%

LAB 26.59, 38.24, -68.06

 

CMYK 65 / 48 / 0 / 50

HEX #2D4380

RGB 45 67 128

HSL 224.1, 0.48%, 0.34%

LAB 29.74, 12.29, -37.13

 

CMYK 48 / 36 / 0 / 55

HEX #3B4972

RGB 59 73 114

HSL 224.73, 0.32%, 0.34%

LAB 31.6, 6.61, -25.35

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 0 / 8 / 29 / 60

HEX #655D48

RGB 101 93 72

HSL 43.45, 0.17%, 0.34%

LAB 39.69, -0.49, 13.25

 

CMYK 65 / 12 / 0 / 50

HEX #2D7180

RGB 45 113 128

HSL 190.84, 0.48%, 0.34%

LAB 44.13, -16.37, -14.64

 

CMYK 65 / 30 / 0 / 50

HEX #2D5A80

RGB 45 90 128

HSL 207.47, 0.48%, 0.34%

LAB 36.8, -2.8, -25.95

 

CMYK 65 / 47 / 0 / 50

HEX #2D4480

RGB 45 68 128

HSL 223.37, 0.48%, 0.34%

LAB 30.04, 11.61, -36.65

 

CMYK 65 / 64 / 0 / 50

HEX #2D2E80

RGB 45 46 128

HSL 239.28, 0.48%, 0.34%

LAB 23.9, 26.6, -46.56

 

CMYK 49 / 65 / 0 / 50

HEX #412D80

RGB 65 45 128

HSL 254.46, 0.48%, 0.34%

LAB 25.44, 31.11, -43.98

 

CMYK 66 / 48 / 0 / 74

HEX #172343

RGB 23 35 67

HSL 223.64, 0.49%, 0.18%

LAB 14.34, 6.51, -21.85

 

CMYK 65 / 47 / 0 / 62

HEX #223361

RGB 34 51 97

HSL 223.81, 0.48%, 0.26%

LAB 22.2, 9.29, -29.46

 

CMYK 65 / 48 / 0 / 50

HEX #2D4380

RGB 45 67 128

HSL 224.1, 0.48%, 0.34%

LAB 29.74, 12.29, -37.13

 

CMYK 65 / 47 / 0 / 38

HEX #37539E

RGB 55 83 158

HSL 223.69, 0.48%, 0.42%

LAB 36.87, 14.59, -44

 

CMYK 65 / 47 / 0 / 26

HEX #4263BC

RGB 66 99 188

HSL 223.77, 0.48%, 0.5%

LAB 43.82, 17, -50.54

 

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

CMYK 5 / 65 / 0 / 50

HEX #792D80

RGB 121 45 128

HSL 294.94, 0.48%, 0.34%

LAB 32.92, 44.89, -31.57

 

CMYK 21 / 0 / 65 / 50

HEX #65802D

RGB 101 128 45

HSL 79.52, 0.48%, 0.34%

LAB 49.97, -23.1, 40.63

 

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

CMYK 0 / 65 / 47 / 50

HEX #802D44

RGB 128 45 68

HSL 343.37, 0.48%, 0.34%

LAB 31.54, 37.89, 4.92

 

CMYK 47 / 0 / 65 / 50

HEX #44802D

RGB 68 128 45

HSL 103.37, 0.48%, 0.34%

LAB 48.08, -35.71, 38.02

 

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

CMYK 5 / 65 / 0 / 50

HEX #792D80

RGB 121 45 128

HSL 294.94, 0.48%, 0.34%

LAB 32.92, 44.89, -31.57

 

CMYK 0 / 19 / 65 / 50

HEX #80682D

RGB 128 104 45

HSL 42.65, 0.48%, 0.34%

LAB 45.19, 2.33, 36.04

 

CMYK 59 / 0 / 65 / 50

HEX #34802D

RGB 52 128 45

HSL 114.94, 0.48%, 0.34%

LAB 47.44, -40.53, 37.13

 

CMYK 65 / 47 / 0 / 50

HEX #2D437F

RGB 45 67 127

HSL 223.9, 0.48%, 0.34%

LAB 29.67, 11.91, -36.61

 

CMYK 0 / 65 / 14 / 50

HEX #802D6E

RGB 128 45 110

HSL 313.01, 0.48%, 0.34%

LAB 33.12, 43.6, -19.86

 

CMYK 0 / 19 / 65 / 50

HEX #80682D

RGB 128 104 45

HSL 42.65, 0.48%, 0.34%

LAB 45.19, 2.33, 36.04

 

CMYK 65 / 0 / 51 / 50

HEX #2D803F

RGB 45 128 63

HSL 133.01, 0.48%, 0.34%

LAB 47.44, -39.79, 27.95

 

Description

Color code: HEX #2D437F | qconv.com Color code: HEX #2D437F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 67 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 67 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 47 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 47% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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