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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D129 it is the complementary color #4D2ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D129 shade: #B7D124, #C8E337, #D9F54A, #EAFF5D and #FBFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D129 shade: #B2D129, #A1BF16, #90AD03, #7F9B00 and #6E8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D129 shade: #B2D129, #D1C229, #D19529, #D16829 and #D13B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D129 shade: #B2D129, #85D129, #57D129, #2AD129 and #29D155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D129 shade matches the following richer shades: #B2D129, #BFE515 and #CBF901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D129 shade: #B2D129, #A5BC3D, #98A852, #8C9466 and #7F807A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D129 shade: #D19629, #D1C329, #B2D129, #85D129 and #59D129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D129 shade: #778C1C, #94AE22, #B2D129, #C0DB48 and #CCE26B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D129 shade: #B2D129, #29D169 and #AC29D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D129 shade: #B2D129, #29B2D1 and #D129B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D129 shade: #B2D129, #29D169, #4829D1 and #D12990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D129 shade: #B2D129, #29D19C, #4829D1 and #D1295E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

Complementary color

CMYK 64 / 79 / 0 / 16

HEX #4D2ED6

RGB 77 46 214

HSL 251.07, 0.67%, 0.51%

LAB 34.78, 58.22, -80.32

 

CMYK 12 / 0 / 83 / 18

HEX #B7D124

RGB 183 209 36

HSL 69.02, 0.71%, 0.48%

LAB 79.5, -28.84, 73.84

 

CMYK 12 / 0 / 76 / 11

HEX #C8E337

RGB 200 227 55

HSL 69.42, 0.75%, 0.55%

LAB 85.75, -29.71, 74.73

 

CMYK 11 / 0 / 70 / 4

HEX #D9F54A

RGB 217 245 74

HSL 69.82, 0.9%, 0.63%

LAB 91.93, -30.42, 74.85

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5D

RGB 234 255 93

HSL 67.78, 1%, 0.68%

LAB 95.91, -27.3, 72.29

 

CMYK 2 / 0 / 56 / 0

HEX #FBFF70

RGB 251 255 112

HSL 61.68, 1%, 0.72%

LAB 97.31, -19.34, 66.41

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 16 / 0 / 88 / 25

HEX #A1BF16

RGB 161 191 22

HSL 70.65, 0.79%, 0.42%

LAB 72.82, -29.77, 70.58

 

CMYK 17 / 0 / 98 / 32

HEX #90AD03

RGB 144 173 3

HSL 70.24, 0.97%, 0.35%

LAB 66.38, -28.62, 67.64

 

CMYK 18 / 0 / 100 / 39

HEX #7F9B00

RGB 127 155 0

HSL 70.84, 1%, 0.3%

LAB 59.85, -27.21, 62.58

 

CMYK 20 / 0 / 100 / 46

HEX #6E8900

RGB 110 137 0

HSL 71.82, 1%, 0.27%

LAB 53.17, -25.73, 57.02

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 0 / 7 / 80 / 18

HEX #D1C229

RGB 209 194 41

HSL 54.64, 0.67%, 0.49%

LAB 77.46, -10.32, 71.6

 

CMYK 0 / 29 / 80 / 18

HEX #D19529

RGB 209 149 41

HSL 38.57, 0.67%, 0.49%

LAB 65.91, 13.46, 61.41

 

CMYK 0 / 50 / 80 / 18

HEX #D16829

RGB 209 104 41

HSL 22.5, 0.67%, 0.49%

LAB 55.7, 37.49, 52.06

 

CMYK 0 / 72 / 80 / 18

HEX #D13B29

RGB 209 59 41

HSL 6.43, 0.67%, 0.49%

LAB 48.06, 57.58, 44.75

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 36 / 0 / 80 / 18

HEX #85D129

RGB 133 209 41

HSL 87.14, 0.67%, 0.49%

LAB 76.53, -47.85, 68.81

 

CMYK 58 / 0 / 80 / 18

HEX #57D129

RGB 87 209 41

HSL 103.57, 0.67%, 0.49%

LAB 74.69, -61.69, 66.45

 

CMYK 80 / 0 / 80 / 18

HEX #2AD129

RGB 42 209 41

HSL 119.64, 0.67%, 0.49%

LAB 73.71, -69.97, 65.19

 

CMYK 80 / 0 / 59 / 18

HEX #29D155

RGB 41 209 85

HSL 135.71, 0.67%, 0.49%

LAB 74.02, -66.13, 49.05

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 17 / 0 / 91 / 10

HEX #BFE515

RGB 191 229 21

HSL 70.96, 0.83%, 0.49%

LAB 85.59, -35.23, 81.84

 

CMYK 18 / 0 / 100 / 2

HEX #CBF901

RGB 203 249 1

HSL 71.13, 0.99%, 0.49%

LAB 91.89, -39.69, 88.88

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 12 / 0 / 68 / 26

HEX #A5BC3D

RGB 165 188 61

HSL 70.87, 0.51%, 0.49%

LAB 72.43, -25.04, 58.88

 

CMYK 10 / 0 / 51 / 34

HEX #98A852

RGB 152 168 82

HSL 71.16, 0.34%, 0.49%

LAB 65.97, -18.77, 42.12

 

CMYK 5 / 0 / 31 / 42

HEX #8C9466

RGB 140 148 102

HSL 70.43, 0.18%, 0.49%

LAB 59.63, -10.83, 23.41

 

CMYK 1 / 0 / 5 / 50

HEX #7F807A

RGB 127 128 122

HSL 70, 0.02%, 0.49%

LAB 53.34, -1.55, 3.12

 

CMYK 0 / 28 / 80 / 18

HEX #D19629

RGB 209 150 41

HSL 38.93, 0.67%, 0.49%

LAB 66.16, 12.92, 61.63

 

CMYK 0 / 7 / 80 / 18

HEX #D1C329

RGB 209 195 41

HSL 55, 0.67%, 0.49%

LAB 77.72, -10.83, 71.83

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 36 / 0 / 80 / 18

HEX #85D129

RGB 133 209 41

HSL 87.14, 0.67%, 0.49%

LAB 76.53, -47.85, 68.81

 

CMYK 57 / 0 / 80 / 18

HEX #59D129

RGB 89 209 41

HSL 102.86, 0.67%, 0.49%

LAB 74.75, -61.19, 66.53

 

CMYK 15 / 0 / 80 / 45

HEX #778C1C

RGB 119 140 28

HSL 71.25, 0.67%, 0.33%

LAB 54.83, -22.5, 52.53

 

CMYK 15 / 0 / 80 / 32

HEX #94AE22

RGB 148 174 34

HSL 71.14, 0.67%, 0.41%

LAB 67.04, -26.68, 62.53

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 12 / 0 / 67 / 14

HEX #C0DB48

RGB 192 219 72

HSL 71.02, 0.67%, 0.57%

LAB 83.09, -28.29, 66.15

 

CMYK 10 / 0 / 53 / 11

HEX #CCE26B

RGB 204 226 107

HSL 71.09, 0.67%, 0.65%

LAB 86.15, -24.28, 54.97

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 80 / 0 / 50 / 18

HEX #29D169

RGB 41 209 105

HSL 142.86, 0.67%, 0.49%

LAB 74.25, -63.33, 39.92

 

CMYK 18 / 80 / 0 / 18

HEX #AC29D1

RGB 172 41 209

HSL 286.79, 0.67%, 0.49%

LAB 45.58, 72.39, -59.3

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 80 / 15 / 0 / 18

HEX #29B2D1

RGB 41 178 209

HSL 191.07, 0.67%, 0.49%

LAB 67.21, -24.63, -25.75

 

CMYK 0 / 80 / 15 / 18

HEX #D129B2

RGB 209 41 178

HSL 311.07, 0.67%, 0.49%

LAB 49.92, 74.65, -33.99

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 80 / 0 / 50 / 18

HEX #29D169

RGB 41 209 105

HSL 142.86, 0.67%, 0.49%

LAB 74.25, -63.33, 39.92

 

CMYK 66 / 80 / 0 / 18

HEX #4829D1

RGB 72 41 209

HSL 251.07, 0.67%, 0.49%

LAB 33.06, 58.56, -80.27

 

CMYK 0 / 80 / 31 / 18

HEX #D12990

RGB 209 41 144

HSL 323.21, 0.67%, 0.49%

LAB 48.45, 70.45, -16.06

 

CMYK 15 / 0 / 80 / 18

HEX #B2D129

RGB 178 209 41

HSL 71.07, 0.67%, 0.49%

LAB 79.17, -30.72, 72.18

 

CMYK 80 / 0 / 25 / 18

HEX #29D19C

RGB 41 209 156

HSL 161.07, 0.67%, 0.49%

LAB 75.12, -53.41, 14.78

 

CMYK 66 / 80 / 0 / 18

HEX #4829D1

RGB 72 41 209

HSL 251.07, 0.67%, 0.49%

LAB 33.06, 58.56, -80.27

 

CMYK 0 / 80 / 55 / 18

HEX #D1295E

RGB 209 41 94

HSL 341.07, 0.67%, 0.49%

LAB 46.91, 65.87, 12.22

 

Description

Color code: HEX #B2D129 | qconv.com Color code: HEX #B2D129 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 209 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 209 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 80 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 80% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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