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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 0 / 33 / 24 it is the complementary color CMYK 0 / 58 / 14 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 0 / 33 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 0 / 33 / 24: CMYK 41 / 0 / 36 / 24, CMYK 38 / 0 / 32 / 17, CMYK 36 / 0 / 29 / 10, CMYK 33 / 0 / 27 / 3 and CMYK 29 / 0 / 21 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 0 / 33 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 0 / 33 / 24: CMYK 44 / 0 / 33 / 24, CMYK 48 / 0 / 37 / 31, CMYK 53 / 0 / 42 / 38, CMYK 59 / 0 / 48 / 45 and CMYK 66 / 0 / 56 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

Complementary color

CMYK 0 / 58 / 14 / 43

HEX #923D7D

RGB 146 61 125

HSL 314.82, 0.41%, 0.41%

LAB 39.46, 43.89, -19.2

 

CMYK 41 / 0 / 36 / 24

HEX #72C27D

RGB 114 194 125

HSL 128.25, 0.4%, 0.6%

LAB 71.99, -39.08, 27.23

 

CMYK 38 / 0 / 32 / 17

HEX #83D490

RGB 131 212 144

HSL 129.63, 0.49%, 0.67%

LAB 78.42, -38.84, 26.05

 

CMYK 36 / 0 / 29 / 10

HEX #94E6A3

RGB 148 230 163

HSL 130.98, 0.62%, 0.74%

LAB 84.76, -38.58, 24.95

 

CMYK 33 / 0 / 27 / 3

HEX #A5F8B6

RGB 165 248 182

HSL 132.29, 0.86%, 0.81%

LAB 91.01, -38.32, 23.9

 

CMYK 29 / 0 / 21 / 0

HEX #B6FFC9

RGB 182 255 201

HSL 135.62, 1%, 0.86%

LAB 94.18, -33.04, 18.72

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 48 / 0 / 37 / 31

HEX #5CB06F

RGB 92 176 111

HSL 133.57, 0.35%, 0.53%

LAB 65.34, -39.88, 25.62

 

CMYK 53 / 0 / 42 / 38

HEX #4B9E5C

RGB 75 158 92

HSL 132.29, 0.36%, 0.46%

LAB 58.72, -40.01, 26.96

 

CMYK 59 / 0 / 48 / 45

HEX #3A8C49

RGB 58 140 73

HSL 130.98, 0.41%, 0.39%

LAB 51.99, -39.99, 28.4

 

CMYK 66 / 0 / 56 / 52

HEX #297A36

RGB 41 122 54

HSL 129.63, 0.5%, 0.32%

LAB 45.16, -39.68, 29.9

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 45 / 0 / 27 / 24

HEX #6BC18D

RGB 107 193 141

HSL 143.72, 0.41%, 0.59%

LAB 71.68, -37.73, 18.26

 

CMYK 45 / 0 / 19 / 24

HEX #6BC19C

RGB 107 193 156

HSL 154.19, 0.41%, 0.59%

LAB 72, -34.66, 10.63

 

CMYK 45 / 0 / 12 / 24

HEX #6BC1AA

RGB 107 193 170

HSL 163.95, 0.41%, 0.59%

LAB 72.34, -31.54, 3.5

 

CMYK 45 / 0 / 5 / 24

HEX #6BC1B8

RGB 107 193 184

HSL 173.72, 0.41%, 0.59%

LAB 72.71, -28.19, -3.58

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 44 / 0 / 33 / 4

HEX #8AF5A4

RGB 138 245 164

HSL 134.58, 0.84%, 0.75%

LAB 88.63, -47.82, 29.62

 

CMYK 44 / 0 / 34 / 84

HEX #17291B

RGB 23 41 27

HSL 133.33, 0.28%, 0.13%

LAB 14.66, -11.26, 6.89

 

CMYK 43 / 0 / 33 / 64

HEX #345C3E

RGB 52 92 62

HSL 135, 0.28%, 0.28%

LAB 35.46, -21.5, 12.96

 

CMYK 44 / 0 / 33 / 44

HEX #508F60

RGB 80 143 96

HSL 135.24, 0.28%, 0.44%

LAB 54.23, -31.08, 18.85

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 45 / 19 / 0 / 24

HEX #6B9CC1

RGB 107 156 193

HSL 205.81, 0.41%, 0.59%

LAB 62.3, -6.48, -24.22

 

CMYK 0 / 45 / 37 / 24

HEX #C16B79

RGB 193 107 121

HSL 350.23, 0.41%, 0.59%

LAB 55.31, 35.69, 7.48

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 34 / 45 / 0 / 24

HEX #7F6BC1

RGB 127 107 193

HSL 253.95, 0.41%, 0.59%

LAB 50.54, 27.6, -42.45

 

CMYK 0 / 34 / 45 / 24

HEX #C17F6B

RGB 193 127 107

HSL 13.95, 0.41%, 0.59%

LAB 59.51, 23.23, 21.37

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 45 / 19 / 0 / 24

HEX #6B9CC1

RGB 107 156 193

HSL 205.81, 0.41%, 0.59%

LAB 62.3, -6.48, -24.22

 

CMYK 0 / 45 / 10 / 24

HEX #C16BAD

RGB 193 107 173

HSL 313.95, 0.41%, 0.59%

LAB 56.95, 43.24, -20.39

 

CMYK 0 / 25 / 45 / 24

HEX #C1906B

RGB 193 144 107

HSL 25.81, 0.41%, 0.59%

LAB 63.63, 13.86, 26.86

 

CMYK 44 / 0 / 33 / 24

HEX #6DC282

RGB 109 194 130

HSL 134.82, 0.41%, 0.59%

LAB 71.86, -39.68, 24.38

 

CMYK 45 / 33 / 0 / 24

HEX #6B82C1

RGB 107 130 193

HSL 223.95, 0.41%, 0.59%

LAB 55.01, 8.5, -35.52

 

CMYK 0 / 45 / 10 / 24

HEX #C16BAD

RGB 193 107 173

HSL 313.95, 0.41%, 0.59%

LAB 56.95, 43.24, -20.39

 

CMYK 0 / 12 / 45 / 24

HEX #C1AA6B

RGB 193 170 107

HSL 43.95, 0.41%, 0.59%

LAB 70.28, -0.28, 35.46

 

Description

Color code: CMYK 44 / 0 / 33 / 24 | qconv.com Color code: CMYK 44 / 0 / 33 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 194 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 194 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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