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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 1 238 it is the complementary color RGB 37 254 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 1 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 1 238 shade: RGB 223 1 233, RGB 240 19 252, RGB 255 37 255, RGB 255 55 255 and RGB 255 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 1 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 201 0 219, RGB 184 0 200, RGB 167 0 181 and RGB 150 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 238 1 194, RGB 238 1 130, RGB 238 1 66 and RGB 238 1 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 154 1 238, RGB 90 1 238, RGB 26 1 238 and RGB 1 1 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 1 238 shade matches the following richer shades: RGB 218 1 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 202 20 219, RGB 186 39 199, RGB 170 59 180 and RGB 154 78 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 1 238 shade: RGB 88 1 238, RGB 151 1 238, RGB 214 1 238, RGB 238 1 198 and RGB 238 1 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 1 238 shade: RGB 143 0 156, RGB 180 0 197, RGB 218 1 238, RGB 234 27 253 and RGB 238 68 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 238 24 1 and RGB 1 238 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 238 214 1 and RGB 1 238 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 238 24 1, RGB 24 238 1 and RGB 1 214 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 1 238 shade: RGB 218 1 238, RGB 238 96 1, RGB 24 238 1 and RGB 1 143 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

Complementary color

CMYK 85 / 0 / 93 / 0

HEX #25FE11

RGB 37 254 17

HSL 114.94, 0.99%, 0.53%

LAB 87.64, -83.93, 81.79

 

CMYK 4 / 100 / 0 / 9

HEX #DF01E9

RGB 223 1 233

HSL 297.41, 0.99%, 0.46%

LAB 53.59, 90.16, -59.64

 

CMYK 5 / 92 / 0 / 1

HEX #F013FC

RGB 240 19 252

HSL 296.91, 0.97%, 0.53%

LAB 58.06, 94.24, -62.95

 

CMYK 0 / 85 / 0 / 0

HEX #FF25FF

RGB 255 37 255

HSL 300, 1%, 0.57%

LAB 61.48, 94.82, -58.98

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 8 / 100 / 0 / 14

HEX #C900DB

RGB 201 0 219

HSL 295.07, 1%, 0.43%

LAB 48.92, 84.82, -59.4

 

CMYK 8 / 100 / 0 / 22

HEX #B800C8

RGB 184 0 200

HSL 295.2, 1%, 0.39%

LAB 44.75, 79.32, -55.34

 

CMYK 8 / 100 / 0 / 29

HEX #A700B5

RGB 167 0 181

HSL 295.36, 1%, 0.35%

LAB 40.49, 73.73, -51.2

 

CMYK 7 / 100 / 0 / 36

HEX #9600A2

RGB 150 0 162

HSL 295.56, 1%, 0.32%

LAB 36.16, 68.03, -46.98

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 100 / 18 / 7

HEX #EE01C2

RGB 238 1 194

HSL 311.14, 0.99%, 0.47%

LAB 54.13, 87.45, -36.35

 

CMYK 0 / 100 / 45 / 7

HEX #EE0182

RGB 238 1 130

HSL 327.34, 0.99%, 0.47%

LAB 51.62, 81.02, -2.3

 

CMYK 0 / 100 / 72 / 7

HEX #EE0142

RGB 238 1 66

HSL 343.54, 0.99%, 0.47%

LAB 50.21, 77.24, 34.67

 

CMYK 0 / 100 / 99 / 7

HEX #EE0102

RGB 238 1 2

HSL 359.75, 0.99%, 0.47%

LAB 49.74, 75.97, 63.25

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 35 / 100 / 0 / 7

HEX #9A01EE

RGB 154 1 238

HSL 278.73, 0.99%, 0.47%

LAB 42.86, 82, -80.4

 

CMYK 62 / 100 / 0 / 7

HEX #5A01EE

RGB 90 1 238

HSL 262.53, 0.99%, 0.47%

LAB 34.74, 77, -94.09

 

CMYK 89 / 100 / 0 / 7

HEX #1A01EE

RGB 26 1 238

HSL 246.33, 0.99%, 0.47%

LAB 30.43, 75.17, -101.38

 

CMYK 100 / 100 / 0 / 7

HEX #0101EE

RGB 1 1 238

HSL 240, 0.99%, 0.47%

LAB 29.91, 75, -102.26

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 8 / 91 / 0 / 14

HEX #CA14DB

RGB 202 20 219

HSL 294.87, 0.83%, 0.47%

LAB 49.7, 83.17, -58.14

 

CMYK 7 / 80 / 0 / 22

HEX #BA27C7

RGB 186 39 199

HSL 295.13, 0.67%, 0.47%

LAB 46.99, 73.7, -51.13

 

CMYK 6 / 67 / 0 / 29

HEX #AA3BB4

RGB 170 59 180

HSL 295.04, 0.51%, 0.47%

LAB 45.59, 60.66, -42.43

 

CMYK 4 / 51 / 0 / 37

HEX #9A4EA0

RGB 154 78 160

HSL 295.61, 0.34%, 0.47%

LAB 45.44, 44.01, -31.01

 

CMYK 63 / 100 / 0 / 7

HEX #5801EE

RGB 88 1 238

HSL 262.03, 0.99%, 0.47%

LAB 34.54, 76.9, -94.43

 

CMYK 37 / 100 / 0 / 7

HEX #9701EE

RGB 151 1 238

HSL 277.97, 0.99%, 0.47%

LAB 42.42, 81.69, -81.14

 

CMYK 10 / 100 / 0 / 7

HEX #D601EE

RGB 214 1 238

HSL 293.92, 0.99%, 0.47%

LAB 52.39, 89.58, -64.47

 

CMYK 0 / 100 / 17 / 7

HEX #EE01C6

RGB 238 1 198

HSL 310.13, 0.99%, 0.47%

LAB 54.32, 87.93, -38.36

 

CMYK 0 / 100 / 43 / 7

HEX #EE0187

RGB 238 1 135

HSL 326.08, 0.99%, 0.47%

LAB 51.78, 81.43, -5.09

 

CMYK 8 / 100 / 0 / 39

HEX #8F009C

RGB 143 0 156

HSL 295, 1%, 0.31%

LAB 34.48, 65.94, -46.12

 

CMYK 9 / 100 / 0 / 23

HEX #B400C5

RGB 180 0 197

HSL 294.82, 1%, 0.39%

LAB 43.85, 78.25, -55.07

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 8 / 89 / 0 / 1

HEX #EA1BFD

RGB 234 27 253

HSL 294.96, 0.98%, 0.55%

LAB 57.43, 92.56, -64.56

 

CMYK 6 / 73 / 0 / 0

HEX #EE44FE

RGB 238 68 254

HSL 294.84, 0.99%, 0.63%

LAB 61.19, 84.48, -59.05

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 90 / 100 / 7

HEX #EE1801

RGB 238 24 1

HSL 5.82, 0.99%, 0.47%

LAB 50.49, 73.79, 63.81

 

CMYK 100 / 0 / 50 / 7

HEX #01EE77

RGB 1 238 119

HSL 149.87, 0.99%, 0.47%

LAB 83.17, -72.82, 44.22

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 10 / 100 / 7

HEX #EED601

RGB 238 214 1

HSL 53.92, 0.99%, 0.47%

LAB 85.14, -8.66, 85.06

 

CMYK 100 / 0 / 10 / 7

HEX #01EED6

RGB 1 238 214

HSL 173.92, 0.99%, 0.47%

LAB 85, -52.34, -1.79

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 90 / 100 / 7

HEX #EE1801

RGB 238 24 1

HSL 5.82, 0.99%, 0.47%

LAB 50.49, 73.79, 63.81

 

CMYK 90 / 0 / 100 / 7

HEX #18EE01

RGB 24 238 1

HSL 114.18, 0.99%, 0.47%

LAB 82.56, -80.83, 78.99

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 8 / 100 / 0 / 7

HEX #DA01EE

RGB 218 1 238

HSL 294.94, 0.99%, 0.47%

LAB 53.06, 90.16, -63.36

 

CMYK 0 / 60 / 100 / 7

HEX #EE6001

RGB 238 96 1

HSL 24.05, 0.99%, 0.47%

LAB 58.55, 51.62, 67.64

 

CMYK 90 / 0 / 100 / 7

HEX #18EE01

RGB 24 238 1

HSL 114.18, 0.99%, 0.47%

LAB 82.56, -80.83, 78.99

 

CMYK 100 / 40 / 0 / 7

HEX #018FEE

RGB 1 143 238

HSL 204.05, 0.99%, 0.47%

LAB 57.87, 3.09, -56.46

 

Description

Color code: RGB 218 1 238 | qconv.com Color code: RGB 218 1 238 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 1 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 1 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 100 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 100% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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