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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247B3C it is the complementary color #DB84C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247B3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247B3C shade: #297B37, #3A8D4A, #4B9F5D, #5CB170 and #6DC383

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247B3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247B3C shade: #247B3C, #136929, #025716, #004503 and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247B3C shade: #247B3C, #247B24, #3A7B24, #527B24 and #697B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247B3C shade: #247B3C, #247B53, #247B6A, #24737B and #245C7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247B3C shade matches the following richer shades: #247B3C, #178736 and #0A9430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247B3C shade: #247B3C, #306E41, #3D6147, #4A544D and #574752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247B3C shade: #3B7B24, #247B24, #247B3B, #247B52 and #247B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247B3C shade: #113B1C, #1A5B2C, #247B3C, #2D9B4B and #36BA5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247B3C shade: #247B3C, #24527B and #7B242F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247B3C shade: #247B3C, #3B247B and #7B3B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247B3C shade: #247B3C, #24527B, #7B2463 and #7B4C24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247B3C shade: #247B3C, #24387B, #7B2463 and #7B6624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

Complementary color

CMYK 0 / 40 / 11 / 14

HEX #DB84C3

RGB 219 132 195

HSL 316.55, 0.55%, 0.69%

LAB 66.14, 42.23, -18.61

 

CMYK 67 / 0 / 55 / 52

HEX #297B37

RGB 41 123 55

HSL 130.24, 0.5%, 0.32%

LAB 45.52, -39.93, 29.8

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 53 / 0 / 42 / 38

HEX #4B9F5D

RGB 75 159 93

HSL 132.86, 0.36%, 0.46%

LAB 59.05, -40.27, 26.86

 

CMYK 48 / 0 / 37 / 31

HEX #5CB170

RGB 92 177 112

HSL 134.12, 0.35%, 0.53%

LAB 65.66, -40.14, 25.52

 

CMYK 44 / 0 / 33 / 24

HEX #6DC383

RGB 109 195 131

HSL 135.35, 0.42%, 0.6%

LAB 72.18, -39.94, 24.28

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 82 / 0 / 61 / 59

HEX #136929

RGB 19 105 41

HSL 135.35, 0.69%, 0.24%

LAB 38.55, -39.2, 28.68

 

CMYK 98 / 0 / 75 / 66

HEX #025716

RGB 2 87 22

HSL 134.12, 0.96%, 0.17%

LAB 31.55, -37.38, 30.11

 

CMYK 100 / 0 / 96 / 73

HEX #004503

RGB 0 69 3

HSL 122.61, 1%, 0.14%

LAB 24.52, -33.38, 30.89

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 0 / 71 / 52

HEX #247B24

RGB 36 123 36

HSL 120, 0.55%, 0.31%

LAB 45.18, -43.4, 38.59

 

CMYK 53 / 0 / 71 / 52

HEX #3A7B24

RGB 58 123 36

HSL 104.83, 0.55%, 0.31%

LAB 45.9, -37.67, 39.58

 

CMYK 33 / 0 / 71 / 52

HEX #527B24

RGB 82 123 36

HSL 88.28, 0.55%, 0.31%

LAB 47.09, -29.15, 41.19

 

CMYK 15 / 0 / 71 / 52

HEX #697B24

RGB 105 123 36

HSL 72.41, 0.55%, 0.31%

LAB 48.63, -19.48, 43.27

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 0 / 33 / 52

HEX #247B53

RGB 36 123 83

HSL 152.41, 0.55%, 0.31%

LAB 45.86, -35.65, 14.6

 

CMYK 71 / 0 / 14 / 52

HEX #247B6A

RGB 36 123 106

HSL 168.28, 0.55%, 0.31%

LAB 46.42, -29.81, 1.87

 

CMYK 71 / 7 / 0 / 52

HEX #24737B

RGB 36 115 123

HSL 185.52, 0.55%, 0.31%

LAB 44.33, -20.63, -11.36

 

CMYK 71 / 25 / 0 / 52

HEX #245C7B

RGB 36 92 123

HSL 201.38, 0.55%, 0.31%

LAB 36.85, -7.52, -22.82

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 83 / 0 / 60 / 47

HEX #178736

RGB 23 135 54

HSL 136.61, 0.71%, 0.31%

LAB 49.22, -47.61, 34.65

 

CMYK 93 / 0 / 68 / 42

HEX #0A9430

RGB 10 148 48

HSL 136.52, 0.87%, 0.31%

LAB 53.45, -53.86, 42.2

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 37 / 0 / 27 / 62

HEX #3D6147

RGB 61 97 71

HSL 136.67, 0.23%, 0.31%

LAB 37.84, -19.16, 10.82

 

CMYK 12 / 0 / 8 / 67

HEX #4A544D

RGB 74 84 77

HSL 138, 0.06%, 0.31%

LAB 34.67, -5.52, 2.75

 

CMYK 0 / 18 / 6 / 66

HEX #574752

RGB 87 71 82

HSL 318.75, 0.1%, 0.31%

LAB 32.13, 8.96, -4

 

CMYK 52 / 0 / 71 / 52

HEX #3B7B24

RGB 59 123 36

HSL 104.14, 0.55%, 0.31%

LAB 45.94, -37.36, 39.63

 

CMYK 71 / 0 / 71 / 52

HEX #247B24

RGB 36 123 36

HSL 120, 0.55%, 0.31%

LAB 45.18, -43.4, 38.59

 

CMYK 71 / 0 / 52 / 52

HEX #247B3B

RGB 36 123 59

HSL 135.86, 0.55%, 0.31%

LAB 45.44, -40.35, 27.55

 

CMYK 71 / 0 / 33 / 52

HEX #247B52

RGB 36 123 82

HSL 151.72, 0.55%, 0.31%

LAB 45.84, -35.87, 15.15

 

CMYK 71 / 0 / 15 / 52

HEX #247B69

RGB 36 123 105

HSL 167.59, 0.55%, 0.31%

LAB 46.39, -30.09, 2.43

 

CMYK 71 / 0 / 53 / 77

HEX #113B1C

RGB 17 59 28

HSL 135.71, 0.55%, 0.15%

LAB 21.32, -22.73, 15

 

CMYK 71 / 0 / 52 / 64

HEX #1A5B2C

RGB 26 91 44

HSL 136.62, 0.56%, 0.23%

LAB 33.74, -31.9, 21.21

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 0 / 52 / 39

HEX #2D9B4B

RGB 45 155 75

HSL 136.36, 0.55%, 0.39%

LAB 56.59, -48.38, 33.02

 

CMYK 71 / 0 / 51 / 27

HEX #36BA5B

RGB 54 186 91

HSL 136.82, 0.55%, 0.47%

LAB 67.02, -55.72, 37.89

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 33 / 0 / 52

HEX #24527B

RGB 36 82 123

HSL 208.28, 0.55%, 0.31%

LAB 33.65, -1.27, -27.84

 

CMYK 0 / 71 / 62 / 52

HEX #7B242F

RGB 123 36 47

HSL 352.41, 0.55%, 0.31%

LAB 28.58, 38.33, 14.55

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 52 / 71 / 0 / 52

HEX #3B247B

RGB 59 36 123

HSL 255.86, 0.55%, 0.31%

LAB 22.38, 33.77, -45.83

 

CMYK 0 / 52 / 71 / 52

HEX #7B3B24

RGB 123 59 36

HSL 15.86, 0.55%, 0.31%

LAB 32.85, 25.9, 26.77

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 33 / 0 / 52

HEX #24527B

RGB 36 82 123

HSL 208.28, 0.55%, 0.31%

LAB 33.65, -1.27, -27.84

 

CMYK 0 / 71 / 20 / 52

HEX #7B2463

RGB 123 36 99

HSL 316.55, 0.55%, 0.31%

LAB 30.34, 44.32, -17.19

 

CMYK 0 / 38 / 71 / 52

HEX #7B4C24

RGB 123 76 36

HSL 27.59, 0.55%, 0.31%

LAB 36.94, 15.98, 31.41

 

CMYK 71 / 0 / 51 / 52

HEX #247B3C

RGB 36 123 60

HSL 136.55, 0.55%, 0.31%

LAB 45.45, -40.18, 27.03

 

CMYK 71 / 54 / 0 / 52

HEX #24387B

RGB 36 56 123

HSL 226.21, 0.55%, 0.31%

LAB 25.66, 16.32, -40.57

 

CMYK 0 / 71 / 20 / 52

HEX #7B2463

RGB 123 36 99

HSL 316.55, 0.55%, 0.31%

LAB 30.34, 44.32, -17.19

 

CMYK 0 / 17 / 71 / 52

HEX #7B6624

RGB 123 102 36

HSL 45.52, 0.55%, 0.31%

LAB 44, 0.54, 39.01

 

Description

Color code: HEX #247B3C | qconv.com Color code: HEX #247B3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 123 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 123 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 51 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 51% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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