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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8D4A it is the complementary color #C572B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8D4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8D4A shade: #3F8D45, #509F58, #61B16B, #72C37E and #83D591

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8D4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8D4A shade: #3A8D4A, #297B37, #186924, #075711 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8D4A shade: #3A8D4A, #408D3A, #578D3A, #6D8D3A and #848D3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8D4A shade: #3A8D4A, #3A8D60, #3A8D77, #3A8D8D and #3A778D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8D4A shade matches the following richer shades: #3A8D4A, #2A9D40, #19AD36 and #09BD2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8D4A shade: #3A8D4A, #4A7D54, #5A6D5E, #6A5D67 and #7A4D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8D4A shade: #578D3A, #418D3A, #3A8D49, #3A8D5F and #3A8D76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8D4A shade: #22532B, #2E703A, #3A8D4A, #46AB59 and #5DBD6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8D4A shade: #3A8D4A, #3A6D8D and #8D3A4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8D4A shade: #3A8D4A, #493A8D and #8D493A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8D4A shade: #3A8D4A, #3A6D8D, #8D3A7E and #8D5A3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8D4A shade: #3A8D4A, #3A548D, #8D3A7E and #8D733A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

Complementary color

CMYK 0 / 42 / 8 / 23

HEX #C572B5

RGB 197 114 181

HSL 311.57, 0.42%, 0.61%

LAB 59.2, 42.22, -21.5

 

CMYK 55 / 0 / 51 / 45

HEX #3F8D45

RGB 63 141 69

HSL 124.62, 0.38%, 0.4%

LAB 52.44, -39.72, 31.11

 

CMYK 50 / 0 / 45 / 38

HEX #509F58

RGB 80 159 88

HSL 126.08, 0.33%, 0.47%

LAB 59.16, -39.71, 29.71

 

CMYK 45 / 0 / 40 / 31

HEX #61B16B

RGB 97 177 107

HSL 127.5, 0.34%, 0.54%

LAB 65.79, -39.57, 28.38

 

CMYK 42 / 0 / 35 / 24

HEX #72C37E

RGB 114 195 126

HSL 128.89, 0.4%, 0.61%

LAB 72.3, -39.36, 27.13

 

CMYK 38 / 0 / 32 / 16

HEX #83D591

RGB 131 213 145

HSL 130.24, 0.49%, 0.67%

LAB 78.73, -39.11, 25.95

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 67 / 0 / 55 / 52

HEX #297B37

RGB 41 123 55

HSL 130.24, 0.5%, 0.32%

LAB 45.52, -39.93, 29.8

 

CMYK 77 / 0 / 66 / 59

HEX #186924

RGB 24 105 36

HSL 128.89, 0.63%, 0.25%

LAB 38.59, -39.08, 31.28

 

CMYK 92 / 0 / 80 / 66

HEX #075711

RGB 7 87 17

HSL 127.5, 0.85%, 0.18%

LAB 31.58, -37.23, 32.32

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 55 / 0 / 59 / 45

HEX #408D3A

RGB 64 141 58

HSL 115.66, 0.42%, 0.39%

LAB 52.34, -40.95, 36.59

 

CMYK 38 / 0 / 59 / 45

HEX #578D3A

RGB 87 141 58

HSL 99.04, 0.42%, 0.39%

LAB 53.36, -33.56, 38.05

 

CMYK 23 / 0 / 59 / 45

HEX #6D8D3A

RGB 109 141 58

HSL 83.13, 0.42%, 0.39%

LAB 54.66, -25.13, 39.88

 

CMYK 6 / 0 / 59 / 45

HEX #848D3A

RGB 132 141 58

HSL 66.51, 0.42%, 0.39%

LAB 56.35, -15.42, 42.24

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 59 / 0 / 32 / 45

HEX #3A8D60

RGB 58 141 96

HSL 147.47, 0.42%, 0.39%

LAB 52.72, -36.11, 16.65

 

CMYK 59 / 0 / 16 / 45

HEX #3A8D77

RGB 58 141 119

HSL 164.1, 0.42%, 0.39%

LAB 53.26, -30.74, 4.24

 

CMYK 59 / 0 / 0 / 45

HEX #3A8D8D

RGB 58 141 141

HSL 180, 0.42%, 0.39%

LAB 53.89, -24.73, -7.54

 

CMYK 59 / 16 / 0 / 45

HEX #3A778D

RGB 58 119 141

HSL 195.9, 0.42%, 0.39%

LAB 47, -12.93, -17.96

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 73 / 0 / 59 / 38

HEX #2A9D40

RGB 42 157 64

HSL 131.48, 0.58%, 0.39%

LAB 57.05, -51.22, 39.04

 

CMYK 86 / 0 / 69 / 32

HEX #19AD36

RGB 25 173 54

HSL 131.76, 0.75%, 0.39%

LAB 61.96, -59.91, 48.92

 

CMYK 95 / 0 / 77 / 26

HEX #09BD2C

RGB 9 189 44

HSL 131.67, 0.91%, 0.39%

LAB 67, -66.63, 57.75

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 41 / 0 / 33 / 51

HEX #4A7D54

RGB 74 125 84

HSL 131.76, 0.26%, 0.39%

LAB 47.96, -26.56, 17.12

 

CMYK 17 / 0 / 14 / 57

HEX #5A6D5E

RGB 90 109 94

HSL 132.63, 0.1%, 0.39%

LAB 44.12, -10.36, 6.03

 

CMYK 0 / 12 / 3 / 58

HEX #6A5D67

RGB 106 93 103

HSL 313.85, 0.07%, 0.39%

LAB 41.01, 7.21, -3.78

 

CMYK 0 / 37 / 7 / 52

HEX #7A4D71

RGB 122 77 113

HSL 312, 0.23%, 0.39%

LAB 38.96, 25, -12.84

 

CMYK 38 / 0 / 59 / 45

HEX #578D3A

RGB 87 141 58

HSL 99.04, 0.42%, 0.39%

LAB 53.36, -33.56, 38.05

 

CMYK 54 / 0 / 59 / 45

HEX #418D3A

RGB 65 141 58

HSL 114.94, 0.42%, 0.39%

LAB 52.37, -40.66, 36.64

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D49

RGB 58 141 73

HSL 130.84, 0.42%, 0.39%

LAB 52.32, -40.4, 28.81

 

CMYK 59 / 0 / 33 / 45

HEX #3A8D5F

RGB 58 141 95

HSL 146.75, 0.42%, 0.39%

LAB 52.7, -36.32, 17.19

 

CMYK 59 / 0 / 16 / 45

HEX #3A8D76

RGB 58 141 118

HSL 163.37, 0.42%, 0.39%

LAB 53.23, -31, 4.78

 

CMYK 59 / 0 / 48 / 67

HEX #22532B

RGB 34 83 43

HSL 131.02, 0.42%, 0.23%

LAB 31.12, -26.47, 18.51

 

CMYK 59 / 0 / 48 / 56

HEX #2E703A

RGB 46 112 58

HSL 130.91, 0.42%, 0.31%

LAB 41.96, -33.63, 23.8

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 59 / 0 / 48 / 33

HEX #46AB59

RGB 70 171 89

HSL 131.29, 0.42%, 0.47%

LAB 62.63, -47.14, 33.52

 

CMYK 51 / 0 / 41 / 26

HEX #5DBD6F

RGB 93 189 111

HSL 131.25, 0.42%, 0.55%

LAB 69.38, -45.18, 30.94

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 59 / 23 / 0 / 45

HEX #3A6D8D

RGB 58 109 141

HSL 203.13, 0.42%, 0.39%

LAB 43.89, -7.15, -22.74

 

CMYK 0 / 59 / 46 / 45

HEX #8D3A4C

RGB 141 58 76

HSL 346.99, 0.42%, 0.39%

LAB 36.39, 37, 6.95

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 48 / 59 / 0 / 45

HEX #493A8D

RGB 73 58 141

HSL 250.84, 0.42%, 0.39%

LAB 30.32, 28.83, -44.14

 

CMYK 0 / 48 / 59 / 45

HEX #8D493A

RGB 141 73 58

HSL 10.84, 0.42%, 0.39%

LAB 39.13, 27.26, 21.89

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 59 / 23 / 0 / 45

HEX #3A6D8D

RGB 58 109 141

HSL 203.13, 0.42%, 0.39%

LAB 43.89, -7.15, -22.74

 

CMYK 0 / 59 / 11 / 45

HEX #8D3A7E

RGB 141 58 126

HSL 310.84, 0.42%, 0.39%

LAB 38.19, 44, -21.84

 

CMYK 0 / 36 / 59 / 45

HEX #8D5A3A

RGB 141 90 58

HSL 23.13, 0.42%, 0.39%

LAB 43.18, 17.51, 26.98

 

CMYK 59 / 0 / 48 / 45

HEX #3A8D4A

RGB 58 141 74

HSL 131.57, 0.42%, 0.39%

LAB 52.34, -40.24, 28.3

 

CMYK 59 / 40 / 0 / 45

HEX #3A548D

RGB 58 84 141

HSL 221.2, 0.42%, 0.39%

LAB 36.3, 8.43, -34.63

 

CMYK 0 / 59 / 11 / 45

HEX #8D3A7E

RGB 141 58 126

HSL 310.84, 0.42%, 0.39%

LAB 38.19, 44, -21.84

 

CMYK 0 / 18 / 59 / 45

HEX #8D733A

RGB 141 115 58

HSL 41.2, 0.42%, 0.39%

LAB 49.77, 2.98, 34.92

 

Description

Color code: HEX #3A8D4A | qconv.com Color code: HEX #3A8D4A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 141 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 141 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 48 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 48% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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