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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC97B it is the complementary color #E43684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC97B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1BC97B: #20C976, #31DB89, #42ED9C, #53FFAF and #64FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC97B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1BC97B: #1BC97B, #0AB768, #00A555, #009342 and #00812F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

Complementary color

CMYK 0 / 76 / 42 / 11

HEX #E43684

RGB 228 54 132

HSL 333.1, 0.76%, 0.55%

LAB 52.73, 70.41, -2.1

 

CMYK 84 / 0 / 41 / 21

HEX #20C976

RGB 32 201 118

HSL 150.53, 0.73%, 0.46%

LAB 71.82, -59.23, 30.25

 

CMYK 78 / 0 / 37 / 14

HEX #31DB89

RGB 49 219 137

HSL 151.06, 0.7%, 0.53%

LAB 77.95, -60.35, 28.62

 

CMYK 72 / 0 / 34 / 7

HEX #42ED9C

RGB 66 237 156

HSL 151.58, 0.83%, 0.59%

LAB 84.03, -61.12, 27.11

 

CMYK 67 / 0 / 31 / 0

HEX #53FFAF

RGB 83 255 175

HSL 152.09, 1%, 0.66%

LAB 90.07, -61.63, 25.72

 

CMYK 61 / 0 / 24 / 0

HEX #64FFC2

RGB 100 255 194

HSL 156.39, 1%, 0.7%

LAB 90.84, -54.86, 17.15

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 95 / 0 / 43 / 28

HEX #0AB768

RGB 10 183 104

HSL 152.6, 0.9%, 0.38%

LAB 65.69, -56.95, 29.47

 

CMYK 100 / 0 / 48 / 35

HEX #00A555

RGB 0 165 85

HSL 150.91, 1%, 0.32%

LAB 59.49, -54.64, 31.38

 

CMYK 100 / 0 / 55 / 42

HEX #009342

RGB 0 147 66

HSL 146.94, 1%, 0.29%

LAB 53.23, -51.72, 33.37

 

CMYK 100 / 0 / 64 / 49

HEX #00812F

RGB 0 129 47

HSL 141.86, 1%, 0.25%

LAB 46.85, -48.52, 35.25

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 87 / 0 / 24 / 21

HEX #1BC998

RGB 27 201 152

HSL 163.1, 0.76%, 0.45%

LAB 72.41, -52.37, 13.08

 

CMYK 87 / 0 / 10 / 21

HEX #1BC9B5

RGB 27 201 181

HSL 173.1, 0.76%, 0.45%

LAB 73.12, -44.91, -1.57

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 87 / 18 / 0 / 21

HEX #1BA4C9

RGB 27 164 201

HSL 192.76, 0.76%, 0.45%

LAB 62.51, -21.19, -28.58

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 87 / 0 / 39 / 1

HEX #22FC9A

RGB 34 252 154

HSL 153.03, 0.97%, 0.56%

LAB 88.11, -70.03, 33.51

 

CMYK 88 / 0 / 40 / 81

HEX #06301D

RGB 6 48 29

HSL 152.86, 0.78%, 0.11%

LAB 16.71, -19.77, 8.19

 

CMYK 87 / 0 / 38 / 61

HEX #0D633D

RGB 13 99 61

HSL 153.49, 0.77%, 0.22%

LAB 36.64, -33.86, 14.95

 

CMYK 87 / 0 / 39 / 41

HEX #14965C

RGB 20 150 92

HSL 153.23, 0.76%, 0.33%

LAB 54.8, -46.71, 21.55

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 87 / 65 / 0 / 21

HEX #1B47C9

RGB 27 71 201

HSL 224.83, 0.76%, 0.45%

LAB 35.9, 35.53, -71.03

 

CMYK 0 / 74 / 87 / 21

HEX #C9351B

RGB 201 53 27

HSL 8.97, 0.76%, 0.45%

LAB 45.69, 56.81, 48.82

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 39 / 87 / 0 / 21

HEX #7B1BC9

RGB 123 27 201

HSL 273.1, 0.76%, 0.45%

LAB 36.39, 67.07, -69.94

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 87 / 65 / 0 / 21

HEX #1B47C9

RGB 27 71 201

HSL 224.83, 0.76%, 0.45%

LAB 35.9, 35.53, -71.03

 

CMYK 0 / 87 / 47 / 21

HEX #C91B6A

RGB 201 27 106

HSL 332.76, 0.76%, 0.45%

LAB 44.58, 67.9, 1.25

 

CMYK 0 / 21 / 87 / 21

HEX #C99E1B

RGB 201 158 27

HSL 45.17, 0.76%, 0.45%

LAB 67.24, 4.68, 66.39

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 82 / 87 / 0 / 21

HEX #241BC9

RGB 36 27 201

HSL 243.1, 0.76%, 0.45%

LAB 27.78, 59.75, -84.45

 

CMYK 0 / 87 / 47 / 21

HEX #C91B6A

RGB 201 27 106

HSL 332.76, 0.76%, 0.45%

LAB 44.58, 67.9, 1.25

 

CMYK 4 / 0 / 87 / 21

HEX #C1C91B

RGB 193 201 27

HSL 62.76, 0.76%, 0.45%

LAB 77.99, -21.05, 74.82

 

Description

Color code: HEX #1BC97B | qconv.com Color code: HEX #1BC97B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 201 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 201 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 39 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 39% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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