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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0143ED it is the complementary color #FEBC12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0143ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0143ED: #0643E8, #1755FB, #2867FF, #3979FF and #4A8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0143ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0143ED: #0143ED, #0031DA, #001FC7, #000DB4 and #0000A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

Complementary color

CMYK 0 / 26 / 93 / 0

HEX #FEBC12

RGB 254 188 18

HSL 43.22, 0.99%, 0.53%

LAB 80.23, 11.68, 80.49

 

CMYK 97 / 71 / 0 / 9

HEX #0643E8

RGB 6 67 232

HSL 223.81, 0.95%, 0.47%

LAB 37.62, 48.61, -86.02

 

CMYK 91 / 66 / 0 / 2

HEX #1755FB

RGB 23 85 251

HSL 223.68, 0.97%, 0.54%

LAB 43.72, 44.93, -86.66

 

CMYK 84 / 60 / 0 / 0

HEX #2867FF

RGB 40 103 255

HSL 222.42, 1%, 0.58%

LAB 48.72, 36.05, -80.65

 

CMYK 78 / 53 / 0 / 0

HEX #3979FF

RGB 57 121 255

HSL 220.61, 1%, 0.61%

LAB 53.78, 26.19, -72.41

 

CMYK 71 / 45 / 0 / 0

HEX #4A8BFF

RGB 74 139 255

HSL 218.45, 1%, 0.65%

LAB 59.1, 17.11, -63.78

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 100 / 78 / 0 / 15

HEX #0031DA

RGB 0 49 218

HSL 226.51, 1%, 0.43%

LAB 32.39, 53.93, -86.69

 

CMYK 100 / 84 / 0 / 22

HEX #001FC7

RGB 0 31 199

HSL 230.65, 1%, 0.39%

LAB 27.03, 56.7, -84.56

 

CMYK 100 / 93 / 0 / 29

HEX #000DB4

RGB 0 13 180

HSL 235.67, 1%, 0.35%

LAB 22.24, 57.72, -81.29

 

CMYK 100 / 100 / 0 / 37

HEX #0000A1

RGB 0 0 161

HSL 240, 1%, 0.32%

LAB 18.25, 56.15, -76.48

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 100 / 88 / 0 / 7

HEX #011CEE

RGB 1 28 238

HSL 233.16, 0.99%, 0.47%

LAB 31.83, 69.11, -99.06

 

CMYK 95 / 100 / 0 / 7

HEX #0D01EE

RGB 13 1 238

HSL 243.04, 0.99%, 0.47%

LAB 30.11, 75.07, -101.93

 

CMYK 78 / 100 / 0 / 7

HEX #3401EE

RGB 52 1 238

HSL 252.91, 0.99%, 0.47%

LAB 31.64, 75.61, -99.34

 

CMYK 61 / 100 / 0 / 7

HEX #5C01EE

RGB 92 1 238

HSL 263.04, 0.99%, 0.47%

LAB 34.94, 77.1, -93.74

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 100 / 73 / 0 / 87

HEX #000921

RGB 0 9 33

HSL 223.64, 1%, 0.06%

LAB 2.76, 3.36, -15.37

 

CMYK 100 / 71 / 0 / 67

HEX #001854

RGB 0 24 84

HSL 222.86, 1%, 0.16%

LAB 11.23, 18.97, -38.65

 

CMYK 99 / 72 / 0 / 47

HEX #012687

RGB 1 38 135

HSL 223.43, 0.99%, 0.27%

LAB 20.6, 30.55, -56.45

 

CMYK 99 / 72 / 0 / 27

HEX #0135BA

RGB 1 53 186

HSL 223.14, 0.99%, 0.37%

LAB 29.66, 40.4, -72.53

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 32 / 0 / 100 / 7

HEX #A3EE01

RGB 163 238 1

HSL 78.99, 0.99%, 0.47%

LAB 86.47, -50.03, 83.74

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 0 / 100 / 71 / 7

HEX #EE0144

RGB 238 1 68

HSL 343.04, 0.99%, 0.47%

LAB 50.24, 77.32, 33.52

 

CMYK 71 / 0 / 100 / 7

HEX #44EE01

RGB 68 238 1

HSL 103.04, 0.99%, 0.47%

LAB 83.12, -75.93, 79.67

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 28 / 100 / 7

HEX #EEAB01

RGB 238 171 1

HSL 43.04, 0.99%, 0.47%

LAB 74.38, 13.58, 77.54

 

CMYK 92 / 0 / 100 / 7

HEX #14EE01

RGB 20 238 1

HSL 115.19, 0.99%, 0.47%

LAB 82.54, -81.05, 78.96

 

CMYK 100 / 72 / 0 / 7

HEX #0143ED

RGB 1 67 237

HSL 223.22, 0.99%, 0.47%

LAB 38.08, 50.27, -88.09

 

CMYK 0 / 100 / 21 / 7

HEX #EE01BB

RGB 238 1 187

HSL 312.91, 0.99%, 0.47%

LAB 53.8, 86.63, -32.8

 

CMYK 0 / 28 / 100 / 7

HEX #EEAB01

RGB 238 171 1

HSL 43.04, 0.99%, 0.47%

LAB 74.38, 13.58, 77.54

 

CMYK 100 / 0 / 78 / 7

HEX #01EE34

RGB 1 238 52

HSL 132.91, 0.99%, 0.47%

LAB 82.6, -80.04, 70.37

 

Description

Color code: HEX #0143ED | qconv.com Color code: HEX #0143ED | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 67 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 67 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 72 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 72% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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