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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7108E it is the complementary color #28EF71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7108E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D7108E: #DC1089, #ED229C, #FE34AF, #FF46C2 and #FF58D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7108E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D7108E: #D7108E, #C6007B, #B50068, #A40055 and #930042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

Complementary color

CMYK 83 / 0 / 53 / 6

HEX #28EF71

RGB 40 239 113

HSL 142.01, 0.86%, 0.55%

LAB 83.64, -72.05, 47.67

 

CMYK 0 / 93 / 38 / 14

HEX #DC1089

RGB 220 16 137

HSL 324.41, 0.86%, 0.46%

LAB 48.75, 76.59, -11.19

 

CMYK 0 / 86 / 34 / 7

HEX #ED229C

RGB 237 34 156

HSL 323.94, 0.85%, 0.53%

LAB 53.55, 79.55, -15.01

 

CMYK 0 / 80 / 31 / 0

HEX #FE34AF

RGB 254 52 175

HSL 323.47, 0.99%, 0.6%

LAB 58.62, 81.54, -18.15

 

CMYK 0 / 73 / 24 / 0

HEX #FF46C2

RGB 255 70 194

HSL 319.78, 1%, 0.64%

LAB 61.25, 79, -25.06

 

CMYK 0 / 65 / 16 / 0

HEX #FF58D5

RGB 255 88 213

HSL 315.09, 1%, 0.67%

LAB 64.2, 75.33, -31.28

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 100 / 38 / 22

HEX #C6007B

RGB 198 0 123

HSL 322.73, 1%, 0.39%

LAB 43.41, 72.04, -11.1

 

CMYK 0 / 100 / 43 / 29

HEX #B50068

RGB 181 0 104

HSL 325.52, 1%, 0.35%

LAB 39.28, 66.63, -5.75

 

CMYK 0 / 100 / 48 / 36

HEX #A40055

RGB 164 0 85

HSL 328.9, 1%, 0.32%

LAB 35.1, 61.18, -0.14

 

CMYK 0 / 100 / 55 / 42

HEX #930042

RGB 147 0 66

HSL 333.06, 1%, 0.29%

LAB 30.87, 55.7, 5.81

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 92 / 49 / 16

HEX #D5106C

RGB 213 16 108

HSL 331.98, 0.86%, 0.45%

LAB 46.44, 72.53, 3.01

 

CMYK 0 / 92 / 65 / 16

HEX #D5104B

RGB 213 16 75

HSL 342.03, 0.86%, 0.45%

LAB 45.67, 70.39, 22.44

 

CMYK 0 / 92 / 80 / 16

HEX #D5102A

RGB 213 16 42

HSL 352.08, 0.86%, 0.45%

LAB 45.2, 69.08, 41.64

 

CMYK 0 / 90 / 92 / 16

HEX #D51610

RGB 213 22 16

HSL 1.83, 0.86%, 0.45%

LAB 45.3, 67.76, 54.07

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 91 / 36 / 96

HEX #0B0107

RGB 11 1 7

HSL 324, 0.83%, 0.02%

LAB 0.98, 3.46, -1.35

 

CMYK 0 / 92 / 34 / 76

HEX #3E0529

RGB 62 5 41

HSL 322.11, 0.85%, 0.13%

LAB 11.22, 30.17, -7.69

 

CMYK 0 / 93 / 34 / 56

HEX #71084B

RGB 113 8 75

HSL 321.71, 0.87%, 0.24%

LAB 24.3, 46.94, -10.78

 

CMYK 0 / 93 / 34 / 36

HEX #A40C6C

RGB 164 12 108

HSL 322.11, 0.86%, 0.35%

LAB 36.44, 61.89, -12.91

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 40 / 92 / 16

HEX #D57F10

RGB 213 127 16

HSL 33.81, 0.86%, 0.45%

LAB 61.1, 26.48, 64.79

 

CMYK 92 / 0 / 3 / 16

HEX #10D5CE

RGB 16 213 206

HSL 177.87, 0.86%, 0.45%

LAB 77.37, -43.58, -8.79

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 34 / 0 / 92 / 16

HEX #8DD510

RGB 141 213 16

HSL 81.93, 0.86%, 0.45%

LAB 78.05, -47.42, 75.23

 

CMYK 92 / 34 / 0 / 16

HEX #108DD5

RGB 16 141 213

HSL 201.93, 0.86%, 0.45%

LAB 56.05, -4.75, -45.4

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 40 / 92 / 16

HEX #D57F10

RGB 213 127 16

HSL 33.81, 0.86%, 0.45%

LAB 61.1, 26.48, 64.79

 

CMYK 92 / 0 / 59 / 16

HEX #10D558

RGB 16 213 88

HSL 141.93, 0.86%, 0.45%

LAB 75.08, -68.97, 48.88

 

CMYK 92 / 53 / 0 / 16

HEX #1065D5

RGB 16 101 213

HSL 214.11, 0.86%, 0.45%

LAB 44.55, 20.05, -63.84

 

CMYK 0 / 93 / 34 / 16

HEX #D7108E

RGB 215 16 142

HSL 322.01, 0.86%, 0.45%

LAB 47.97, 76.02, -15.49

 

CMYK 0 / 12 / 92 / 16

HEX #D5BB10

RGB 213 187 16

HSL 52.08, 0.86%, 0.45%

LAB 75.9, -5.54, 75.74

 

CMYK 92 / 0 / 59 / 16

HEX #10D558

RGB 16 213 88

HSL 141.93, 0.86%, 0.45%

LAB 75.08, -68.97, 48.88

 

CMYK 92 / 80 / 0 / 16

HEX #102AD5

RGB 16 42 213

HSL 232.08, 0.86%, 0.45%

LAB 30.81, 56.2, -86.42

 

Description

Color code: HEX #D7108E | qconv.com Color code: HEX #D7108E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 16 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 16 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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