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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 0 / 24 / 0 it is the complementary color CMYK 0 / 100 / 61 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 0 / 24 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 0 / 24 / 0: CMYK 59 / 0 / 26 / 0, CMYK 53 / 0 / 18 / 0, CMYK 46 / 0 / 11 / 0, CMYK 39 / 0 / 4 / 0 and CMYK 33 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 0 / 24 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 0 / 24 / 0: CMYK 61 / 0 / 24 / 0, CMYK 65 / 0 / 26 / 7, CMYK 70 / 0 / 29 / 14, CMYK 76 / 0 / 32 / 21 and CMYK 83 / 0 / 36 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

Complementary color

CMYK 0 / 100 / 61 / 39

HEX #9C003D

RGB 156 0 61

HSL 336.54, 1%, 0.31%

LAB 32.71, 57.53, 12

 

CMYK 59 / 0 / 26 / 0

HEX #68FFBD

RGB 104 255 189

HSL 153.77, 1%, 0.7%

LAB 90.84, -55.15, 19.74

 

CMYK 53 / 0 / 18 / 0

HEX #79FFD0

RGB 121 255 208

HSL 158.96, 1%, 0.74%

LAB 91.75, -47.69, 11.33

 

CMYK 46 / 0 / 11 / 0

HEX #8AFFE3

RGB 138 255 227

HSL 165.64, 1%, 0.77%

LAB 92.78, -39.71, 3.09

 

CMYK 39 / 0 / 4 / 0

HEX #9BFFF6

RGB 155 255 246

HSL 174.6, 1%, 0.8%

LAB 93.94, -31.33, -4.94

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 65 / 0 / 26 / 7

HEX #52EDAF

RGB 82 237 175

HSL 156, 0.81%, 0.63%

LAB 84.72, -54.81, 18.33

 

CMYK 70 / 0 / 29 / 14

HEX #41DB9C

RGB 65 219 156

HSL 155.45, 0.68%, 0.56%

LAB 78.57, -54.4, 19.64

 

CMYK 76 / 0 / 32 / 21

HEX #30C989

RGB 48 201 137

HSL 154.9, 0.61%, 0.49%

LAB 72.37, -53.75, 21.07

 

CMYK 83 / 0 / 36 / 28

HEX #1FB776

RGB 31 183 118

HSL 154.34, 0.71%, 0.42%

LAB 66.11, -52.77, 22.65

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 62 / 0 / 15 / 0

HEX #60FFDA

RGB 96 255 218

HSL 166.04, 1%, 0.69%

LAB 91.27, -50.19, 5.39

 

CMYK 62 / 0 / 4 / 0

HEX #60FFF4

RGB 96 255 244

HSL 175.85, 1%, 0.69%

LAB 91.93, -43.77, -7.11

 

CMYK 62 / 6 / 0 / 0

HEX #60EFFF

RGB 96 239 255

HSL 186.04, 1%, 0.69%

LAB 87.7, -33.52, -19.16

 

CMYK 62 / 17 / 0 / 0

HEX #60D4FF

RGB 96 212 255

HSL 196.23, 1%, 0.69%

LAB 80.06, -20.32, -30.78

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 61 / 0 / 24 / 80

HEX #143327

RGB 20 51 39

HSL 156.77, 0.44%, 0.14%

LAB 18.64, -15.09, 4.15

 

CMYK 61 / 0 / 24 / 60

HEX #28664E

RGB 40 102 78

HSL 156.77, 0.44%, 0.28%

LAB 38.73, -26.31, 7.68

 

CMYK 61 / 0 / 24 / 40

HEX #3B9974

RGB 59 153 116

HSL 156.38, 0.44%, 0.42%

LAB 57.05, -36.81, 11.35

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 0 / 50 / 62 / 0

HEX #FF8060

RGB 255 128 96

HSL 12.08, 1%, 0.69%

LAB 67.68, 45.79, 39.58

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 25 / 62 / 0 / 0

HEX #BF60FF

RGB 191 96 255

HSL 275.85, 1%, 0.69%

LAB 58.66, 64.15, -64.01

 

CMYK 0 / 25 / 62 / 0

HEX #FFBF60

RGB 255 191 96

HSL 35.85, 1%, 0.69%

LAB 81.49, 13.36, 55.82

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 0 / 62 / 37 / 0

HEX #FF60A0

RGB 255 96 160

HSL 335.85, 1%, 0.69%

LAB 63.48, 65.75, -2.2

 

CMYK 0 / 13 / 62 / 0

HEX #FFDF60

RGB 255 223 96

HSL 47.92, 1%, 0.69%

LAB 89.34, -3.07, 64.53

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 56 / 62 / 0 / 0

HEX #7060FF

RGB 112 96 255

HSL 246.04, 1%, 0.69%

LAB 50.72, 48.68, -77.24

 

CMYK 0 / 62 / 37 / 0

HEX #FF60A0

RGB 255 96 160

HSL 335.85, 1%, 0.69%

LAB 63.48, 65.75, -2.2

 

CMYK 6 / 0 / 62 / 0

HEX #EFFF60

RGB 239 255 96

HSL 66.04, 1%, 0.69%

LAB 96.29, -25.15, 71.63

 

Description

Color code: CMYK 61 / 0 / 24 / 0 | qconv.com Color code: CMYK 61 / 0 / 24 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 255 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 255 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 24 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 24% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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