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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 103 160 it is the complementary color RGB 171 152 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 103 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 103 160 shade: RGB 89 103 155, RGB 106 121 174, RGB 123 139 193, RGB 140 157 212 and RGB 157 175 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 103 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 67 85 141, RGB 50 67 122, RGB 33 49 103 and RGB 16 31 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 85 84 160, RGB 106 84 160, RGB 126 84 160 and RGB 147 84 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 103 160 shade: RGB 84 103 160 and RGB 84 84 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 103 160 shade matches the following richer shades: RGB 84 103 160, RGB 64 93 180, RGB 44 83 199, RGB 25 73 219 and RGB 5 63 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 104 113 140, RGB 124 123 120, RGB 143 133 100 and RGB 163 143 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 103 160 shade: RGB 84 143 160, RGB 84 123 160, RGB 84 103 160, RGB 85 84 160 and RGB 105 84 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 103 160 shade: RGB 55 68 106, RGB 70 85 133, RGB 84 103 160, RGB 108 125 177 and RGB 135 149 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 156 84 160 and RGB 133 160 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 160 84 103 and RGB 103 160 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 156 84 160, RGB 160 141 84 and RGB 88 160 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 103 160 shade: RGB 84 103 160, RGB 160 84 141, RGB 160 141 84 and RGB 84 160 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

Complementary color

CMYK 0 / 11 / 44 / 33

HEX #AB985F

RGB 171 152 95

HSL 45, 0.31%, 0.52%

LAB 63.29, -1.02, 32.5

 

CMYK 43 / 34 / 0 / 39

HEX #59679B

RGB 89 103 155

HSL 227.27, 0.27%, 0.48%

LAB 44.51, 8.72, -29.98

 

CMYK 39 / 30 / 0 / 32

HEX #6A79AE

RGB 106 121 174

HSL 226.76, 0.3%, 0.55%

LAB 51.6, 8.07, -29.93

 

CMYK 36 / 28 / 0 / 24

HEX #7B8BC1

RGB 123 139 193

HSL 226.29, 0.36%, 0.62%

LAB 58.53, 7.53, -29.95

 

CMYK 34 / 26 / 0 / 17

HEX #8C9DD4

RGB 140 157 212

HSL 225.83, 0.46%, 0.69%

LAB 65.31, 7.06, -30.01

 

CMYK 32 / 24 / 0 / 9

HEX #9DAFE7

RGB 157 175 231

HSL 225.41, 0.61%, 0.76%

LAB 71.96, 6.65, -30.1

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 52 / 40 / 0 / 45

HEX #43558D

RGB 67 85 141

HSL 225.41, 0.36%, 0.41%

LAB 37.14, 9.88, -33.26

 

CMYK 59 / 45 / 0 / 52

HEX #32437A

RGB 50 67 122

HSL 225.83, 0.42%, 0.34%

LAB 29.66, 11.13, -33.49

 

CMYK 68 / 52 / 0 / 60

HEX #213167

RGB 33 49 103

HSL 226.29, 0.51%, 0.27%

LAB 21.94, 12.86, -33.79

 

CMYK 81 / 63 / 0 / 67

HEX #101F54

RGB 16 31 84

HSL 226.76, 0.68%, 0.2%

LAB 14, 15.38, -34.08

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 47 / 48 / 0 / 37

HEX #5554A0

RGB 85 84 160

HSL 240.79, 0.31%, 0.48%

LAB 39.26, 21.15, -41.27

 

CMYK 34 / 48 / 0 / 37

HEX #6A54A0

RGB 106 84 160

HSL 257.37, 0.31%, 0.48%

LAB 41.13, 26.7, -38.18

 

CMYK 21 / 48 / 0 / 37

HEX #7E54A0

RGB 126 84 160

HSL 273.16, 0.31%, 0.48%

LAB 43.23, 32.45, -34.71

 

CMYK 8 / 48 / 0 / 37

HEX #9354A0

RGB 147 84 160

HSL 289.74, 0.31%, 0.48%

LAB 45.75, 38.73, -30.59

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 48 / 48 / 0 / 37

HEX #5454A0

RGB 84 84 160

HSL 240, 0.31%, 0.48%

LAB 39.18, 20.9, -41.4

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 64 / 48 / 0 / 29

HEX #405DB4

RGB 64 93 180

HSL 225, 0.48%, 0.48%

LAB 41.55, 17.65, -49.51

 

CMYK 78 / 58 / 0 / 22

HEX #2C53C7

RGB 44 83 199

HSL 224.9, 0.64%, 0.48%

LAB 39.32, 28.36, -64.26

 

CMYK 89 / 67 / 0 / 14

HEX #1949DB

RGB 25 73 219

HSL 225.15, 0.8%, 0.48%

LAB 38, 40.83, -77.98

 

CMYK 98 / 74 / 0 / 6

HEX #053FEF

RGB 5 63 239

HSL 225.13, 0.96%, 0.48%

LAB 37.52, 53.34, -90.16

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 26 / 19 / 0 / 45

HEX #68718C

RGB 104 113 140

HSL 225, 0.15%, 0.48%

LAB 47.81, 3.01, -15.88

 

CMYK 0 / 1 / 3 / 51

HEX #7C7B78

RGB 124 123 120

HSL 45, 0.02%, 0.48%

LAB 51.62, -0.21, 1.76

 

CMYK 0 / 7 / 30 / 44

HEX #8F8564

RGB 143 133 100

HSL 46.05, 0.18%, 0.48%

LAB 55.62, -1.64, 19.19

 

CMYK 0 / 12 / 50 / 36

HEX #A38F51

RGB 163 143 81

HSL 45.37, 0.34%, 0.48%

LAB 59.91, -0.93, 35.52

 

CMYK 48 / 11 / 0 / 37

HEX #548FA0

RGB 84 143 160

HSL 193.42, 0.31%, 0.48%

LAB 56.16, -14.5, -14.98

 

CMYK 48 / 23 / 0 / 37

HEX #547BA0

RGB 84 123 160

HSL 209.21, 0.31%, 0.48%

LAB 50.2, -3.18, -24.08

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 47 / 48 / 0 / 37

HEX #5554A0

RGB 85 84 160

HSL 240.79, 0.31%, 0.48%

LAB 39.26, 21.15, -41.27

 

CMYK 34 / 48 / 0 / 37

HEX #6954A0

RGB 105 84 160

HSL 256.58, 0.31%, 0.48%

LAB 41.03, 26.42, -38.34

 

CMYK 48 / 36 / 0 / 58

HEX #37446A

RGB 55 68 106

HSL 224.71, 0.32%, 0.32%

LAB 29.38, 6.15, -23.8

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 39 / 29 / 0 / 31

HEX #6C7DB1

RGB 108 125 177

HSL 225.22, 0.31%, 0.56%

LAB 52.98, 7.1, -29.51

 

CMYK 29 / 22 / 0 / 25

HEX #8795BF

RGB 135 149 191

HSL 225, 0.3%, 0.64%

LAB 62, 4.75, -23.4

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 2 / 48 / 0 / 37

HEX #9C54A0

RGB 156 84 160

HSL 296.84, 0.31%, 0.48%

LAB 46.9, 41.45, -28.69

 

CMYK 17 / 0 / 48 / 37

HEX #85A054

RGB 133 160 84

HSL 81.32, 0.31%, 0.48%

LAB 62.31, -22.21, 36.36

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 0 / 48 / 36 / 37

HEX #A05467

RGB 160 84 103

HSL 345, 0.31%, 0.48%

LAB 45.35, 33.53, 3.35

 

CMYK 36 / 0 / 48 / 37

HEX #67A054

RGB 103 160 84

HSL 105, 0.31%, 0.48%

LAB 60.49, -33.45, 33.7

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 2 / 48 / 0 / 37

HEX #9C54A0

RGB 156 84 160

HSL 296.84, 0.31%, 0.48%

LAB 46.9, 41.45, -28.69

 

CMYK 0 / 12 / 48 / 37

HEX #A08D54

RGB 160 141 84

HSL 45, 0.31%, 0.48%

LAB 59.13, -0.82, 32.9

 

CMYK 45 / 0 / 48 / 37

HEX #58A054

RGB 88 160 84

HSL 116.84, 0.31%, 0.48%

LAB 59.76, -38.38, 32.63

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 0 / 48 / 12 / 37

HEX #A0548D

RGB 160 84 141

HSL 315, 0.31%, 0.48%

LAB 46.63, 39.24, -17.75

 

CMYK 0 / 12 / 48 / 37

HEX #A08D54

RGB 160 141 84

HSL 45, 0.31%, 0.48%

LAB 59.13, -0.82, 32.9

 

CMYK 48 / 0 / 36 / 37

HEX #54A067

RGB 84 160 103

HSL 135, 0.31%, 0.48%

LAB 59.89, -36.45, 22.62

 

Description

Color code: RGB 84 103 160 | qconv.com Color code: RGB 84 103 160 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 103 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 103 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 36 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 36% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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