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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone DIC - DIC 357s it is the complementary color DIC - DIC 224s. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color DIC - DIC 357s. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 2315s, DIC - DIC 2081s, DIC - DIC 2082s and DIC - DIC 2060s

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color DIC - DIC 357s. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 348s, DIC - DIC 372s, DIC - DIC 373s and DIC - DIC 347s

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 2305s, DIC - DIC 2298s, DIC - DIC 2297s and DIC - DIC 292s

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 2318s, DIC - DIC 2319s, DIC - DIC 366s and DIC - DIC 381s

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The DIC - DIC 357s shade matches the following richer shades: DIC - DIC 357s, DIC - DIC 2094s, DIC - DIC 2078s, DIC - DIC 127s and DIC - DIC 2540s

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 532s, DIC - DIC 445s, DIC - DIC 2416s and DIC - DIC 2602s

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the DIC - DIC 357s shade: DIC - DIC 2298s, DIC - DIC 2305s, DIC - DIC 357s, DIC - DIC 2318s and DIC - DIC 2319s

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the DIC - DIC 357s shade: DIC - DIC 354s, DIC - DIC 348s, DIC - DIC 357s, DIC - DIC 506s and DIC - DIC 547s

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 381s and DIC - DIC 2422s

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 417s and DIC - DIC 2439s

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 381s, DIC - DIC 2410s and DIC - DIC 2436s

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the DIC - DIC 357s shade: DIC - DIC 357s, DIC - DIC 397s, DIC - DIC 2410s and DIC - DIC 473s

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

Complementary color

CMYK 38 / 48 / 0 / 45

HEX #584A8D

RGB 88 74 141

HSL 252.54, 0.31%, 0.42%

LAB 35.78, 22.52, -35.31

DIC
DIC 224s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 0 / 6 / 33 / 22

HEX #C7BC85

RGB 199 188 133 1

HSL 50, 0.37%, 0.65%

LAB 75.95, -4.42, 29.28

DIC
DIC 2315s

CMYK 0 / 1 / 31 / 18

HEX #D2CF90

RGB 210 207 144 1

HSL 57.27, 0.42%, 0.69%

LAB 82.02, -8.59, 31.75

DIC
DIC 2081s

CMYK 0 / 1 / 21 / 13

HEX #DFDCB0

RGB 223 220 176 1

HSL 56.17, 0.42%, 0.78%

LAB 87, -6.04, 22.04

DIC
DIC 2082s

CMYK 0 / 5 / 25 / 3

HEX #F8EBBB

RGB 248 235 187 1

HSL 47.21, 0.81%, 0.85%

LAB 93, -2.92, 24.92

DIC
DIC 2060s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 0 / 4 / 36 / 35

HEX #A59E6A

RGB 165 158 106 1

HSL 52.88, 0.25%, 0.53%

LAB 64.56, -5.5, 28.12

DIC
DIC 348s

CMYK 1 / 0 / 53 / 44

HEX #8C8E43

RGB 140 142 67 1

HSL 61.6, 0.36%, 0.41%

LAB 57.39, -11.69, 39.21

DIC
DIC 372s

CMYK 3 / 0 / 46 / 52

HEX #777B43

RGB 119 123 67 1

HSL 64.29, 0.29%, 0.37%

LAB 50.09, -10.5, 30

DIC
DIC 373s

CMYK 0 / 10 / 31 / 58

HEX #6B604A

RGB 107 96 74 1

HSL 40, 0.18%, 0.35%

LAB 41.19, 0.65, 14.2

DIC
DIC 347s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 0 / 14 / 32 / 30

HEX #B39A79

RGB 179 154 121 1

HSL 34.14, 0.28%, 0.59%

LAB 65.02, 4.29, 20.76

DIC
DIC 2305s

CMYK 0 / 17 / 27 / 32

HEX #AD8F7F

RGB 173 143 127 1

HSL 20.87, 0.22%, 0.59%

LAB 61.71, 8.81, 12.74

DIC
DIC 2298s

CMYK 0 / 19 / 29 / 37

HEX #A18373

RGB 161 131 115 1

HSL 20.87, 0.2%, 0.54%

LAB 57.12, 9.02, 12.98

DIC
DIC 2297s

CMYK 0 / 37 / 37 / 31

HEX #B16F70

RGB 177 111 112 1

HSL 359.09, 0.3%, 0.56%

LAB 53.91, 26.31, 10.47

DIC
DIC 292s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 3 / 0 / 30 / 34

HEX #A4A977

RGB 164 169 119 1

HSL 66, 0.23%, 0.56%

LAB 67.73, -10.08, 25.28

DIC
DIC 2318s

CMYK 16 / 0 / 27 / 38

HEX #859E74

RGB 133 158 116 1

HSL 95.71, 0.18%, 0.54%

LAB 62.25, -16.72, 19.13

DIC
DIC 2319s

CMYK 25 / 0 / 31 / 36

HEX #79A26F

RGB 121 162 111 1

HSL 108.24, 0.22%, 0.54%

LAB 62.55, -23.99, 22.15

DIC
DIC 366s

CMYK 30 / 0 / 27 / 33

HEX #78AC7E

RGB 120 172 126 1

HSL 126.92, 0.24%, 0.57%

LAB 65.75, -26.71, 18.3

DIC
DIC 381s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 6 / 0 / 53 / 22

HEX #BCC85F

RGB 188 200 95 1

HSL 66.86, 0.49%, 0.58%

LAB 77.77, -18.99, 50.44

DIC
DIC 2094s

CMYK 0 / 9 / 62 / 16

HEX #D7C452

RGB 215 196 82 1

HSL 51.43, 0.62%, 0.58%

LAB 78.77, -6.81, 58.06

DIC
DIC 2078s

CMYK 4 / 0 / 74 / 12

HEX #D8E13A

RGB 216 225 58 1

HSL 63.23, 0.74%, 0.55%

LAB 86.38, -22.12, 74.81

DIC
DIC 127s

CMYK 0 / 6 / 74 / 4

HEX #F6E840

RGB 246 232 64 1

HSL 55.38, 0.91%, 0.61%

LAB 90.63, -12.89, 77.72

DIC
DIC 2540s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 2 / 0 / 15 / 39

HEX #989B83

RGB 152 155 131 1

HSL 67.5, 0.11%, 0.56%

LAB 63.14, -5.42, 12.23

DIC
DIC 532s

CMYK 20 / 13 / 0 / 39

HEX #7C879B

RGB 124 135 155 1

HSL 218.71, 0.13%, 0.55%

LAB 56.07, 0.46, -12

DIC
DIC 445s

CMYK 32 / 30 / 0 / 33

HEX #7477AA

RGB 116 119 170 1

HSL 236.67, 0.24%, 0.56%

LAB 51.62, 11.07, -27.54

DIC
DIC 2416s

CMYK 53 / 52 / 0 / 27

HEX #5759BB

RGB 87 89 187 1

HSL 238.8, 0.42%, 0.54%

LAB 42.4, 27.05, -52.17

DIC
DIC 2602s

CMYK 0 / 17 / 27 / 32

HEX #AD8F7F

RGB 173 143 127 1

HSL 20.87, 0.22%, 0.59%

LAB 61.71, 8.81, 12.74

DIC
DIC 2298s

CMYK 0 / 14 / 32 / 30

HEX #B39A79

RGB 179 154 121 1

HSL 34.14, 0.28%, 0.59%

LAB 65.02, 4.29, 20.76

DIC
DIC 2305s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 3 / 0 / 30 / 34

HEX #A4A977

RGB 164 169 119 1

HSL 66, 0.23%, 0.56%

LAB 67.73, -10.08, 25.28

DIC
DIC 2318s

CMYK 16 / 0 / 27 / 38

HEX #859E74

RGB 133 158 116 1

HSL 95.71, 0.18%, 0.54%

LAB 62.25, -16.72, 19.13

DIC
DIC 2319s

CMYK 0 / 14 / 42 / 48

HEX #84724D

RGB 132 114 77 1

HSL 40.36, 0.26%, 0.41%

LAB 48.85, 1.46, 23.1

DIC
DIC 354s

CMYK 0 / 4 / 36 / 35

HEX #A59E6A

RGB 165 158 106 1

HSL 52.88, 0.25%, 0.53%

LAB 64.56, -5.5, 28.12

DIC
DIC 348s

CMYK 0 / 0 / 34 / 33

HEX #ABAB71

RGB 171 171 113 1

HSL 60, 0.26%, 0.56%

LAB 68.73, -9.12, 29.93

DIC
DIC 357s

CMYK 0 / 8 / 30 / 20

HEX #CBBB8E

RGB 203 187 142 1

HSL 44.26, 0.37%, 0.68%

LAB 76.19, -1.18, 24.89

DIC
DIC 506s

CMYK 0 / 2 / 9 / 21

HEX #CAC5B8

RGB 202 197 184 1

HSL 43.33, 0.15%, 0.76%

LAB 79.59, -0.53, 7.13

DIC
DIC 547s

Description

Color code: DIC - DIC 357s | qconv.com Color code: DIC - DIC 357s | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 171 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 171 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 34 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 34% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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