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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone DIC - DIC 127s it is the complementary color DIC - DIC 641s. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color DIC - DIC 127s. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 597s, DIC - DIC 590s, DIC - DIC 590s and DIC - DIC 2089s
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color DIC - DIC 127s. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 2542s, DIC - DIC 2095s, DIC - DIC 244s and DIC - DIC 244s
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 2073s, DIC - DIC 2524s, DIC - DIC 2504s and DIC - DIC 564s
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 170s, DIC - DIC 2545s, DIC - DIC 642s and DIC - DIC 130s
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The DIC - DIC 127s shade matches the following richer shades: DIC - DIC 127s and DIC - DIC 168s
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 2078s, DIC - DIC 2317s, DIC - DIC 357s and DIC - DIC 532s
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the DIC - DIC 127s shade: DIC - DIC 2524s, DIC - DIC 2073s, DIC - DIC 127s, DIC - DIC 170s and DIC - DIC 2545s
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the DIC - DIC 127s shade: DIC - DIC 244s, DIC - DIC 169s, DIC - DIC 127s, DIC - DIC 34s and DIC - DIC 58s
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 130s and DIC - DIC 190s
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 67s and DIC - DIC 109s
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 130s, DIC - DIC 185s and DIC - DIC 152s
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the DIC - DIC 127s shade: DIC - DIC 127s, DIC - DIC 2572s, DIC - DIC 185s and DIC - DIC 633s
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
Complementary color
HSL 211.91, 0.75%, 0.37%
LAB 38.24, 8.57, -46.05
Lighter colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 57.83, 0.88%, 0.63%
LAB 92.1, -16.02, 74.27
HSL 61.58, 0.92%, 0.67%
LAB 94.83, -19.84, 70.18
HSL 56.81, 0.81%, 0.73%
LAB 91.89, -12.27, 52.25
Darker colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 60, 0.69%, 0.48%
LAB 80.41, -17.72, 74.82
HSL 64.32, 0.51%, 0.48%
LAB 72.76, -19.05, 59.5
HSL 53.33, 0.49%, 0.43%
LAB 62.2, -7.36, 50.3
Warmer colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 44.54, 0.77%, 0.58%
LAB 77.99, 2.84, 63.93
HSL 27.47, 0.75%, 0.57%
LAB 65.76, 28.27, 53.51
HSL 7.4, 0.72%, 0.58%
LAB 55.86, 51.49, 37.89
HSL 355.71, 0.79%, 0.58%
LAB 53.32, 64.34, 32.28
Colder colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 72.86, 0.63%, 0.52%
LAB 79.46, -30.94, 67.93
HSL 96.64, 0.51%, 0.56%
LAB 74.08, -41.39, 48.93
HSL 112.63, 0.46%, 0.51%
LAB 68.41, -51.18, 47.84
HSL 131.91, 0.55%, 0.51%
LAB 71.31, -58.92, 43.65
Richer colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 58.78, 0.77%, 0.5%
LAB 85.91, -17.31, 81.89
Paler colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 51.43, 0.62%, 0.58%
LAB 78.77, -6.81, 58.06
HSL 54.07, 0.39%, 0.55%
LAB 70.99, -8.06, 42.82
HSL 60, 0.26%, 0.56%
LAB 68.73, -9.12, 29.93
HSL 67.5, 0.11%, 0.56%
LAB 63.14, -5.42, 12.23
Analogue colors
HSL 27.47, 0.75%, 0.57%
LAB 65.76, 28.27, 53.51
HSL 44.54, 0.77%, 0.58%
LAB 77.99, 2.84, 63.93
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 72.86, 0.63%, 0.52%
LAB 79.46, -30.94, 67.93
HSL 96.64, 0.51%, 0.56%
LAB 74.08, -41.39, 48.93
Monochromatic colors
HSL 53.33, 0.49%, 0.43%
LAB 62.2, -7.36, 50.3
HSL 62.95, 0.75%, 0.48%
LAB 82.12, -22.2, 77.95
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 61.82, 0.69%, 0.62%
LAB 87, -18.13, 62.45
HSL 62.31, 0.67%, 0.69%
LAB 88.7, -15.86, 49.96
Partial complementary colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 131.91, 0.55%, 0.51%
LAB 71.31, -58.92, 43.65
HSL 289.13, 0.53%, 0.47%
LAB 44.18, 60.16, -47.1
Triadic colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 190.71, 0.71%, 0.53%
LAB 71.37, -26.06, -25.39
HSL 309.23, 0.58%, 0.61%
LAB 58.46, 58.28, -30.46
Rectangular (tetradic) colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 131.91, 0.55%, 0.51%
LAB 71.31, -58.92, 43.65
HSL 241.1, 0.48%, 0.55%
LAB 42.65, 31.6, -56.99
HSL 319.73, 0.61%, 0.52%
LAB 50.41, 66.66, -21.47
Square colors
HSL 63.23, 0.74%, 0.55%
LAB 86.38, -22.12, 74.81
HSL 163.64, 0.51%, 0.46%
LAB 65.92, -41.27, 7.2
HSL 241.1, 0.48%, 0.55%
LAB 42.65, 31.6, -56.99
HSL 334.91, 0.73%, 0.55%
LAB 52.44, 67.45, -0.21
Description
Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.
The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 225 green and 58 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 74 yellow and 12 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
RGBA to HEX
convert from RGBA red green blue transparency to #RRGGBB
RGBA to CMYK
convert from RGBA red green blue transparency to CMYK cyan / magenta / yellow / black
RGBA to RAL®
convert from RGBA red green blue transparency to RAL®-number (RAL 0000)
RGBA to HKS®
convert from RGBA red green blue transparency to HKS®-number (HKS 00)
RGBA to PANTONE®
convert from RGBA red green blue transparency to Pantone®-number (Pantone 0000)
RGBA to Sherwin Williams®
convert from RGBA red green blue transparency to Sherwin Williams®-number (SW 0000)
RGBA to NCS®
convert from RGBA red green blue transparency to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RGBA
convert from CMYK cyan / magenta / yellow / black to RGBA red green blue transparency
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to RGBA
convert from #RRGGBB to RGBA red green blue transparency
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to RGBA
convert from RAL®-number (RAL 0000) to RGBA red green blue transparency
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to RGBA
convert from HKS®-number (HKS 00) to RGBA red green blue transparency
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to RGBA
convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to RGBA
convert from Sherwin Williams®-number (SW 0000) to RGBA red green blue transparency
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)