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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 93 / 0 / 47 / 35 it is the complementary color CMYK 0 / 63 / 31 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 93 / 0 / 47 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 93 / 0 / 47 / 35: CMYK 90 / 0 / 50 / 35, CMYK 82 / 0 / 45 / 28, CMYK 75 / 0 / 40 / 21, CMYK 69 / 0 / 36 / 14 and CMYK 64 / 0 / 33 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 93 / 0 / 47 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 93 / 0 / 47 / 35: CMYK 93 / 0 / 47 / 35, CMYK 100 / 0 / 53 / 42, CMYK 100 / 0 / 62 / 49, CMYK 100 / 0 / 72 / 56 and CMYK 100 / 0 / 87 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

Complementary color

CMYK 0 / 63 / 31 / 5

HEX #F359A7

RGB 243 89 167

HSL 329.61, 0.87%, 0.65%

LAB 60.77, 65.9, -10.46

 

CMYK 90 / 0 / 50 / 35

HEX #11A653

RGB 17 166 83

HSL 146.58, 0.81%, 0.36%

LAB 59.9, -54.42, 32.95

 

CMYK 82 / 0 / 45 / 28

HEX #22B866

RGB 34 184 102

HSL 147.2, 0.69%, 0.43%

LAB 66.2, -55.93, 31.2

 

CMYK 75 / 0 / 40 / 21

HEX #33CA79

RGB 51 202 121

HSL 147.81, 0.6%, 0.5%

LAB 72.45, -56.92, 29.57

 

CMYK 69 / 0 / 36 / 14

HEX #44DC8C

RGB 68 220 140

HSL 148.42, 0.68%, 0.56%

LAB 78.64, -57.55, 28.06

 

CMYK 64 / 0 / 33 / 7

HEX #55EE9F

RGB 85 238 159

HSL 149.02, 0.82%, 0.63%

LAB 84.78, -57.92, 26.67

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 100 / 0 / 53 / 42

HEX #009445

RGB 0 148 69

HSL 147.97, 1%, 0.29%

LAB 53.61, -51.57, 32.3

 

CMYK 100 / 0 / 62 / 49

HEX #008232

RGB 0 130 50

HSL 143.08, 1%, 0.25%

LAB 47.23, -48.44, 34.23

 

CMYK 100 / 0 / 72 / 56

HEX #00701F

RGB 0 112 31

HSL 136.61, 1%, 0.22%

LAB 40.71, -44.92, 35.85

 

CMYK 100 / 0 / 87 / 63

HEX #005E0C

RGB 0 94 12

HSL 127.66, 1%, 0.18%

LAB 34.05, -40.82, 36.47

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 93 / 0 / 33 / 35

HEX #0BA670

RGB 11 166 112

HSL 159.1, 0.88%, 0.35%

LAB 60.35, -49.05, 18.04

 

CMYK 93 / 0 / 17 / 35

HEX #0BA68A

RGB 11 166 138

HSL 169.16, 0.88%, 0.35%

LAB 60.94, -42.59, 4.41

 

CMYK 93 / 0 / 1 / 35

HEX #0BA6A4

RGB 11 166 164

HSL 179.23, 0.88%, 0.35%

LAB 61.67, -35.07, -9.12

 

CMYK 93 / 14 / 0 / 35

HEX #0B8FA6

RGB 11 143 166

HSL 188.9, 0.88%, 0.35%

LAB 54.52, -23.13, -21.08

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 93 / 0 / 47 / 15

HEX #10D973

RGB 16 217 115

HSL 149.55, 0.86%, 0.46%

LAB 76.66, -66.24, 37.99

 

CMYK 92 / 0 / 46 / 95

HEX #010D07

RGB 1 13 7

HSL 150, 0.86%, 0.03%

LAB 2.8, -4.08, 1.24

 

CMYK 92 / 0 / 47 / 75

HEX #054022

RGB 5 64 34

HSL 149.49, 0.86%, 0.14%

LAB 23.05, -26.15, 13.4

 

CMYK 93 / 0 / 47 / 55

HEX #08733D

RGB 8 115 61

HSL 149.72, 0.87%, 0.24%

LAB 42.23, -40.69, 22.3

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 93 / 64 / 0 / 35

HEX #0B3CA6

RGB 11 60 166

HSL 221.03, 0.88%, 0.35%

LAB 29.55, 28.44, -60.76

 

CMYK 0 / 86 / 93 / 35

HEX #A6180B

RGB 166 24 11

HSL 5.03, 0.88%, 0.35%

LAB 35.57, 54.46, 44.86

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 48 / 93 / 0 / 35

HEX #560BA6

RGB 86 11 166

HSL 269.03, 0.88%, 0.35%

LAB 26.65, 58.63, -65.35

 

CMYK 0 / 48 / 93 / 35

HEX #A6560B

RGB 166 86 11

HSL 29.03, 0.88%, 0.35%

LAB 45.34, 28.54, 51.59

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 93 / 64 / 0 / 35

HEX #0B3CA6

RGB 11 60 166

HSL 221.03, 0.88%, 0.35%

LAB 29.55, 28.44, -60.76

 

CMYK 0 / 93 / 45 / 35

HEX #A60B5B

RGB 166 11 91

HSL 329.03, 0.88%, 0.35%

LAB 36.18, 60.8, -2.39

 

CMYK 0 / 30 / 93 / 35

HEX #A6750B

RGB 166 117 11

HSL 41.03, 0.88%, 0.35%

LAB 52.79, 11.18, 57.05

 

CMYK 93 / 0 / 47 / 35

HEX #0CA658

RGB 12 166 88

HSL 149.61, 0.87%, 0.35%

LAB 59.94, -53.86, 30.4

 

CMYK 93 / 92 / 0 / 35

HEX #0B0EA6

RGB 11 14 166

HSL 238.84, 0.88%, 0.35%

LAB 20.59, 53.63, -75.6

 

CMYK 0 / 93 / 45 / 35

HEX #A60B5B

RGB 166 11 91

HSL 329.03, 0.88%, 0.35%

LAB 36.18, 60.8, -2.39

 

CMYK 0 / 1 / 93 / 35

HEX #A6A40B

RGB 166 164 11

HSL 59.23, 0.88%, 0.35%

LAB 65.5, -14.45, 66.68

 

Description

Color code: CMYK 93 / 0 / 47 / 35 | qconv.com Color code: CMYK 93 / 0 / 47 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 166 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 166 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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