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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 129 68 it is the complementary color RGB 247 126 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 129 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 8 129 68: RGB 13 129 63, RGB 30 147 82, RGB 47 165 101, RGB 64 183 120 and RGB 81 201 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 129 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 8 129 68: RGB 8 129 68, RGB 0 111 49, RGB 0 93 30, RGB 0 75 11 and RGB 0 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

Complementary color

CMYK 0 / 49 / 24 / 3

HEX #F77EBB

RGB 247 126 187

HSL 329.75, 0.88%, 0.73%

LAB 68.23, 53.06, -10.62

 

CMYK 90 / 0 / 51 / 49

HEX #0D813F

RGB 13 129 63

HSL 145.86, 0.82%, 0.28%

LAB 47.16, -45.1, 27.47

 

CMYK 80 / 0 / 44 / 42

HEX #1E9352

RGB 30 147 82

HSL 146.67, 0.66%, 0.35%

LAB 53.76, -46.49, 25.68

 

CMYK 72 / 0 / 39 / 35

HEX #2FA565

RGB 47 165 101

HSL 147.46, 0.56%, 0.42%

LAB 60.3, -47.28, 24.04

 

CMYK 65 / 0 / 34 / 28

HEX #40B778

RGB 64 183 120

HSL 148.24, 0.48%, 0.48%

LAB 66.76, -47.7, 22.56

 

CMYK 60 / 0 / 31 / 21

HEX #51C98B

RGB 81 201 139

HSL 149, 0.53%, 0.55%

LAB 73.15, -47.87, 21.2

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 100 / 0 / 56 / 56

HEX #006F31

RGB 0 111 49

HSL 146.49, 1%, 0.22%

LAB 40.56, -42.09, 26.79

 

CMYK 100 / 0 / 68 / 64

HEX #005D1E

RGB 0 93 30

HSL 139.35, 1%, 0.18%

LAB 33.82, -38.7, 28.76

 

CMYK 100 / 0 / 85 / 71

HEX #004B0B

RGB 0 75 11

HSL 128.8, 1%, 0.15%

LAB 26.89, -34.69, 29.99

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 94 / 0 / 33 / 49

HEX #088157

RGB 8 129 87

HSL 159.17, 0.88%, 0.27%

LAB 47.55, -40.49, 14.53

 

CMYK 94 / 0 / 17 / 49

HEX #08816B

RGB 8 129 107

HSL 169.09, 0.88%, 0.27%

LAB 48.02, -35.26, 3.55

 

CMYK 94 / 0 / 2 / 49

HEX #08817F

RGB 8 129 127

HSL 179.01, 0.88%, 0.27%

LAB 48.62, -29.22, -7.35

 

CMYK 94 / 14 / 0 / 49

HEX #086F81

RGB 8 111 129

HSL 188.93, 0.88%, 0.27%

LAB 42.77, -19.29, -17.37

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 94 / 0 / 47 / 29

HEX #0BB45F

RGB 11 180 95

HSL 149.82, 0.88%, 0.37%

LAB 64.6, -57.5, 32.71

 

CMYK 94 / 0 / 47 / 9

HEX #0EE77A

RGB 14 231 122

HSL 149.86, 0.89%, 0.48%

LAB 81.1, -69.72, 40.18

 

CMYK 93 / 0 / 48 / 89

HEX #021B0E

RGB 2 27 14

HSL 148.8, 0.86%, 0.06%

LAB 7.48, -11.93, 5.05

 

CMYK 94 / 0 / 47 / 69

HEX #054E29

RGB 5 78 41

HSL 149.59, 0.88%, 0.16%

LAB 28.49, -30.52, 16.17

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 94 / 64 / 0 / 49

HEX #082E81

RGB 8 46 129

HSL 221.16, 0.88%, 0.27%

LAB 22.27, 22.89, -49.93

 

CMYK 0 / 86 / 94 / 49

HEX #811208

RGB 129 18 8

HSL 4.96, 0.88%, 0.27%

LAB 27.07, 44.88, 36.27

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 49 / 94 / 0 / 49

HEX #420881

RGB 66 8 129

HSL 268.76, 0.88%, 0.27%

LAB 19.71, 48.39, -53.99

 

CMYK 0 / 49 / 94 / 49

HEX #814208

RGB 129 66 8

HSL 28.76, 0.88%, 0.27%

LAB 35.16, 23.46, 42.46

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 94 / 64 / 0 / 49

HEX #082E81

RGB 8 46 129

HSL 221.16, 0.88%, 0.27%

LAB 22.27, 22.89, -49.93

 

CMYK 0 / 94 / 46 / 49

HEX #810846

RGB 129 8 70

HSL 329.26, 0.88%, 0.27%

LAB 27.53, 50.35, -2.2

 

CMYK 0 / 29 / 94 / 49

HEX #815B08

RGB 129 91 8

HSL 41.16, 0.88%, 0.27%

LAB 41.48, 8.78, 47.21

 

CMYK 94 / 0 / 47 / 49

HEX #088144

RGB 8 129 68

HSL 149.75, 0.88%, 0.27%

LAB 47.2, -44.55, 24.79

 

CMYK 94 / 92 / 0 / 49

HEX #080A81

RGB 8 10 129

HSL 239.01, 0.88%, 0.27%

LAB 14.7, 44.04, -62.45

 

CMYK 0 / 94 / 46 / 49

HEX #810846

RGB 129 8 70

HSL 329.26, 0.88%, 0.27%

LAB 27.53, 50.35, -2.2

 

CMYK 0 / 2 / 94 / 49

HEX #817F08

RGB 129 127 8

HSL 59.01, 0.88%, 0.27%

LAB 51.68, -11.76, 55.07

 

Description

Color code: RGB 8 129 68 | qconv.com Color code: RGB 8 129 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 129 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 129 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 47 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 47% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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