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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 128 255 it is the complementary color RGB 159 127 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 128 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 128 255: RGB 101 128 250, RGB 118 146 255, RGB 135 164 255, RGB 152 182 255 and RGB 169 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 128 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 128 255: RGB 96 128 255, RGB 79 110 236, RGB 62 92 217, RGB 45 74 198 and RGB 28 56 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

Complementary color

CMYK 0 / 20 / 100 / 38

HEX #9F7F00

RGB 159 127 0

HSL 47.92, 1%, 0.31%

LAB 54.61, 2.14, 60.02

 

CMYK 60 / 49 / 0 / 2

HEX #6580FA

RGB 101 128 250

HSL 229.13, 0.94%, 0.69%

LAB 57.18, 26.29, -64.06

 

CMYK 54 / 43 / 0 / 0

HEX #7692FF

RGB 118 146 255

HSL 227.74, 1%, 0.73%

LAB 63.04, 20.42, -57.37

 

CMYK 47 / 36 / 0 / 0

HEX #87A4FF

RGB 135 164 255

HSL 225.5, 1%, 0.76%

LAB 68.69, 13.7, -48.34

 

CMYK 40 / 29 / 0 / 0

HEX #98B6FF

RGB 152 182 255

HSL 222.52, 1%, 0.8%

LAB 74.41, 7.7, -39.32

 

CMYK 34 / 22 / 0 / 0

HEX #A9C8FF

RGB 169 200 255

HSL 218.37, 1%, 0.83%

LAB 80.16, 2.35, -30.35

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 67 / 53 / 0 / 7

HEX #4F6EEC

RGB 79 110 236

HSL 228.15, 0.81%, 0.62%

LAB 50.54, 28.98, -67.05

 

CMYK 71 / 58 / 0 / 15

HEX #3E5CD9

RGB 62 92 217

HSL 228.39, 0.67%, 0.55%

LAB 43.78, 31.24, -67.31

 

CMYK 77 / 63 / 0 / 22

HEX #2D4AC6

RGB 45 74 198

HSL 228.63, 0.63%, 0.48%

LAB 36.99, 33.91, -67.48

 

CMYK 84 / 69 / 0 / 30

HEX #1C38B3

RGB 28 56 179

HSL 228.87, 0.73%, 0.41%

LAB 30.23, 37.01, -67.41

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 62 / 59 / 0 / 0

HEX #6068FF

RGB 96 104 255

HSL 236.98, 1%, 0.69%

LAB 51.39, 41.52, -76.2

 

CMYK 55 / 62 / 0 / 0

HEX #7360FF

RGB 115 96 255

HSL 247.17, 1%, 0.69%

LAB 50.96, 49.17, -76.85

 

CMYK 45 / 62 / 0 / 0

HEX #8D60FF

RGB 141 96 255

HSL 256.98, 1%, 0.69%

LAB 53.22, 53.83, -73.07

 

CMYK 34 / 62 / 0 / 0

HEX #A860FF

RGB 168 96 255

HSL 267.17, 1%, 0.69%

LAB 56, 59.23, -68.44

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 63 / 49 / 0 / 80

HEX #131A33

RGB 19 26 51

HSL 226.88, 0.46%, 0.14%

LAB 9.92, 5.82, -17.55

 

CMYK 63 / 50 / 0 / 60

HEX #263366

RGB 38 51 102

HSL 227.81, 0.46%, 0.27%

LAB 22.79, 12.08, -31.76

 

CMYK 62 / 50 / 0 / 40

HEX #3A4D99

RGB 58 77 153

HSL 228, 0.45%, 0.41%

LAB 35.02, 17.3, -43.96

 

CMYK 62 / 50 / 0 / 20

HEX #4D66CC

RGB 77 102 204

HSL 228.19, 0.55%, 0.55%

LAB 46.23, 22.63, -55.87

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 1 / 62 / 0 / 0

HEX #FC60FF

RGB 252 96 255

HSL 298.87, 1%, 0.69%

LAB 66.73, 77.9, -50.67

 

CMYK 24 / 0 / 62 / 0

HEX #C2FF60

RGB 194 255 96

HSL 83.02, 1%, 0.69%

LAB 93.38, -42.26, 67.64

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 0 / 62 / 49 / 0

HEX #FF6083

RGB 255 96 131

HSL 346.79, 1%, 0.69%

LAB 62.73, 62.98, 13.44

 

CMYK 49 / 0 / 62 / 0

HEX #83FF60

RGB 131 255 96

HSL 106.79, 1%, 0.69%

LAB 90.41, -62.62, 63.54

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 1 / 62 / 0 / 0

HEX #FC60FF

RGB 252 96 255

HSL 298.87, 1%, 0.69%

LAB 66.73, 77.9, -50.67

 

CMYK 0 / 14 / 62 / 0

HEX #FFDC60

RGB 255 220 96

HSL 46.79, 1%, 0.69%

LAB 88.59, -1.55, 63.72

 

CMYK 61 / 0 / 62 / 0

HEX #63FF60

RGB 99 255 96

HSL 118.87, 1%, 0.69%

LAB 89.4, -70.43, 62.14

 

CMYK 62 / 50 / 0 / 0

HEX #6080FF

RGB 96 128 255

HSL 227.92, 1%, 0.69%

LAB 57.22, 27.07, -66.77

 

CMYK 0 / 62 / 18 / 0

HEX #FF60D2

RGB 255 96 210

HSL 316.98, 1%, 0.69%

LAB 65.18, 71.86, -28.07

 

CMYK 0 / 14 / 62 / 0

HEX #FFDC60

RGB 255 220 96

HSL 46.79, 1%, 0.69%

LAB 88.59, -1.55, 63.72

 

CMYK 62 / 0 / 45 / 0

HEX #60FF8D

RGB 96 255 141

HSL 136.98, 1%, 0.69%

LAB 89.83, -65.32, 42.32

 

Description

Color code: RGB 96 128 255 | qconv.com Color code: RGB 96 128 255 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 128 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 128 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 50 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 50% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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