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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28EF71 it is the complementary color #D7108E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28EF71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #28EF71: #2DEF6C, #3EFF7F, #4FFF92, #60FFA5 and #71FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28EF71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #28EF71: #28EF71, #17DD5E, #06CB4B, #00B938 and #00A725

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

Complementary color

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 81 / 0 / 55 / 6

HEX #2DEF6C

RGB 45 239 108

HSL 139.48, 0.86%, 0.56%

LAB 83.64, -72.27, 49.99

 

CMYK 76 / 0 / 50 / 0

HEX #3EFF7F

RGB 62 255 127

HSL 140.21, 1%, 0.62%

LAB 88.96, -72.85, 47.73

 

CMYK 69 / 0 / 43 / 0

HEX #4FFF92

RGB 79 255 146

HSL 142.84, 1%, 0.65%

LAB 89.51, -67.5, 39.41

 

CMYK 62 / 0 / 35 / 0

HEX #60FFA5

RGB 96 255 165

HSL 146.04, 1%, 0.69%

LAB 90.19, -61.3, 30.97

 

CMYK 56 / 0 / 28 / 0

HEX #71FFB8

RGB 113 255 184

HSL 150, 1%, 0.72%

LAB 91, -54.33, 22.55

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 90 / 0 / 57 / 13

HEX #17DD5E

RGB 23 221 94

HSL 141.52, 0.81%, 0.48%

LAB 77.7, -70.28, 49.25

 

CMYK 97 / 0 / 63 / 20

HEX #06CB4B

RGB 6 203 75

HSL 141.02, 0.94%, 0.41%

LAB 71.73, -67.93, 50.77

 

CMYK 100 / 0 / 70 / 27

HEX #00B938

RGB 0 185 56

HSL 138.16, 1%, 0.36%

LAB 65.74, -64.84, 52.09

 

CMYK 100 / 0 / 78 / 35

HEX #00A725

RGB 0 167 37

HSL 133.29, 1%, 0.33%

LAB 59.68, -61.2, 52.87

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 83 / 0 / 39 / 7

HEX #29EE92

RGB 41 238 146

HSL 151.98, 0.85%, 0.55%

LAB 83.81, -66.19, 31.82

 

CMYK 83 / 0 / 25 / 7

HEX #29EEB3

RGB 41 238 179

HSL 162.03, 0.85%, 0.55%

LAB 84.42, -59.32, 15.73

 

CMYK 83 / 0 / 11 / 7

HEX #29EED4

RGB 41 238 212

HSL 172.08, 0.85%, 0.55%

LAB 85.19, -51.21, -0.44

 

CMYK 83 / 3 / 0 / 7

HEX #29E8EE

RGB 41 232 238

HSL 181.83, 0.85%, 0.55%

LAB 84.15, -41.4, -15.67

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 83 / 0 / 51 / 86

HEX #062311

RGB 6 35 17

HSL 142.76, 0.71%, 0.08%

LAB 11.14, -16.19, 8.68

 

CMYK 84 / 0 / 52 / 66

HEX #0E5629

RGB 14 86 41

HSL 142.5, 0.72%, 0.2%

LAB 31.6, -32.58, 20.18

 

CMYK 83 / 0 / 53 / 46

HEX #178941

RGB 23 137 65

HSL 142.11, 0.71%, 0.31%

LAB 50.04, -46.65, 30.02

 

CMYK 84 / 0 / 53 / 26

HEX #1FBC59

RGB 31 188 89

HSL 142.17, 0.72%, 0.43%

LAB 67.26, -59.76, 39.09

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 83 / 47 / 0 / 7

HEX #297FEE

RGB 41 127 238

HSL 213.81, 0.85%, 0.55%

LAB 53.84, 14.72, -62.9

 

CMYK 0 / 83 / 80 / 7

HEX #EE2930

RGB 238 41 48

HSL 357.87, 0.85%, 0.55%

LAB 51.81, 71.43, 46.64

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 53 / 83 / 0 / 7

HEX #7129EE

RGB 113 41 238

HSL 261.93, 0.85%, 0.55%

LAB 40.03, 70.23, -85.25

 

CMYK 0 / 53 / 83 / 7

HEX #EE7129

RGB 238 113 41

HSL 21.93, 0.85%, 0.55%

LAB 61.78, 44.26, 59.17

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 83 / 47 / 0 / 7

HEX #297FEE

RGB 41 127 238

HSL 213.81, 0.85%, 0.55%

LAB 53.84, 14.72, -62.9

 

CMYK 0 / 83 / 30 / 7

HEX #EE29A6

RGB 238 41 166

HSL 321.93, 0.85%, 0.55%

LAB 54.57, 79.46, -19.33

 

CMYK 0 / 36 / 83 / 7

HEX #EE9929

RGB 238 153 41

HSL 34.11, 0.85%, 0.55%

LAB 70.26, 23.72, 66.54

 

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 83 / 72 / 0 / 7

HEX #2943EE

RGB 41 67 238

HSL 232.08, 0.85%, 0.55%

LAB 39, 51.94, -87.12

 

CMYK 0 / 83 / 30 / 7

HEX #EE29A6

RGB 238 41 166

HSL 321.93, 0.85%, 0.55%

LAB 54.57, 79.46, -19.33

 

CMYK 0 / 11 / 83 / 7

HEX #EED429

RGB 238 212 41

HSL 52.08, 0.85%, 0.55%

LAB 84.7, -7.05, 78.8

 

Description

Color code: HEX #28EF71 | qconv.com Color code: HEX #28EF71 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 239 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 239 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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