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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296FD1CE it is the complementary color #D6902ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296FD1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296FD1CE shade: #2E6FCCCE, #3F81DFCE, #5093F2CE, #61A5FFCE and #72B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296FD1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296FD1CE shade: #296FD1CE, #185DBECE, #074BABCE, #003998CE and #002785CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296FD1CE shade: #296FD1, #2942D1, #3E29D1, #6B29D1 and #9829D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296FD1CE shade: #296FD1, #2942D1 and #2929D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296FD1CE shade matches the following richer shades: #296FD1, #156CE5 and #0168F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296FD1CE shade: #296FD1, #3D72BC, #5276A8, #667994 and #7A7C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296FD1CE shade: #29C8D1, #299CD1, #296FD1, #2942D1 and #3D29D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296FD1CE shade: #1C4A8C, #225DAE, #296FD1, #4885DB and #6B9CE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296FD1CE shade: #296FD1, #AC29D1 and #B2D129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296FD1CE shade: #296FD1, #D1296F and #6FD129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296FD1CE shade: #296FD1, #AC29D1, #D18B29 and #4ED129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296FD1CE shade: #296FD1, #D129C3, #D18B29 and #29D137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 38 / 0 / 15

HEX #296FD1CE

RGBA 41 111 209 0.81

HSLA 215, 0.67%, 0.49%, 0.81

LABA 47.55, 13.77, -56.68, 0.81

 

Complementary color

CMYK 0 / 26 / 64 / 13

HEX #D6902ECE

RGBA 214 144 46 0.81

HSLA 35, 0.67%, 0.51%, 0.81

LABA 65.31, 18.51, 59.24, 0.81

 

CMYK 63 / 37 / 0 / 16

HEX #2E6FCCCE

RGBA 46 111 204 0.81

HSLA 215.32, 0.63%, 0.49%, 0.81

LABA 47.38, 12.4, -54.09, 0.81

 

CMYK 58 / 34 / 0 / 10

HEX #3F81DFCE

RGBA 63 129 223 0.81

HSLA 215.25, 0.71%, 0.56%, 0.81

LABA 54.12, 10.34, -54.03, 0.81

 

CMYK 54 / 32 / 0 / 4

HEX #5093F2CE

RGBA 80 147 242 0.81

HSLA 215.19, 0.86%, 0.63%, 0.81

LABA 60.77, 8.66, -53.96, 0.81

 

CMYK 50 / 29 / 0 / 0

HEX #61A5FFCE

RGBA 97 165 255 0.81

HSLA 214.18, 1%, 0.69%, 0.81

LABA 67.03, 5.33, -51.1, 0.81

 

CMYK 45 / 23 / 0 / 0

HEX #72B7FFCE

RGBA 114 183 255 0.81

HSLA 210.64, 1%, 0.72%, 0.81

LABA 72.67, -1.59, -42.18, 0.81

 

CMYK 65 / 38 / 0 / 15

HEX #296FD1CE

RGBA 41 111 209 0.81

HSLA 215, 0.67%, 0.49%, 0.81

LABA 47.55, 13.77, -56.68, 0.81

 

CMYK 71 / 41 / 0 / 21

HEX #185DBECE

RGBA 24 93 190 0.81

HSLA 215.06, 0.78%, 0.42%, 0.81

LABA 40.8, 16.59, -56.64, 0.81

 

CMYK 78 / 45 / 0 / 27

HEX #074BABCE

RGBA 7 75 171 0.81

HSLA 215.12, 0.92%, 0.35%, 0.81

LABA 34.02, 20.08, -56.46, 0.81

 

CMYK 81 / 51 / 0 / 33

HEX #003998CE

RGBA 0 57 152 0.81

HSLA 217.5, 1%, 0.3%, 0.81

LABA 27.28, 24.33, -56, 0.81

 

CMYK 81 / 57 / 0 / 39

HEX #002785CE

RGBA 0 39 133 0.81

HSLA 222.41, 1%, 0.26%, 0.81

LABA 20.61, 29.02, -55.18, 0.81

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 80 / 68 / 0 / 18

HEX #2942D1

RGB 41 66 209

HSL 231.07, 0.67%, 0.49%

LAB 35.93, 42.54, -75.61

 

CMYK 70 / 80 / 0 / 18

HEX #3E29D1

RGB 62 41 209

HSL 247.5, 0.67%, 0.49%

LAB 32.29, 57.72, -81.58

 

CMYK 49 / 80 / 0 / 18

HEX #6B29D1

RGB 107 41 209

HSL 263.57, 0.67%, 0.49%

LAB 36.58, 62.4, -74.35

 

CMYK 27 / 80 / 0 / 18

HEX #9829D1

RGB 152 41 209

HSL 279.64, 0.67%, 0.49%

LAB 42.56, 69.02, -64.34

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 80 / 68 / 0 / 18

HEX #2942D1

RGB 41 66 209

HSL 231.07, 0.67%, 0.49%

LAB 35.93, 42.54, -75.61

 

CMYK 80 / 80 / 0 / 18

HEX #2929D1

RGB 41 41 209

HSL 240, 0.67%, 0.49%

LAB 31.02, 56.35, -83.72

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 91 / 53 / 0 / 10

HEX #156CE5

RGB 21 108 229

HSL 214.9, 0.83%, 0.49%

LAB 47.68, 22, -67.84

 

CMYK 100 / 58 / 0 / 2

HEX #0168F9

RGB 1 104 249

HSL 215.08, 0.99%, 0.49%

LAB 47.94, 31.68, -78.63

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 68 / 39 / 0 / 26

HEX #3D72BC

RGB 61 114 188

HSL 214.96, 0.51%, 0.49%

LAB 47.83, 6.71, -44.15

 

CMYK 51 / 30 / 0 / 34

HEX #5276A8

RGB 82 118 168

HSL 214.88, 0.34%, 0.49%

LAB 48.98, 1.77, -30.66

 

CMYK 31 / 18 / 0 / 42

HEX #667994

RGB 102 121 148

HSL 215.22, 0.18%, 0.49%

LAB 50.26, -0.28, -16.88

 

CMYK 5 / 3 / 0 / 50

HEX #7A7C80

RGB 122 124 128

HSL 220, 0.02%, 0.49%

LAB 51.96, 0.08, -2.44

 

CMYK 80 / 4 / 0 / 18

HEX #29C8D1

RGB 41 200 209

HSL 183.21, 0.67%, 0.49%

LAB 73.79, -35.35, -15.74

 

CMYK 80 / 25 / 0 / 18

HEX #299CD1

RGB 41 156 209

HSL 198.93, 0.67%, 0.49%

LAB 60.65, -13, -35.91

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 80 / 68 / 0 / 18

HEX #2942D1

RGB 41 66 209

HSL 231.07, 0.67%, 0.49%

LAB 35.93, 42.54, -75.61

 

CMYK 71 / 80 / 0 / 18

HEX #3D29D1

RGB 61 41 209

HSL 247.14, 0.67%, 0.49%

LAB 32.22, 57.64, -81.7

 

CMYK 80 / 47 / 0 / 45

HEX #1C4A8C

RGB 28 74 140

HSL 215.36, 0.67%, 0.33%

LAB 31.89, 9.55, -41.13

 

CMYK 80 / 47 / 0 / 32

HEX #225DAE

RGB 34 93 174

HSL 214.71, 0.67%, 0.41%

LAB 39.96, 11.12, -48.61

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 67 / 39 / 0 / 14

HEX #4885DB

RGB 72 133 219

HSL 215.1, 0.67%, 0.57%

LAB 55.35, 7.82, -49.81

 

CMYK 53 / 31 / 0 / 11

HEX #6B9CE2

RGB 107 156 226

HSL 215.29, 0.67%, 0.65%

LAB 63.67, 3.28, -40.47

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 18 / 80 / 0 / 18

HEX #AC29D1

RGB 172 41 209

HSL 286.79, 0.67%, 0.49%

LAB 45.58, 72.39, -59.3

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 0 / 80 / 47 / 18

HEX #D1296F

RGB 209 41 111

HSL 335, 0.67%, 0.49%

LAB 47.35, 67.2, 2.37

 

CMYK 47 / 0 / 80 / 18

HEX #6FD129

RGB 111 209 41

HSL 95, 0.67%, 0.49%

LAB 75.54, -55.06, 67.55

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 18 / 80 / 0 / 18

HEX #AC29D1

RGB 172 41 209

HSL 286.79, 0.67%, 0.49%

LAB 45.58, 72.39, -59.3

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 63 / 0 / 80 / 18

HEX #4ED129

RGB 78 209 41

HSL 106.79, 0.67%, 0.49%

LAB 74.43, -63.8, 66.12

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 0 / 80 / 7 / 18

HEX #D129C3

RGB 209 41 195

HSL 305, 0.67%, 0.49%

LAB 50.78, 77.02, -42.55

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 80 / 0 / 74 / 18

HEX #29D137

RGB 41 209 55

HSL 125, 0.67%, 0.49%

LAB 73.77, -69.15, 60.86

 

Description

Color code: HEX #296FD1CE | qconv.com Color code: HEX #296FD1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 111 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 111 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 38 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 38% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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