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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18B29 it is the complementary color #2E74D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18B29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18B29 shade: #D68B24, #E79D37, #F8AF4A, #FFC15D and #FFD370

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18B29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18B29 shade: #D18B29, #C07916, #AF6703, #9E5500 and #8D4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18B29 shade: #D18B29, #D15E29, #D13129 and #D12929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18B29 shade: #D18B29, #D1B829, #BCD129, #8FD129 and #62D129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18B29 shade matches the following richer shades: #D18B29, #E58E15 and #F99201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18B29 shade: #D18B29, #BC883D, #A88452, #948166 and #807D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18B29 shade: #D13229, #D15E29, #D18B29, #D1B829 and #BDD129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18B29 shade: #8C5D1C, #AE7422, #D18B29, #DB9E48 and #E2B06B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18B29 shade: #D18B29, #4ED129 and #4829D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18B29 shade: #D18B29, #29D18B and #8B29D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18B29 shade: #D18B29, #4ED129, #296FD1 and #AC29D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18B29 shade: #D18B29, #29D137, #296FD1 and #D129C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

Complementary color

CMYK 79 / 46 / 0 / 16

HEX #2E74D6

RGB 46 116 214

HSL 215, 0.67%, 0.51%

LAB 49.41, 13.02, -56.53

 

CMYK 0 / 35 / 83 / 16

HEX #D68B24

RGB 214 139 36

HSL 34.72, 0.71%, 0.49%

LAB 64.07, 20.88, 61.73

 

CMYK 0 / 32 / 76 / 9

HEX #E79D37

RGB 231 157 55

HSL 34.77, 0.79%, 0.56%

LAB 70.44, 19.12, 61.3

 

CMYK 0 / 29 / 70 / 3

HEX #F8AF4A

RGB 248 175 74

HSL 34.83, 0.93%, 0.63%

LAB 76.75, 17.59, 60.35

 

CMYK 0 / 24 / 64 / 0

HEX #FFC15D

RGB 255 193 93

HSL 37.04, 1%, 0.68%

LAB 81.94, 12.14, 57.71

 

CMYK 0 / 17 / 56 / 0

HEX #FFD370

RGB 255 211 112

HSL 41.54, 1%, 0.72%

LAB 86.51, 4.14, 54.12

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 37 / 89 / 25

HEX #C07916

RGB 192 121 22

HSL 34.94, 0.79%, 0.42%

LAB 57.02, 20.8, 59.08

 

CMYK 0 / 41 / 98 / 31

HEX #AF6703

RGB 175 103 3

HSL 34.88, 0.97%, 0.35%

LAB 50.48, 22.97, 57.54

 

CMYK 0 / 46 / 100 / 38

HEX #9E5500

RGB 158 85 0

HSL 32.28, 1%, 0.31%

LAB 43.9, 25.46, 52.87

 

CMYK 0 / 52 / 100 / 45

HEX #8D4300

RGB 141 67 0

HSL 28.51, 1%, 0.28%

LAB 37.26, 28.01, 47.52

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 55 / 80 / 18

HEX #D15E29

RGB 209 94 41

HSL 18.93, 0.67%, 0.49%

LAB 53.73, 42.49, 50.2

 

CMYK 0 / 77 / 80 / 18

HEX #D13129

RGB 209 49 41

HSL 2.86, 0.67%, 0.49%

LAB 46.86, 60.93, 43.57

 

CMYK 0 / 80 / 80 / 18

HEX #D12929

RGB 209 41 41

HSL 0, 0.67%, 0.49%

LAB 46.04, 63.22, 42.77

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 12 / 80 / 18

HEX #D1B829

RGB 209 184 41

HSL 51.07, 0.67%, 0.49%

LAB 74.82, -5.17, 69.3

 

CMYK 10 / 0 / 80 / 18

HEX #BCD129

RGB 188 209 41

HSL 67.5, 0.67%, 0.49%

LAB 79.87, -26.62, 73.06

 

CMYK 32 / 0 / 80 / 18

HEX #8FD129

RGB 143 209 41

HSL 83.57, 0.67%, 0.49%

LAB 77.04, -44.28, 69.47

 

CMYK 53 / 0 / 80 / 18

HEX #62D129

RGB 98 209 41

HSL 99.64, 0.67%, 0.49%

LAB 75.05, -58.83, 66.92

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 38 / 91 / 10

HEX #E58E15

RGB 229 142 21

HSL 34.9, 0.83%, 0.49%

LAB 66.56, 25.32, 68.65

 

CMYK 0 / 41 / 100 / 2

HEX #F99201

RGB 249 146 1

HSL 35.08, 0.99%, 0.49%

LAB 69.97, 31.34, 75.27

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 28 / 68 / 26

HEX #BC883D

RGB 188 136 61

HSL 35.43, 0.51%, 0.49%

LAB 60.46, 12.32, 46.89

 

CMYK 0 / 21 / 51 / 34

HEX #A88452

RGB 168 132 82

HSL 34.88, 0.34%, 0.49%

LAB 57.5, 7.45, 32.11

 

CMYK 0 / 13 / 31 / 42

HEX #948166

RGB 148 129 102

HSL 35.22, 0.18%, 0.49%

LAB 55.03, 2.98, 17.32

 

CMYK 0 / 2 / 5 / 50

HEX #807D7A

RGB 128 125 122

HSL 30, 0.02%, 0.49%

LAB 52.58, 0.55, 2.03

 

CMYK 0 / 76 / 80 / 18

HEX #D13229

RGB 209 50 41

HSL 3.21, 0.67%, 0.49%

LAB 46.97, 60.62, 43.68

 

CMYK 0 / 55 / 80 / 18

HEX #D15E29

RGB 209 94 41

HSL 18.93, 0.67%, 0.49%

LAB 53.73, 42.49, 50.2

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 12 / 80 / 18

HEX #D1B829

RGB 209 184 41

HSL 51.07, 0.67%, 0.49%

LAB 74.82, -5.17, 69.3

 

CMYK 10 / 0 / 80 / 18

HEX #BDD129

RGB 189 209 41

HSL 67.14, 0.67%, 0.49%

LAB 79.94, -26.21, 73.15

 

CMYK 0 / 34 / 80 / 45

HEX #8C5D1C

RGB 140 93 28

HSL 34.82, 0.67%, 0.33%

LAB 43.49, 13.42, 42.74

 

CMYK 0 / 33 / 80 / 32

HEX #AE7422

RGB 174 116 34

HSL 35.14, 0.67%, 0.41%

LAB 53.61, 15.96, 51.28

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 0 / 28 / 67 / 14

HEX #DB9E48

RGB 219 158 72

HSL 35.1, 0.67%, 0.57%

LAB 69.46, 14.33, 52.52

 

CMYK 0 / 22 / 53 / 11

HEX #E2B06B

RGB 226 176 107

HSL 34.79, 0.67%, 0.65%

LAB 75, 10.15, 42.05

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 63 / 0 / 80 / 18

HEX #4ED129

RGB 78 209 41

HSL 106.79, 0.67%, 0.49%

LAB 74.43, -63.8, 66.12

 

CMYK 66 / 80 / 0 / 18

HEX #4829D1

RGB 72 41 209

HSL 251.07, 0.67%, 0.49%

LAB 33.06, 58.56, -80.27

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 80 / 0 / 33 / 18

HEX #29D18B

RGB 41 209 139

HSL 155, 0.67%, 0.49%

LAB 74.78, -57.14, 23.3

 

CMYK 33 / 80 / 0 / 18

HEX #8B29D1

RGB 139 41 209

HSL 275, 0.67%, 0.49%

LAB 40.7, 66.95, -67.44

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 63 / 0 / 80 / 18

HEX #4ED129

RGB 78 209 41

HSL 106.79, 0.67%, 0.49%

LAB 74.43, -63.8, 66.12

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 18 / 80 / 0 / 18

HEX #AC29D1

RGB 172 41 209

HSL 286.79, 0.67%, 0.49%

LAB 45.58, 72.39, -59.3

 

CMYK 0 / 33 / 80 / 18

HEX #D18B29

RGB 209 139 41

HSL 35, 0.67%, 0.49%

LAB 63.49, 18.88, 59.23

 

CMYK 80 / 0 / 74 / 18

HEX #29D137

RGB 41 209 55

HSL 125, 0.67%, 0.49%

LAB 73.77, -69.15, 60.86

 

CMYK 80 / 47 / 0 / 18

HEX #296FD1

RGB 41 111 209

HSL 215, 0.67%, 0.49%

LAB 47.55, 13.77, -56.68

 

CMYK 0 / 80 / 7 / 18

HEX #D129C3

RGB 209 41 195

HSL 305, 0.67%, 0.49%

LAB 50.78, 77.02, -42.55

 

Description

Color code: HEX #D18B29 | qconv.com Color code: HEX #D18B29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 139 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 139 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 80 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 80% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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