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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 80 100 it is the complementary color RGB 182 175 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 80 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 80 100: RGB 78 80 95, RGB 95 98 114, RGB 112 116 133, RGB 129 134 152 and RGB 146 152 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 80 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 80 100: RGB 73 80 100, RGB 56 62 81, RGB 39 44 62, RGB 22 26 43 and RGB 5 8 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

Complementary color

CMYK 0 / 4 / 15 / 29

HEX #B6AF9B

RGB 182 175 155

HSL 44.44, 0.16%, 0.66%

LAB 71.54, -0.94, 11.15

 

CMYK 18 / 16 / 0 / 63

HEX #4E505F

RGB 78 80 95

HSL 232.94, 0.1%, 0.34%

LAB 34.36, 2.74, -9.01

 

CMYK 17 / 14 / 0 / 55

HEX #5F6272

RGB 95 98 114

HSL 230.53, 0.09%, 0.41%

LAB 41.82, 2.48, -9.41

 

CMYK 16 / 13 / 0 / 48

HEX #707485

RGB 112 116 133

HSL 228.57, 0.09%, 0.48%

LAB 49.04, 2.24, -9.81

 

CMYK 15 / 12 / 0 / 40

HEX #818698

RGB 129 134 152

HSL 226.96, 0.1%, 0.55%

LAB 56.07, 2.03, -10.23

 

CMYK 15 / 11 / 0 / 33

HEX #9298AB

RGB 146 152 171

HSL 225.6, 0.13%, 0.62%

LAB 62.93, 1.83, -10.65

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 31 / 23 / 0 / 68

HEX #383E51

RGB 56 62 81

HSL 225.6, 0.18%, 0.27%

LAB 26.39, 2.59, -12.29

 

CMYK 37 / 29 / 0 / 76

HEX #272C3E

RGB 39 44 62

HSL 226.96, 0.23%, 0.2%

LAB 18.28, 3.03, -12.13

 

CMYK 49 / 40 / 0 / 83

HEX #161A2B

RGB 22 26 43

HSL 228.57, 0.32%, 0.13%

LAB 9.67, 3.68, -12.09

 

CMYK 79 / 67 / 0 / 91

HEX #050818

RGB 5 8 24

HSL 230.53, 0.66%, 0.06%

LAB 2.46, 2.29, -8.64

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 28 / 25 / 0 / 61

HEX #484B64

RGB 72 75 100

HSL 233.57, 0.16%, 0.34%

LAB 32.55, 5.1, -14.97

 

CMYK 26 / 28 / 0 / 61

HEX #4A4864

RGB 74 72 100

HSL 244.29, 0.16%, 0.34%

LAB 31.83, 7.73, -16.06

 

CMYK 21 / 28 / 0 / 61

HEX #4F4864

RGB 79 72 100

HSL 255, 0.16%, 0.34%

LAB 32.3, 9.5, -15.3

 

CMYK 17 / 28 / 0 / 61

HEX #534864

RGB 83 72 100

HSL 263.57, 0.16%, 0.34%

LAB 32.69, 10.94, -14.67

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 27 / 20 / 0 / 41

HEX #6E7997

RGB 110 121 151

HSL 223.9, 0.16%, 0.51%

LAB 50.95, 3.03, -17.54

 

CMYK 27 / 20 / 0 / 21

HEX #93A2CA

RGB 147 162 202

HSL 223.64, 0.34%, 0.68%

LAB 66.75, 3.76, -22.2

 

CMYK 27 / 20 / 0 / 1

HEX #B9CAFD

RGB 185 202 253

HSL 225, 0.94%, 0.86%

LAB 81.65, 5.29, -26.92

 

CMYK 27 / 20 / 0 / 81

HEX #242731

RGB 36 39 49

HSL 226.15, 0.15%, 0.17%

LAB 15.74, 1.41, -6.97

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 2 / 28 / 0 / 61

HEX #624864

RGB 98 72 100

HSL 295.71, 0.16%, 0.34%

LAB 34.3, 16.5, -12.07

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 0 / 28 / 20 / 61

HEX #644850

RGB 100 72 80

HSL 342.86, 0.16%, 0.34%

LAB 33.82, 13.32, -0.05

 

CMYK 20 / 0 / 28 / 61

HEX #506448

RGB 80 100 72

HSL 102.86, 0.16%, 0.34%

LAB 40.06, -13.45, 13.48

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 2 / 28 / 0 / 61

HEX #624864

RGB 98 72 100

HSL 295.71, 0.16%, 0.34%

LAB 34.3, 16.5, -12.07

 

CMYK 0 / 7 / 28 / 61

HEX #645D48

RGB 100 93 72

HSL 45, 0.16%, 0.34%

LAB 39.59, -0.93, 13.1

 

CMYK 26 / 0 / 28 / 61

HEX #4A6448

RGB 74 100 72

HSL 115.71, 0.16%, 0.34%

LAB 39.64, -15.81, 12.84

 

CMYK 27 / 20 / 0 / 61

HEX #495064

RGB 73 80 100

HSL 224.44, 0.16%, 0.34%

LAB 34.14, 2.25, -12.54

 

CMYK 0 / 28 / 6 / 61

HEX #64485E

RGB 100 72 94

HSL 312.86, 0.16%, 0.34%

LAB 34.3, 16, -8.25

 

CMYK 0 / 7 / 28 / 61

HEX #645D48

RGB 100 93 72

HSL 45, 0.16%, 0.34%

LAB 39.59, -0.93, 13.1

 

CMYK 28 / 0 / 21 / 61

HEX #48644F

RGB 72 100 79

HSL 135, 0.16%, 0.34%

LAB 39.68, -15.16, 8.63

 

Description

Color code: RGB 73 80 100 | qconv.com Color code: RGB 73 80 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 80 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 80 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 20 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 20% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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