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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BA758 it is the complementary color #F458A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BA758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BA758 shade: #10A753, #21B966, #32CB79, #43DD8C and #54EF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BA758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BA758 shade: #0BA758, #009545, #008332, #00711F and #005F0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BA758 shade: #0BA858, #0BA82E, #12A80B, #3CA80B and #67A80B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BA758 shade: #0BA858, #0BA883, #0BA3A8, #0B78A8 and #0B4EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BA758 shade matches the following richer shades: #0BA858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BA758 shade: #0BA858, #199958, #288B59, #367C59 and #446E59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BA758 shade: #13A80B, #0BA82D, #0BA857, #0BA881 and #0BA5A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BA758 shade: #065A2F, #088144, #0BA858, #0DCF6D and #15F081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BA758 shade: #0BA758, #0B3CA8 and #A8180B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BA758 shade: #0BA758, #570BA8 and #A8570B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BA758 shade: #0BA758, #0B3CA8, #A80B5C and #A8760B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BA758 shade: #0BA758, #0B0DA8, #A80B5C and #A8A50B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

Complementary color

CMYK 0 / 64 / 32 / 4

HEX #F458A7

RGB 244 88 167

HSL 329.62, 0.88%, 0.65%

LAB 60.78, 66.58, -10.42

 

CMYK 90 / 0 / 50 / 35

HEX #10A753

RGB 16 167 83

HSL 146.62, 0.83%, 0.36%

LAB 60.22, -54.83, 33.35

 

CMYK 82 / 0 / 45 / 27

HEX #21B966

RGB 33 185 102

HSL 147.24, 0.7%, 0.43%

LAB 66.51, -56.39, 31.59

 

CMYK 75 / 0 / 40 / 20

HEX #32CB79

RGB 50 203 121

HSL 147.84, 0.6%, 0.5%

LAB 72.74, -57.42, 29.96

 

CMYK 70 / 0 / 37 / 13

HEX #43DD8C

RGB 67 221 140

HSL 148.44, 0.69%, 0.56%

LAB 78.93, -58.08, 28.44

 

CMYK 65 / 0 / 33 / 6

HEX #54EF9F

RGB 84 239 159

HSL 149.03, 0.83%, 0.63%

LAB 85.06, -58.48, 27.03

 

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

CMYK 100 / 0 / 54 / 42

HEX #009545

RGB 0 149 69

HSL 147.79, 1%, 0.29%

LAB 53.95, -51.91, 32.71

 

CMYK 100 / 0 / 62 / 49

HEX #008332

RGB 0 131 50

HSL 142.9, 1%, 0.26%

LAB 47.58, -48.77, 34.63

 

CMYK 100 / 0 / 73 / 56

HEX #00711F

RGB 0 113 31

HSL 136.46, 1%, 0.22%

LAB 41.07, -45.24, 36.23

 

CMYK 100 / 0 / 87 / 63

HEX #005F0C

RGB 0 95 12

HSL 127.58, 1%, 0.19%

LAB 34.42, -41.13, 36.81

 

CMYK 93 / 0 / 48 / 34

HEX #0BA858

RGB 11 168 88

HSL 149.43, 0.88%, 0.35%

LAB 60.59, -54.61, 31.22

 

CMYK 93 / 0 / 73 / 34

HEX #0BA82E

RGB 11 168 46

HSL 133.38, 0.88%, 0.35%

LAB 60.14, -60.18, 50.13

 

CMYK 89 / 0 / 93 / 34

HEX #12A80B

RGB 18 168 11

HSL 117.32, 0.88%, 0.35%

LAB 60.03, -61.71, 59.48

 

CMYK 64 / 0 / 93 / 34

HEX #3CA80B

RGB 60 168 11

HSL 101.27, 0.88%, 0.35%

LAB 60.77, -55.26, 60.4

 

CMYK 39 / 0 / 93 / 34

HEX #67A80B

RGB 103 168 11

HSL 84.84, 0.88%, 0.35%

LAB 62.43, -42.4, 62.45

 

CMYK 93 / 0 / 48 / 34

HEX #0BA858

RGB 11 168 88

HSL 149.43, 0.88%, 0.35%

LAB 60.59, -54.61, 31.22

 

CMYK 93 / 0 / 22 / 34

HEX #0BA883

RGB 11 168 131

HSL 165.86, 0.88%, 0.35%

LAB 61.41, -45.27, 8.99

 

CMYK 93 / 3 / 0 / 34

HEX #0BA3A8

RGB 11 163 168

HSL 181.91, 0.88%, 0.35%

LAB 60.86, -32.42, -12.59

 

CMYK 93 / 29 / 0 / 34

HEX #0B78A8

RGB 11 120 168

HSL 198.34, 0.88%, 0.35%

LAB 47.41, -9.73, -33.28

 

CMYK 93 / 54 / 0 / 34

HEX #0B4EA8

RGB 11 78 168

HSL 214.39, 0.88%, 0.35%

LAB 34.7, 16.98, -53.57

 

CMYK 93 / 0 / 48 / 34

HEX #0BA858

RGB 11 168 88

HSL 149.43, 0.88%, 0.35%

LAB 60.59, -54.61, 31.22

 

CMYK 93 / 0 / 48 / 34

HEX #0BA858

RGB 11 168 88

HSL 149.43, 0.88%, 0.35%

LAB 60.59, -54.61, 31.22

 

CMYK 84 / 0 / 42 / 40

HEX #199958

RGB 25 153 88

HSL 149.53, 0.72%, 0.35%

LAB 55.78, -48.17, 25.05

 

CMYK 71 / 0 / 36 / 45

HEX #288B59

RGB 40 139 89

HSL 149.7, 0.55%, 0.35%

LAB 51.43, -40.41, 18.75

 

CMYK 56 / 0 / 28 / 51

HEX #367C59

RGB 54 124 89

HSL 150, 0.39%, 0.35%

LAB 46.87, -30.84, 12.59

 

CMYK 38 / 0 / 19 / 57

HEX #446E59

RGB 68 110 89

HSL 150, 0.24%, 0.35%

LAB 42.92, -19.79, 7.14

 

CMYK 89 / 0 / 93 / 34

HEX #13A80B

RGB 19 168 11

HSL 116.94, 0.88%, 0.35%

LAB 60.04, -61.63, 59.49

 

CMYK 93 / 0 / 73 / 34

HEX #0BA82D

RGB 11 168 45

HSL 132.99, 0.88%, 0.35%

LAB 60.13, -60.27, 50.5

 

CMYK 93 / 0 / 48 / 34

HEX #0BA857

RGB 11 168 87

HSL 149.04, 0.88%, 0.35%

LAB 60.57, -54.78, 31.72

 

CMYK 93 / 0 / 23 / 34

HEX #0BA881

RGB 11 168 129

HSL 165.1, 0.88%, 0.35%

LAB 61.36, -45.77, 10.04

 

CMYK 93 / 2 / 0 / 34

HEX #0BA5A8

RGB 11 165 168

HSL 181.15, 0.88%, 0.35%

LAB 61.49, -33.37, -11.65

 

CMYK 93 / 0 / 48 / 65

HEX #065A2F

RGB 6 90 47

HSL 149.29, 0.88%, 0.19%

LAB 33.04, -33.99, 18.49

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 93 / 0 / 48 / 34

HEX #0BA858

RGB 11 168 88

HSL 149.43, 0.88%, 0.35%

LAB 60.59, -54.61, 31.22

 

CMYK 94 / 0 / 47 / 19

HEX #0DCF6D

RGB 13 207 109

HSL 149.69, 0.88%, 0.43%

LAB 73.43, -64.08, 36.86

 

CMYK 91 / 0 / 46 / 6

HEX #15F081

RGB 21 240 129

HSL 149.59, 0.88%, 0.51%

LAB 84, -71.18, 40.46

 

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

CMYK 93 / 64 / 0 / 34

HEX #0B3CA8

RGB 11 60 168

HSL 221.27, 0.88%, 0.35%

LAB 29.74, 29.23, -61.66

 

CMYK 0 / 86 / 93 / 34

HEX #A8180B

RGB 168 24 11

HSL 4.97, 0.88%, 0.35%

LAB 35.99, 55.03, 45.34

 

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

CMYK 48 / 93 / 0 / 34

HEX #570BA8

RGB 87 11 168

HSL 269.04, 0.88%, 0.35%

LAB 27, 59.2, -65.99

 

CMYK 0 / 48 / 93 / 34

HEX #A8570B

RGB 168 87 11

HSL 29.04, 0.88%, 0.35%

LAB 45.86, 28.85, 52.1

 

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

CMYK 93 / 64 / 0 / 34

HEX #0B3CA8

RGB 11 60 168

HSL 221.27, 0.88%, 0.35%

LAB 29.74, 29.23, -61.66

 

CMYK 0 / 93 / 45 / 34

HEX #A80B5C

RGB 168 11 92

HSL 329.04, 0.88%, 0.35%

LAB 36.62, 61.36, -2.33

 

CMYK 0 / 30 / 93 / 34

HEX #A8760B

RGB 168 118 11

HSL 40.89, 0.88%, 0.35%

LAB 53.28, 11.53, 57.52

 

CMYK 93 / 0 / 47 / 35

HEX #0BA758

RGB 11 167 88

HSL 149.62, 0.88%, 0.35%

LAB 60.26, -54.26, 30.81

 

CMYK 93 / 92 / 0 / 34

HEX #0B0DA8

RGB 11 13 168

HSL 239.24, 0.88%, 0.35%

LAB 20.77, 54.51, -76.5

 

CMYK 0 / 93 / 45 / 34

HEX #A80B5C

RGB 168 11 92

HSL 329.04, 0.88%, 0.35%

LAB 36.62, 61.36, -2.33

 

CMYK 0 / 2 / 93 / 34

HEX #A8A50B

RGB 168 165 11

HSL 58.85, 0.88%, 0.35%

LAB 65.95, -14.08, 67.1

 

Description

Color code: HEX #0BA758 | qconv.com Color code: HEX #0BA758 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 167 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 167 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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